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YANTRA

It is not is
It is not was
And neither
Is it will be.
A thrum throughout.
Wrapped, webbed, unstruck.
Root note casting out
Harmonic creation
That we are.
One chord excluding nothing;
One name with all sounds;
All faces, all gestures,
All wonderings,
All worlds.
Whatever sound you choose,
That is it.
Whatever name,
That is it.
Whatever explanation,
That is it.
Whatever denial,
That is it.
Her tongue
Wrapped around your tongue.
Her eyes
Through your mirrored eyes.
Of no form,
With no preference,
An orifice of taste,
A groan of delight.

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Mirror words
(As are
All words)
Reflection
Of movement
Within silence.
Feeling shapes
Mimicked
By mouth
Borne
Outward
On breath.
Soft
(or hard)
Explosion
Into
Meaning
Within
Other minds.
Spontaneous
Blossoming
Of pictures,
Coalescing
Inner light.
Their fruit:
Other words,
Other pictures.

Like light
(perhaps)
From the outside
All appears
Bright and colour,
Whilst residing
Inside is
Darkness
And silence.
Where edge
Meets edge
(the silvered
Surface)
All appears
Perfect, clear-
Though it is a
Reversed world
One that can never
Be seen
Except
In reflection.

When is a
Mirror
Empty?
When it is not
A mirror.

Silent gesture
Shrug
Distant thunder.
In the forest
Falling tree
Mimics
The way
Of Heaven.

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STREAMS, RIPPLED MORNING.

Words rolled smooth with time,
A singing pebble bed rippling this stream.

King and queen of fishers flash and dive,
(would I were so sure finding silver
Below sparkling surface,
Sun-bright in the morning).
Bright-bibbed, the dipper stalks dark waters,
The warbler hidden in the wood.

Heron statues,
Tree of patience,
Colour of a rainy dawn.

The world is eyes and voices,
A welter of revealing.

Chambered and vaulted is my heart:
The green, templed valleys of Dyfed.
Deep echoing, oak-shaded,
Falling by hour, by day, down
To the slow slopes of sand,
The crumbling cliffs,
The roaring seas from elsewhere
(the fall of distance, horizon’s gleam).

That deep terrain, the stark geology
Of tale and history,
Directs the tumble downwards,
The notes, even, of the song,
Outliving lives,
Covered and uncovered,
Season by season
Prescribing the curve and flow.

I would not be at Connla’s Well
Out in the far West
Where black poison drips
To that bitter pool below.
I would be here beside the purple alders,
Their grave hanging heads
Companionable as bright Bran,
His honey laughter
Healing the horror of interminable loss.
Both true, though, those streams,
So intermingling, roped, woven,
A salmon’s view bent to a circle,
The world of edges and endings.

I have found a small pebble,
Cool and perfect in itself,
A remnant of sky-reaching mountains,
Child of avalanche and ice grinding centuries.
And have let it drop
Watching ripples dance outwards.
It is nothing,
But it is something.
A small pool easing thirst,
A little rest from bleak winds,
A moment reflected,
A place to start from.

——

( the first line ‘words rolled smooth with time’ popped unbidden into my thoughts this morning, setting off ripples of imagery, memory and reflection. Dyfed is the old name for Pembrokeshire in the south west of Wales. Many of the tales of the Mabinogion are set there – though the bones of this piece are more to do with the nature of language than with location in time and space).

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AND I DON’T KNOW IT

I would prefer,
So as not to cause offence,
Nor to sit on one,
To be thought
A wonderer,
A wanderer in wonder.
A wondering, a thundering,
A sundering.
A carver of,
A catcher of thought.
Poet,
A nasty word,
A little po-faced word.
Bard is resonant
And hard or soft,
A yearning, longing strength,
But smacks of nostalgia
And trying too hard.
I wander,
I wonder,
I scribble
And weigh words
With meaning.
A wandering mind.
A mind that wonders
And wanders,
Sometimes thrums
And thunders.
A shape in space
For sound
To form in.

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BALM

I shall cool my mind
Upon the low golden moon

I shall drain my habitual sorrow
Letting it flow earthwards
And rest.

