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Here are a couple of haibun inspired by the Ligo haibun Challenge for this week
(http://yourligo.weebly.com/haibun.html)

PEACE

The rising wind scours the walls, all four. Swings down and sings in the chimney, brightening the small flames. It is late. The cats are attentive, but unwilling to stir. Content will the small silences of the house. If I wait, the tumble of the day will subside. Thoughts will scatter, settle, lilt into corners like leaves do in autumn. Perhaps one or two shall remain to keep the company.

afterglow of single malt
bees dozing in noon sun
something important, forgotten

PEACE 2

They turn so carefully, the cats. First one way, then, after some thought, the other. Winding up to relax. Taking just the right angle for air, for warmth, for watching. Not a hair out of place, their senses, too, sleek and flowing.

still rivers of wind-
inside the house
not silence, but listening

fire roars
sings and whispers
longing for wind’s freedom

slow, long voices
wind and rain-
dream language

soon the fire will falter
though the fast winds run
we turn, fall into dream

**

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Surely it cannot be sustained,
This comfort resting on the back of lies.

Etiolated, we stretch tall and wan,
Straining to leave behind every root, even.

Hungry for withered light,
This forced flicker of cloud vapours, this promise of better,
This regurgitated psychology.

Every home in each mausoleum city:
A crowded tomb where the living stumble mummified,
Salivating new updates.

All the small gods gone,
Growing potatoes and beans in hidden valleys, forgotten,
Resigned to wait.

Only the blustering bullies remain, the greedy,
Insistent on their protocols, their visions for growth.

A short experiment. Forced fruits. Temptation
Of full ripeness turning to ash, turning to dust.

Make way. Make way. We study the death of stars,
Anaesthetised, unaware of irony.

Remove from us our craft
And we shall all become beggars, lost, drowning sorrow
In rainbow-stained pools, slow and viscous folds.

They stretch tall and limp, loud, enabled.
Their magic: monotony and ennervation.
Their ropes, their chains: the promise for better times.

Inertia, the slow, wearing away, the blocking of roads,
The pinching, the slighting.

We retreat from day, back to our tombs.
Too tired, even, for our own dreams, we collapse into parody.

Etiolated, we stretch thin and will soon wither.
Redundant.

Somewhere near,
The small gods dig rocky soil and wait.

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THE GREAT ONES

We make our own monsters,
Feed them and sustain.
Dark mirrors
That crush, embitter,
Defining right,
Ripping nerve from muscle
Leaving insensate force
To rule and chain.
Their names
Will live forever
While the quietly good
Dissolve back
As if never.

Their rise is ever
Our failure.
A choice,
A strong dream
Promulgated, given,
Over-ruling a more
Delicate path.

(The willows with their wicks of flame,
The hollow, tumbling call of the owl,
The sky’s gentle rain, fingertip chrism.
The hearth cracks as it cools).

The demons we have cast out,
Those we despised and disowned,
They rage free now, running the world.
Exultant, sure, unconstrained,
They know the fertile, dark earth,
They taste the mellow, crumbled humus,
The undigested decay of hopes,
The ephemeral, hesitant prayers
Laced through with doubts.
Wherever they step,
There is the cooling shadow
Of their triumph, the withering
Of breath, the tunnelling of sight.

(On the still air of morning, dew and mist,
A wood pigeon sails, glides, broad-keeled,
Down to its new nest, its new mate.)

Fire of mind spits and blusters,
Fire fanned and racing, consuming
To continue, eating itself, moving on.
Ashes, dust, smoulder, we eat all, move on.
A bitter combustion lacking all restraint,
Lost in itself, howling, ever hungry.

(The six lokas gently dance,
A play of blossoms, syncopated motion.
Gentle rattle, the bone ornaments,
As rainbow dakinis sway cloudwards.)

The rebels refuse to see any ineffable now.
Enough, they think: a trick that breeds complacency.
The will of Heaven: a slave chain.
Deceit they know: deceit they expect in all.
Their flowers that flourish are the bloom of pain,
The mistaken identity, the immortal secret.
Inchoate, needing all, it grows in secret,
Displacing order with hierarchy,
Growing its own executioner.

These are the Great Ones,
The Immortals, draped in gore.
Do not turn away nor shudder.
Only a clear morning gaze will cool them.
Only a tear-fall of bright dew will wash.
Refuse the spark to fury and fight.
Refuse the glory, refuse the judgement.

Our medicine. What shall be our medicine?
Measured poisons, a taste of death,
A return, a clearing of spaces,
An emptying, an unwinding,
A gesture of removing fear,
A small laughter, a shrug.

What shall be our medicine,
What our poison?
Stillness is an action.
Silence an answer.
No choice, still a choice.

Still the choice.
Remain,
Unhindered.
The roaring fires extinguish themselves,
A transmigration of souls.

**

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Here is a map of the main Celtic tribes of Britain. The areas vary from map to map, but this will give you a rough guide to what is generally accepted as accurate. There are many smaller subgroups named in Classical documentation about which we know almost nothing….

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7
VOTADINI

Sun, becoming burnished, cherry red,
Rolls up that hill,
A golden road to golden day.

This is our land, none better
For our long days,
As days stretch and darkness glistens.
A rich land for rich hearts.

We rise upon our high, green seats,
Our green thrones, rise towards the sky,
Lifting the land, a cloak, a wing, a song.

This vast curve of life:
A shield against all dismay,
A pool, heaven reflecting.

Islands arise from the morning,
Hearth fires radiate into the dusk.
This is our birth,
Rolling up the glorious hills.

