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Posts Tagged ‘Winter’

UNDERPASS

Discarded words,
Crisp once now sodden spinelesss,
Losing colour
Swept down underpasses,
Damp and ammoniac,
An autumn of emotion,
Sullen sludge becoming inchoate wail.
Ripped from mind of one,
Falling into cascade of cliché,
The parcelled soap of millions,
Petty drama deified,
Rigorously abandoned
For the next scene.
Ghosts and leaves,
Both noun and verb
Are we become.
We have fallen into the sere….
Our own phantom menace,
The deeds we did and did not
Haunting the municipal paths,
Ifs and buts in overfilled bins
For late wasps of conscience
To drain some goodness out
And last the long winter
Sheltered in some crook of warmth.
Fire and fallen leaf
Flicker, send up incense,
A bonfire to remembrances
Found and lost,
Found and lost.

—–
A haunting image, subtle, empty, that graced the graceful words of Jessica Ryan’s blog post soveryvery.wordpress.com ‘One’s place’ is the spark for this flurry.

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WHITE SUN

A white sun
Drags low its cloak
Of long shadows.

The whispered song is
Fierce starlight,
Bitter winds.

Fast, small life,
This little wren
Dives into ivy,
Chiding sudden rain.

Standing still
To watch
An old pause
In time,
A breath
Caught, held,
Witnessed.

The dance melancholic,
A glory retained.
Satin, smoothed,
It slips
So swiftly by:
Shortest day.

—-

TEETER, THE BRINK

Now is the dark time.
What shall we do but sleep
Or light a lamp.
Illuminate, dream.
Mould our visions,
Plant good seeds
In hope.

The fast bleak grasp
Throttles sense,
Extinguishes
Simple warmth.
Small goodnesses
Are left us only,
And so they must suffice.

Trust in a return,
Slow or sweeping.
What is unlooked for
Yet remains.
To become unswayed,
To cherish, to succour.
Each one to their own dance,
A trace of footsteps
Leading back
From the cliff’s edge,
A whisper, a hand,
The ghost
Of a chance,
A good continuance,
A very garden.

—–

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TURNED, GONE ON (requiem)

Stillness now, lost blue and empty silence.
After wracked storm, tearing breath,
Tangled rain. The howling
Has ceased, calm, calm.

Where sun reaches, there
Is hope of a little warmth.
But little warmth in shade,
Little warmth when the face
Turns away from light.

Calm void where you have gone,
Spacious, rested, freed from pain of time.
Naked void where you were,
Are, no longer.
The empty fields,
The stiff sloped horizon,
The days ahead unformed, vast.

These winter roads
Will lead to a surprise of spring,
But not soon, not soon.
Not before the world becomes ragged.
It must become ready, choosing, too,
Letting go what is,
Letting uncertainty bloom.
Too tired to breathe
One last slow, drawn out,
Whispered breath.

The void of skies
Fills slowly with new cloud dreams.
The scoured earth will clothe its scars
In new skins of green life.
The hollows will slowly fill,
The woods, they will be bound in birdsong.
It will become gentle, dancing once more.
But not soon,
Not soon.

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This day

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I would wish this day,
Its singing silence,
To remain untarnished.

Its silver stations
Engraving motions of peace.

Unhurried, unabated
Tidal coolness.
Translucent vessel
Of breezes.

Unholy, unbound,
Unassumingly radiant.

Exhalant vapour,
Winter’s breath.

—-

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ONE MOMENT

Falling, tumbled dreams,
Wisped, fragranced,
Catch, spin and fade.

Morning is white and still
With frost and fog.
Sparrows motionless, huddled,
Await the sun, on elder, on elm.

We are sustained only, it seems,
By our forgetfulness,
By our obsession to measure time
And watch it passing.

To fit and shape the minutes,
Assigning usefulness
Rather than joy.

Sad creatures,
Longing for the real,
And missing it.

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WE, STARS

Orion leans drunk
Upon the hill.

(The winter’s wine
Is its night air).

Rolling cold breath,
Sickle bright smile.

Knows the way home:
The well-trod way,
Wheels careless.

Drawn on by faint
Petticoat Pleiades
Perfumed and giggling.

Too far gone, always,
Ever to catch them.
(Faithful dog
Licking slack hand.)

He will slur a sea-shanty,
A limerick, a whistled
Through teeth
Tuneless tune
And roll on.

Neither happy
Nor sad.

—–

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CHÖD

There is no artifice to the morning,
No allegory, no metaphor.
It is a clear road, known,
Never before travelled:
A cold wind streams from the North,
A dissolving moon sliding slowly down.
My purpose for existing,
Maybe only to be a friend
Of this little cat (future Buddha)
And to offer comfort where I can,
Watching the light grow and spread.

A flood of fast despair boiling tragically,
The collapse of possibilities, the revealing of wounds.
A world that is not enough, cast away.
The wonderful gods we have chosen,
Radiant with omnipotence, turn out to be
Exaggerated parodies of our own neuroses,
Given all power and now driving sanctioned insanities,
Mitigating circumstances for all atrocities,
All excuses sinless and shining.