Rounded quietness
The clear roof
Of a star-filled night.

Everything is as it is.
Everything is moving
Towards
A dancing of its own nature.

Sleep and dream and waking,
The blink of day and night-
Vibrations on the rim of
Creation’s bowl.

The rippled liquid,
Concentric pools,
An eye-blink.
Breath from the wing
Of a passing owl.
Polish the mirror,
Breath and sleep.

Frost at dawn
And the new lamb’s
Thin cry.
In the dead elm
Two magpies
Are building a nest,
Ivy clad, bejewelled.

As long as it can
Life will fill
All voids,
Dancing heedless
Over the precipice
Of time,
Disregarding limits,
Floating
As if it were
A garland, a light,
Set adrift
As a blessing
As an asking
Upon one great river
Sedate, curving slow,
Seawards.

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A ROAR OF VOICE ( edge of apparition)

Here it is
Here it is again
The ocean’s rush and roar
A world voicing, praising,
Cursing, keening
An endlessness of salt,
Sweet and bitter.

Rushing in from the single
Blue link to forever,
Illusory horizon, false edge.

They rush in:
Exalting waves,
Then comes the gravel undertow
Pulling ribboned grief back,
The harsh grain and the smooth grain
Rolling endless in the noise of it.
The augmentation, the echoing roar.
Endless is the diminishing,
The withdrawal of hope
Dissipating memory
Negating victory,
The slop,
The soaking away.

A cold white voice
Bleak on air
Hunger of the gull.
I croak and roar
A black god low on the face
Of the deep,
Cormorant shadow silent
Skimming rise and fall
Voice of centuries
My food
My food.

Tiresome
The endlessness of it,
Remorseless the repetition.
There is a vision, a dream
Of rockpools crystal still,
Small jewels rock held, safe.
Bashed, swept up in a new tide
Moon-pulled
Star-quenched
Tumbled and forgotten
Whispers, wraiths, sand-casts
Footprints.
The thin water’s return,
Small waters to a foam bed.

Upon my ears, my breath,
My blood, a voice
In perpetuity,
A bubbled spume, a seed,
A generation.
Its name:
The ocean, the sea,
Is remembering.
Its name
Is forgetting.

A sand of salt, skin salt
Eyes salt, pulled and pummelled
A sway of green weed
Locked to rock
Dreaming silver shoals
And an opening of sound,
Out.

Meaning found
Retained.
No one yet has built on such,
An ocean where lasting is long,
A dreaming forever.
For coral cities are sand,
Mountains, ground.

Sift heart water
Harmless as light
Polishing, melting
Wearing away with song.
Oceanic dreamings
Oceanic wakings.
Subsiding
With noise
World’s
Sleeping
Easy
Breath.

*

( ocean roar: one’s own mind audience, even if quiet, the world’s onrushing rumble bears down.
Never between, never shore-locked, never apart from, swept tumbling, hiss and thud, white noise.
Waveform, signs, sines, spirals. A word in your shell-like……)

*

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Working towards some text-art pieces for the “Great Night” project, I began playing around on the iPad ( the app was Zen Brush). Its a delightful tactile process and the text was not much consciously filtered in any usual way. Semi-automatic writing, I could say. Not quite as calligraphic as I would like, more spider scribble! Translations follow ( before I forget and can’t read my own scrawl)…

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1
Within the darkness
Within the walls of night
Jailor stars, spyglass planets,
The wild things lap and strut
Lines of thought dissolving
In manic, fearful laughter.

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2
The long trident of night
Tree-reached
Forward spontaneous deliver
No more the …..
No more the light.
A shimmer, a shade,
A will of the world,
A whiteness.

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3
Some
Some
The weave says
The way, the deep says,
Yea or nay,
Gainsay it will not prosper
If it has
No inherent breath.

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4
Away-
The slow soft
Words
These anchors
Of shrift –
A vocabulary
Of light
Awaits:
Reveal the
Door.

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5
Dissolve you
Dark lines,
Darker lens.
O, obsidian eyes
Deep set,
Your own soul
Would hardly
Recognise you.

