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THE GIVING OF NAMES ( continued, part three)

5
CANTIACI

We are the people of the corner lands
The ones dwelling at the edge,
Catching the first of the sun.
Rippling out into the waters
The ribbon ocean wrapped.
White walls our fortresses.
White walls and long pebble walls,
Walls of rock, walls of water.
First home is our home,
First land is our land,
Nooked, swathed, sun-warmed
Honeyed. A hum of bees
In the woodland,
A hum of birds at roost.
Harboured, wave-rocked,
Sea-light our hair, sea-bright
Our faces. Wind-cradled.
The gulls on the tide,
The rushes hiss rippled light.
The forests silent now,
The deer move out to graze
In twilight. Our moon scythe,
Grains of stars, ripe, fall
To our winnowing.

6
CORNOVII

The horned ones
Gather together.
The delicate, fierce ones
Tree-headed, call
Into the dawn air.
A clash of antler,
A clash of bone on bone,
The learned dance, the wild dance.
Sap-sweet, Spring’s blood
As it rises. An arc of lust,
A braying horn, a mighty host.
Dappled, we move in silence.
One by one from shade to sunlit pool,
Grazing, given grace, guardians
Of the deep wood. Stepping light,
A crown upon us, a host of spears,
Scattered glory of light,
We emerge, we disappear,
Inviolable.

( the Cantiaci give their name to the county of Kent, in the SE of England. The name means ” peoples of the corner land”. The Cornovii occupied the middle west of England, towards what is now the borders of Wales. They are one of many tribal peoples who name derives from something along the lines of “the horned ones” or “people of the horned one”. In Staffordshire the Abbots Bromley Horn Dance is still performed, where the dancers wear caps attached with sets of deer antlers.)

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THE GIVING OF NAMES (continued part2)

4
DUMNONII

Wrapped deeply
Within the green fold,
The red red bones
Of the mother beneath us.
We, the ones of the deep,
Self-buried in rich soil, become the world,
Who are the world, who recognise the deep,
Resounding valley, water fed, oak shaded.
We are the sound of deep drums,
The rolling thunder on the high moor
Where the red soil rolls back to wrapped valley
And all is weathered grey earth bone, and
The high, wild airs where the dead still live,
The ones who watch, sturdy, rooted.
We are the ones who return, who sleep deep,
Pile on ourselves, ourselves, mulched, turned.
Who feeding, feed the land when we sleep,
Who climb the steeps and cry the clouds down,
Raven -bright our eye, hawk -sure our grip.
We sound, resound, reverberate

( the Dumnonii of Devon in the SW of England, where I live, and the Damnonii of the rolling lands of western Scotland inland from the Ayrshire coast, both derive their names from the root words for “deep” and “earth”. The Dumnonii were unusual at the time in that they buried their dead, rather than using cremation.)