In a high field the ice winds
Flow around a young girl dancing,
Naked, spinning a drum.
She has no possession, nothing of value
That she has not given away.
Her breath, her flesh, her voice, given away,
Her dance, to feed the ever hungry,
To clothe the ever despairing,
The hungry ghosts and tragic gods,
The parasitic demons, the lost children,
The bright feathered ones.

Within a vessel of silence,
With words of silence,
With melodies of silence,
She gives it all away
Until she has everything and nothing.

Drum like a heart at the heart of reasons,
At the heart of reasons not to,
At the heart of simply no other options,
At the heart of no choice.
Giving it all away.
All the language, all the fabulations.
Here,
This is yours, this is yours,
Feed and be satisfied.

There are no paths here to this field,
Nor are there any roads that lead away.
A road is an excuse not to stay where you are.
No future has ever been laid down by a road:
They simply return us
To where we have already trodden –
Debris of an old campfire, burnt cans,
Strewn plastic, shredded in tatters on black branches,
Whiff of ordure and wet ashes.

Do not follow the ones that say follow,
The bright parasites, shining destroyers of choice.
Pioneers of novel disaster, slaves to habit,
Recycled, irrefutible logics.
Step off the road, just step off the road.
If it is a new destination you seek,
Step off the road.
Return to the silent grasses, wordless whispers,
Mycelial clusters of small symbiosis
That feed the hungry ghosts
The roots and white fingers of dirt and dark.
Step off the bright road
That heads for war,
The bright road to a bright future.
Step off, sink down, be silent.
Refuse to be moved by impatient passions,
Goaded by entrepreneurs of stolen honesty.
Give away all the excuses that tell the reason why not,
Feed them to the subtle beasts.
Open to the cold north air, itself of itself.

A hollow, ringing emptiness:
Words that are of less value
Than last autumn’s torn, sliding, burnt brown leaves.
Heard only by those already listening,
Maps to those already on that path,
Validation of shared insanities.
Chanted the chanted spells,
To wake the world with word and song.

I shall sink to silence,
Sink to silence
Where the spinning drum
Calls the hungry demons,
Who, satisfied will turn flakes of laughter,
Sink to earth and dissolve.
A word to silence,
A thought to breath,
A soul to the winds,
The cold north winds.

Chöd is the Tibetan Buddhist/Bon practice of offering oneself as sustenance to all beings, a stripping away of owned existence, owned energy, owned thoughts, owned beliefs. This piece emerged from a pre-dawn slushing of phrases and ideas. It started as one thing but changed in the focusing upon it to something else. Machig Labdron is a popular figure, portrayed as a naked young woman with long, flowing hair, chöd drum in hand, dancing. She was an influential yogini.

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WINTER SOLSTICE

Shortest of days
Exquisite punctuation.

The golden egg
Hatching new time.

Birth-waters reflect still,
Cold blue skies.

Mist in the mountains,
Mist in the valleys.

Those that can,
Continue.

All others expire,
Release

Returning from the edges
To the centre.

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It is now the few days of Winter Solstice, where the sluggish, low sun of the Northern hemisphere, appears to rise and set at the same place on the horizon. I thought it would be a good opportunity to have a virtual exhibition of a set of eight images that were created to express the dynamics of each turning point.

The style of these digital artworks is constrained by their component parts, which are largely symbols that I have created to represent (and transmit to the viewer), the dynamic qualities of different species of tree. For each festival a selection of tree energies was intuited, (alongside a few flower, gemstone and colour energies). these were combined into a mandala form.

The first image is “Light of Winter Solstice”:

Light ofWinter solstice

The next festival occurs around the 2nd of February and is known in this part of the world as Imbolc. Here then, is “Light of Imbolc”:

Light of Imbolc

This is followed around 20th March by the Spring Equinox; “Light of Spring Equinox”:

Light of Spring Equinox

The 1st of May (or more accurately, May Eve), is Beltane. Here is “Light of Beltane”:

Light of Beltane

Around the 21st June it is the Summer Solstice. “Light of Summer Solstice”:

Light of Summer Solstice

Around harvest-time is Lammas (2nd August). “Light of Lammas:

Light of Lammas

The Autumn Equinox arrives around 23rd September. “Light of Autumn Equinox”:

Light of Autumn Equinox

At last the year swing round to its starting and ending point, Samhain, (All Hallow’s Eve, Hallowe’en) at the 31st October. “Light of Samhain”:

Light of Samhain

So I hope you enjoyed the show.

(Just by-the-by, if anyone wants a close look or feels a yearning to possess one or more of these prints, they are available on my etsy shop : http://www.etsy.com/shop/TreeSeer )

Happy Winter Solstice to All!

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Withering
Back to the bone.

Then, too,
The marrow
Drawing in.

Cease, surcease,
Silence.

Thread of life
Pulled tight,
Stretched taught.

Knotted, (dark knot),
To the past
Hoping to continue
Through this cold.

Even water, though,
Has turned
To rock.

Only one movement :
Slow,
Pendulum moon
Slides golden,
Hazy
Across
This winter dawn.

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