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6
Lined,
Linked
Do not cackle
Lolly-tongued
Dishevelled one
Dark, bloody lips
Deepest urged
Destroyer,
Eater of night.

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7
This slow
Drawn out means,
Lost in lines,
Time wept
Scribble sounds,
Not gathered
Nor pooled-
Hard to distinguish:
A drain descent
Of echoes,
A distance of deceived
Ghosts,
Night stippling.

What is lost when it is not hand-written? Even when hard to read, it conveys to some part of us more of the intent, the hunt for words, the fight upwards into air. Illuminated by illuminated manuscript, time and care laid down for all time, a voyager of parchment and mind-matter across ocean centuries. What could be more enchanted, the mind of one millenia dead, born egged safe in new skull, scratch of quill, cockcrow and vespers…..

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FADING

It is a wonder we remain so long,
So pitted against the odds,
So tossed by ill-considered notions,
So ill-equiped,
So abandoned by squabbling gods
Who sense their own slow demise,
( the flowers of eternity caught
In first frost, petals bruised
And falling.

They will let go, even,
They will forget the juice
Of absolute power,
Leaving their cities
By the ocean’s side,
Leaving their phosphorescent palaces,
Their plastic groaning tables,
Their self-absorbed contemplations.

Before they smell the rot
And sink to feed the soil
They will wander into the mountains,
Mendicants with eyes on fire,
Find caves, light lamps,
Light incense,
Searching for that place
Where they took that wrong turn,
Missed the point,
Laughed at the wrong line,
Stepped across a void,
Instead of falling.

And they shall stay
Until they, and we too,
Fade to a line of footprints,
( they were moving quickly,
Hand in hand),
Shallow dips slowly
Filling with rain,
Reflecting the spindrift
Birth and death
Of spiral galaxies.

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FILLED WITH BIRDS

Dawn glides in silence,
Settles
Crystallising
around purring cats,
(quiet watching eyes
filling each room).

This house:
A pebble set against
A river of wind.

Two days ago
The sun splashed spring,
A bright relaxing,
Filled with birds.
Now,
Winter has returned
To gnaw our bones.

Still, light is growing
At either end of day,
Stretched, though, and pale,
But welcome.

I am become an interweaving
Of days and moments,
A halting song
Made poignant
By strange harmony,
An old song
With new words
And a new tune.

Days
Filled with birds.
Nights,
Dream-filled,
Word-filled.
A pebble set
Against
A river of time.

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Moonlight cover2

My first collection of poems is now available from Smashwords.( http://www.smashwords.com ) it contains one hundred and eleven poems compiled from my first year’s blogging, up until December 2012. This is my first attempt at e.publishing, and as far as I can see it seems ok – looks really nice on Kindle.
If you would like to take a look you can download the first twenty percent of the text for no charge. Price to download the whole caboodle is $6.99 (apparently there are 13,910 words, most of them in the right order! In a little while we should also have the book as a downloadable pdf available from http://www.treeseer.com

“This is the first published collection of poetry from Simon H. Lilly, an artist and lecturer who is also an established writer on esoteric healing. The majority of the works are from the last two years, with a selection of earlier poems spanning four decades. There are over a hundred poems, from short, haiku-style pieces to longer performance texts and epic narratives. The landscape of the changing seasons is often the backdrop upon which the nature of mind, awareness and reality is explored. His poetic influences are the spiritual landscapes evoked by Classical Chinese and Japanese poets, the rhythms and word-play of Old English charms and spells, and the wistful lilt and muscle of the Celtic bardic traditions, particularly the contemporary Scottish Gaelic masters.
Rich language, sometimes dense, sometimes light, always looking to recreate an instant within memory, a picture in words. Quiet, contemplative, but never sentimental, he describes these poems as “flocks of thoughts watched from a quiet distance”.”

Next project (when I’ve fully recovered) will be to publish “The House of Trees: a poem of thirteen parts.” and then maybe a volume with a mixture of word and image (a lot more unpredictable in how it will work on different reading platforms, though I believe).

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