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DARK PATHS

Weighed down,
dragged down.
The dreary shadows of Hades.
Evaporated, become vapour,
a sigh, a damp complaint.
Tumbling or attaining
A natural level, gravity grave.
All the Wise Ones. Look! They have the heads of animals. All the guardians of the Hours along the River of Night, they all have the piercing eye of hawks, the sharp noses of dogs, the cunning of crocodiles. Look! The Sky Dancers, the holders of secret clarity, flying cloud-free, singing rapt with heads of horse, lion and vulture. Elephant-headed is the vast Remover Of Obstacles, librarian of memory. This is the meme, the clue, the thread. ( this thread, shallow steps into dark cornered gloom, where the monster, of course, is waiting, of course, with bull’s head.) Follow the dream meme to the shadows.
Six weeks respite
from relentless rain.
Now it drives down.
Wherever it falls:
the same streams and rivers fill.
They brim and gurgle
above the howl of wind
in their long, worn familiarities.
The waters rise up, and I am sunk down, becoming nothing. Abandoned. Lost. Forgotten, misplaced. Having lost the long lists, the fabricated descent, step by step, blindfolded, to here. In sepia, well-presented, motionless, in Sunday best, they are staring out nameless. Forgive us our forgetfulness as we forget those who are silent. Forgive us or forgive us not. For it is only the slicers, the severers of arteries, the disdainful destroyers, the meticulous murderers whose names we remember. The blameless, the harmless, all failures unknown. It is to the entrepreneurs of tyranny that we look up adoringly. Those who lead us to the precipices of dogma – it is to their simplistic gravity we tumble into darkness, grateful for the black and white of damnation.
These are the dark paths
through the deep forest,
shadows cast darker,
deeper by whatever light is shone.
From here, from there,
those shades cannot be driven.
They adhere to form and fact,
for that is their way.
However bright the light,
though they may shrink and shirk,
they spin and do stretch to find the corners.
Only if they should self-ignite, bloom,
flare up in glory of their own natures,
ceasing, then, to be the other,
will they become all radiant.
Each speck, each curse,
each scar luminescent.
Offered a single choice, here or here, we set off down the wrong path, at first hopeful but soon abandoned, suspicious of irredeemable error, fated, doomed. Each turn incised, carved in those shadowy lanes, brushed by insect antennae. The rasp of quiet, scaled, coiled flanks. The drip, slow drip of cold poisons. The hero, the fool, the hermit, along the path of crushed bones, dry, marrowless, to the castle of skulls, cemetary of good intentions, of careful planning.
No matter how one thinks of it. How eloquent, how elaborate, how sapient. They will become expunged. The soul is woven from these dark paths, these cul-de-sacs, these alleys. Even, even, without a name, without a body, their tracks will whisper that same pattern, draw along the same lanes, the familiar valleys into oblivion, the pathways of your soul. The slight impression of each signature, the names chosen to be ours. Mind matter cascading along, funneling down the worn crevices, fingertips wearing the print from crumpled maps.
But that is not all. There is no simple black and white (should you still think it so). These dark paths are the roots that feed us. Now and ever. The strings that knot the random into puppet dance.
That shadow identity.
There it is:
that, and this,
shadow
identity.
Vast and strong, stronger even than seems goodness, than polite graces, than washed out, mealy-mouthed heavens bright with weak wonders, bloodless fancy. Left behind to thrive, to wait, to build armies of reasons why: the roads that were rejected, the masks felt to be inappropriate, the behaviour reprehensible, the lusts out of step, the loves and hates unjustifiable. Building our building on the dead, who live yet, who live in the corners, the alleys, the shades, who steer us showing the way ( for they know the light so well, where the limitations dwell). And should you think yourself attempting holiness, or at least well-intentioned, trying hard, socially responsible, you will ( and this is most certain, most true, most shocking, rocking, roaring your slick foundations, my dears), run most, run fastest, run longest, deny the most vehemently what is also the golden, radiant best, the limitless possibles, the unfathomable depths of glory, screaming from it as if it were utter darkness, an ending to, a melting of.
Haunted will we be, relentlessly, drowned in guilt pretending to be good intentions
will we be. Hunted, will we be. Slain over and over.
Dark paths.
Visit the interior
Of the earth.
There shall be found…
There all shall be found.
The source, the spring
That can flow pathless,
Requiring no other truth,
No other choice.
A silver cup
On a fine silver chain
A dip, a sip,
To become
Unchained, dreamed, folded, woven, returned, unharmed, whole.

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SPRING EQUINOX MORNING

For this
one instant
A radiant pink
Squeezed and bright
Between hill and cloudbank.
Set round and sure
In circled gold
Dawn sun
Ringing
Time.

On the back of my eye
First flash of morning sun
Dazzles still.

Turning around
First flash of sun
Drives out thought.

Small promise
A moment of radiance
Before clouds close in.

It is the colour
Of heated silver
In a burnished silver sky,
Warm and cold balanced both
Tasting equinox.

A claddagh ring
This dawn:
Heart sun
Held safe
in year’s
Two hands.
Promising
Spring.

Promising spring
Dawn soon waylaid
A party of snowclouds.

A party of snowclouds
Cautious at first
Racing drunk and wild
Across neat fields.

Across neat fields
Light sparkles on dewfall.
Birds chasing each other
Pause a moment.
Spring dance.

Spring dance.
Changing partners
Their feet flattening daffodils,
A whirl of wind and hail.

A whirl of wind and hail
Is the news from the north.
All is silent in the garden.

All is silent in the garden
Dawn sun has vanished
Deep
within the daffodils’ trumpets.

Deep within the daffodils’ trumpets
Is the sound of spring to come
A bright fanfare.

I cannot describe
The colour of the dawn sun,
But perhaps
A blush of fire,
Burnished warm
By the fingertips
Of infinite patience.
Smoothed glow,
Delicate, cherished.

Sun hidden.
Collecting firewood.
The hearth
Still our closest companion.