*

I forgot about this one that I scribbled down a few days ago as dawn came up.
The Votadini were a tribe inhabiting South East Scotland up to the Firth of Forth, present day Borders and Lothian regions.
Their territory is characterised by big hilltop enclosures with large walls and banks ,(examples are Eildon Seat, Yeavering Bell and Trepain Law in East Lothian, which was probably their primary seat until it moved to Dun Eidyn (Edinburgh) in the 5th century).
The name probably means ‘fort dwellers’, though has also been interpreted as ‘those of the wide places’. Their name becomes transformed into the Early Medieval British kingdom/confederacy Gododdin ( ‘w’ sounds change to ‘gu’ in many Celtic tongues), well-known for the Welsh/British poem that records the disastrous defeat they suffered at the Battle of Catterick.

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6
BRIGANTES

Soaring over whin and wild barley,
Watched and watching,
The eagle, cloud-friended, glorious.
The small ones, still, bright eyed,
Amongst the grey rock, stoat and hare.
The grey rock, the grey rock,
Still they stand, scribed and measured,
Sky-loved.
A dancing floor, a gaming board,
Dyed bright as day, mist-cloaked, wild.
We claim the heights,
For they are hers.
The Highest, folded, pleated,
A plaid of keeping.
Bright, uttermost, tower of light,
Our home, our name.

We hear the voices from the deep dwellings.
The liquid tumble falls towards the dark centre,
Scouring the grey smooth, a constant choir
Feeding the stone, feeding the soil.
From the heights we descend
And return spiralling, victorious.
Radiant cloud, rainbow mist, sharpened rain,
A slingshot of ice, a glance of gold.
Exultant, we look down, we look down,
We who dwell within the Highest,
Look down, reach down, sweep up.
Clasped firm, swinging, sky-borne.

****

The Brigantes were a powerful confederation of peoples across the North of England, specifically focused on the high lands of the Pennines, the central limestone lands that run down the centre of the country as far south as Derbyshire. The name means ‘high ones’, ‘upland peoples’, ‘people of the High One’. Brigantia is the name of a deity, translating as ‘Highest One’ or ‘Highest Goddess’. Limestone country is characterised by exposed platforms of rock, water-eroded into ‘pavements’, and deep sinkholes that open into complexes of water-carved caverns.

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BITTERER

The insane
Present lucid arguments.

The sane babble
Dribbling incoherence.

Imprisoned and safe,
Citied in utilitied minds
Neat, swept clean.

Wolves and monsters
Hedged outside.

There are no doors allowed
This perfect construction,
And hardly a window,
So satisfied we have become:

These mirrors, these fashion items,
Neoned and bar-coded
Safe for consumption
( ever it was, ever it
Will be the name
Of a bitter disease).

Wake up, leave and
You will be naked
In front of all your lovers,
Starlit,
Glorious.

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TIED

My heart is tied to the swell of time.
This tide of days, this wash of seasons.
This breath, this slow explosion,
This unfolding, this revealing and concealing.

Unfurled, I am stretched elastic
From dawn to dusk,
From horizon to horizon’s edge,
Surprised by cloud and bluster,
Swept up in flock and murmur.

Chimed, cascaded,
Catapulted into distance,
Collapsed to dancing, molecular dust.
Sun-caught, moon-cooled, star-pierced,
Tumbled through grasses and shadows,
Shorn by cold, wakened by ice,
Shaped and turned, lathed, formed,
Reduced, concentred, made real,
Made utterly real, made whole.

Gauged and runnelled,
Flooded in memory,
Eroded in seconds and hours,
Made into the new,
Then back to familiar, dust.
A rise and fall,
A breath, a heartbeat,
A word
Whispered.

*

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The Giving of Names (continued 5)

SELGOVAE

A space between the stars.
Dark, we are wrapped, wringed,
Unnamed even,
A smudge in the night,
Inked, marked, shaded.
Climbing from mud
No thoughts of our own,
Blameless we destroy,
Blameless we create.
A shadow of the master,
A wish of the mistress,
A whisper down the dark glen
A breeze turning a cold cheek.
Iron in our word,
Iron in our hand.
Our word is iron, our grip, iron
Cold, certain, untainted.
Our way: a dance, a mesmeric shimmer.
Holding serpents, owl beaked.
Our silent gift a sudden end.
Blue grey the steady eye,
The black red bite of blood,
A howl at the throat, stifled.

We writhe through the night,
Shadow dance and skitter
Inhabiting the corner edge
Breathe on your smooth neck
Assay, test and mark the footfall.

In and out this world
A quick needle sewing new days.
In trance we enter in and out
Flow water-curved, spiral-tuned.

If you do not know our language
If you do not know our ways
If you do not sing the fierce heart’s song,
It will only be fear and endings for you.

Ghosting through dawn’s slice
Nothing but a dream we were
Returning, filtered, fading,
Explained away, laughed off.
It is you are deeply severed,
Surely marked out,
Stripped of doubt,
An offering, a promise.
The sign cannot be mistaken,
It cannot be washed out.
We who were chosen, have judged
And chosen. No backing away.

At dusk it will be the dreams.
At night fall, the voices begin.
The nightjar shall call you,
The fox mark your path.
Delineated, made edge,
An invisible will
You shall move silent,
A hush,
A fireside tale,
A moth’s flicker
A tremor of dust.
There and not there.
Depiction,
Painted warrior.

**

This arrived late last night. I wasn’t sure which tribe was ‘speaking’, except that it was probably from Scotland. The Picts (Pictii), was what the Romans called these peoples: ‘the Painted ones’, because of their use of body art. Body art was common amongst Celtic and Germanic tribespeople, so the Scottish tribes must have been in a league of their own in this regard. The Selgovae inhabited the Southern Uplands of the Scottish Borders, around the Upper Tweed basin. Their name means ‘hunters’.

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**

A flood of gold
Danaë sighs
Morning sun.

**

Owl call
Answered.
A single star
Glimmering.

**

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