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THOUGHT FLOWERS NAMED

The lamp is lit.
I would return to some calm
Abiding.
But here they come, first a whisp, then wraiths, now raucous echoing gamboling up from the buzz and chink of that wild banquet below. These beeezes: where do they gather their names and faces, become recognised, familiar? Back around what corner do these thoughts cease to be words, and what do they then become?
Sharp and edged,
Glinting bright,
Defined and cherished,
Tools of tongue and eye.
Who and how have they been refined, clothed, acquired status? Language clothes thought, but it is not thought. Simply three noticed feelings: attraction, repulsion, indifference, (atomic and galactic habits, too), the sum of them all. Feelings are what? Pulses of light and reaction along cellular lanes, a dance in a ring, unwatched at twilight. Goblin market, a tumble of shadows.
A web spun
By a spider world
To catch and hold fragments
Of itself.
I am food. I am food. I am food.
I am eater. I am eater. I am eater.
Precocious, petulant they are. Give them no attention! Primadonnas, show-offs. The more you react the more they will play up. Tinnitus, endless ringing, blood and heartbeat, breath, bone. The motor running, only the motor running. A drift of exhaust in the cold, frosty morning.
Underwater streams,
Deeper than worms,
Darker than pleasure.
An instant of dreaming,
A startled crowd of starlings
Take shape, wheeling away.
This river, were it to stop. This wind, were it to cease. And whence did it arise?
Coming over the hill’s smooth crest:
A green forest of birdsong
Spread draped in shaded valley.
Dive in, become lost, cooled and tongue-tied,
Dappled, aimless.

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CLUES NAKED, REVEALED

Spit it out
These nails
This dust
These flowers
Spit it out
And move on.

The soles of my feet
Wedded to dust
Spit it out move on.

This naked morning
This clarity of frost
Say it.
Unsaid, it is not.
Spit it out
Like nails.

Seeing is sewing.
Speaking,
A song of noise.
Birdsong
In the mist.

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THREE BREATHS

This morning:
A broad, bright estuary.
I, little boat
Resting on reflected light.

With the rain,
Its sound between grass blades,
Fresh vapours
Savoured.

Grey and green
Laid out calm.
Sewed voices:
Harmonic doves.

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UNTOUCHED

We do not make our own reality, nor the reality of others, nor the dream of reality, nor the wish of reality. We glance off the Real as light off metal, as wind off ice. At best we taste an edge. Then enfold upon ourselves to fill the void. Pretty shards of sight woven to inhabit a world. Sonorous thoughts woven to withstand irrelevance. Needle-slight, this point of view.
A compass of stuttering,
an occassional brilliance,
a stroboscope,
a fabric of simultaneous equations.
Erasing one world, one instant gone, recreating one world. Shiva blinks, eternity ends. The Ladder of Being, the descent of doves to the chasms of fire. A riverbed of laughter tells me what is my nature. This not this. Now not now. Never, not never. The tune, that one extraordinary tune, the perfect sequence, secret to all things, sweet and haunted, is a candle in a still cavern of dream.
Sung and forgotten,
sung and forgotten,
each note sung and forgotten.
Memory is not the answer, but memory is a clue. Will it can it shall it free us?
One word held, a flower reached for, a line that becomes straight, a point between the pointless, a key, a way out or a way in. Chained, owned, here we belong. Nothing to do but build and destroy, forget, forget. The thirteen classes of beings, the ten thousand things, the aeons and elements stand aghast, amazed:
the song of this stream,
the rippling of the sight of it,
the rainbow surface, the dazzling light.
Best song of the singer of all, golden chains to our tongues. The oracle speaks clouds of nonsense, vapours and dust. It follows its own nature. Sun and moon. The fifth day it shall return. Look to the north, the wild birds dance, the sight shall become a sound. Everything will be accomplished.
Vapour trails,
name of one writ in water.
Forgetting is the clue.
Do not forget it. Never forget it.
Forged, iron, still,
now the thing that never was, is,
and now, not.
Capture this sound –
it becomes silence.
Hold on, hold on
and it will be lost forever.
To say all things simultaneously, one chord, bringing all edges together. Eleven or thirteen dimensions. Constant is the speed of stillness. Nothing illuminating nothing. It illuminates surfaces once it arrives without moving. Constant speed of light. All sound, a commentary on the nature of silence.
A river in heaven,
Heaven’s river,
Way of milk,
Road of stars.
Looking in, looking down, looking out.
Hunters and hunted on circular paths.
Vindicated, never meeting.
Untouched is the Way.
Untrod by any shoe.
Unsigned.
Forgotten.

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MOON SCREECH

Moon screeches across the sky-
Chalk on board,
Ice dust on the wind.

Layered circumspection
Is no wiser than
Reckless certainty.

Inside me
Scream a thousand
Small possibilities
Extirpated, snuffed out.

Inside me
A thousand more arise
Radiant effulgence,
Birth smiles.

It will take
No time at all.
It will take no time
To wipe all this away.
Swept clear,
So fragile
This dream.

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Apologies for those who cannot bear more than a moment’s glance ( perhaps I should add in adverts for peanut butter and carpet cleaners, spread thereby the attention load). This piece came around and about from considering the general squirming embarrassment our culture seems to feel about art, and poetry in general, and the inability of educators to enthuse or value creativity in any heartfelt way. ( there are, of course, exceptions ( but are they waving or drowning?))
There is a weaving of voices and opinions here, quite knotted in places, but the thread moves on around dark corners….

SPINE AND SPINELESS, THIS ART

What is this form, this fashion, so disregarded, so fey? Why should one choice of words, one pattern, one rhythm be slighted, thought spineless, out of date? Difficult, too difficult are the equations, obscurity built on subtle shadow play, and hide and seek. Do not seek. It dives without breath. Without breathing, get lost, translate sound to blood, to surge, to weeping. It is not blood, though it moves in pumping tumbled capillaries. It is not tears but can move as oceans move, and salt fills all taste, all airs.
We so long for clarity
For surcease of thought,
Abandonment of care,
Cradled and lulled by voices of nonsense,
Nurture that asks nothing but for existence and smiles,
Asks no questions that require anything but joy.
Imprisoned in the walls of language. Right and wrong, skill and ignorance, affront and glib approval. We move from oceans to estuaries. From the far banks of expectation we flow upstream our own thoughts to praise neat canals and cultured meadow parklands. And soon that flow becomes stream, that stream a slight rill, a line of dribble, a small pool, a puddle, a gurgle, an empty dry openness, windswept, parched, a nothing but thirst, a certainty of sorts – enough to become harsh-voiced, enough to become rigid, narrow-eyed, suspicious of movement.
We have clambered upwards
Through hills,
Taught sinews to strive on
Regardless,
The goal of
Excellent knowing,
Of knowing enough,
Of getting by on seeming.
A false economy, a slavery of usefulness, a sharing of all petty failures, a payment of sorts. Nothing but payment for maintaining existence, right to live, no right to live. Show yourself worthy, a useful member of society, citizen, tied down, voiceless.
For what do we have to pay?
Shaped air,
Wasted time,
Distraction from the climb
To singular goals.
Those ambiguities that allow doubt,
That resonate with no logical cause,
That no science can measure
No statistics analyse
No financier weigh or assay.
Rile and rise, rebel and foment. Sound, mad sound as catalyst for new memory, old memory, new sight, old view. A way to push through. Slogans against polite propaganda, jewels to blind the bland normal levelling, the levelling of passion into cattle quietude.
Dismiss the fools,
Dismiss the jokers,
Their bladder alarms,
Their jingled bells.
The emperor is clothed,
Fully clothed, adorned,
Effulgent in power and glory.
We need no wonder, no alternate glances, no doubts to shadow our mighty ordained progress. No worm words to eat sweet certainty. No slick lyric to stir loins, to bring sly smiles, to bring to boil,
To question the inept, sinking boat.
Cast them over,
Let them drown-
These voicers of fancy,
The shapers of satire
And subjectivity.
For we have chosen our palette. It is harmless, dull and bland. Trained and wired to climb no great heights nor to topple or destroy. The boat will not be rocked by winds of word. Mind not belittled by sharp, pointing laughter.
For there is no alternative, no dreaming worthwhile. We strive for a limit, a judicious, paid-for maintenance of time and space. Rough edges removed.
Fists can be padlocks,
Rebellious reasons shot down.
Mindless violence is a world without eloquence.
Hate screams is a world without song.
Wasteland of arrogance is a world without satire.
Stalking mass dreams of broadcast conditioning is a world divorced from the ocean of time dream.
Kill poetry and quieten the spirit,
Quieten the voice. Quieten the voice and kill the soul. For it is reckless, antiquated irrelevance. Old dust gathered into monsters in the vents of air-conditioned rooms. Refrigerated, vacuum-packed, pre-formed, conveniently stackable, endlessly expendible.
These new nursemaids
Are our murderers.
The window left cracked open,
Unbolted.
The knifeman’s long shadows
In the dark.
Murderer of dreams, of futures,
Of roads unseen,
Of magnificent sound.

Silence will descend
And the fast, bright blood
Congeal and pool.
The endless buzzing
Of blowflies.

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