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Sugarloaf (Cambrian Rift)

SUGARLOAF (Cambrian Rift)

It is a sweet hill – the steep border between

The nodding bracken and the water meadows.

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A straight road to heaven,

Last descendent of those ancient hills

That sit before the throne.

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A knife-edge of rock slicing the wriggling roads.

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Climb up it, and you shall see wonders

Where silence tumbles into cold wind.

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Below, trees sway ranked in autumn colours.

They await the battle of winter.

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Here, the tattered sky catches in grasses

And thin earth throbs with distance.

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Road and river, far below, glow golden –

The land made soft by the flow of Towy

Fades down to the warmer west,

Down to the sea beyond horizon’s hills.

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Breath and heart and hope rise here:

Who would not long for wings?

Solstice Light

SOLSTICE LIGHT

Listen, listen, the slow light of solstice morning.

Time shuddering, time standing still.

A word wind muttering indistinct, its rhythms and intent

As steady as oars would be, as steady as oar strokes across a glassy sea.

Listen, listen. We were all in one band, a magnificent number.

Heading west ( always heading west into darkness there, into the mists).

One raised his voice – the song we all knew.

One of those songs whose words would be ridiculous, banal,

Without the tune. Whose chorus impossibly united the living and the lost.

The glass sea slid by. Time ran out.

Some said it was a hard coming of it that year, but it was not.

It was not. It was as easy as breathing.

The reasons, so reasonable. The logic, implacable.

The rhetoric, bombastic and irrefutable.

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The watchmen were silent, uncommunicative.

Impossible it was to know the minds of the doorkeepers.

We were there to free the imprisoned,

There to reclaim what had been lost,

There to carry home what had been taken.

Voiceless one by one we fell into silence there.

Burning bright as phosphor bombs falling from the air.

Bright as sparks hammered from the anvil.

The prize was claimed, as it always is,

The light released, the cave broken upon,

The tomb unsealed, the spell broken, the curse trod down.

But the world now, irrevocably changed.

Seven with breath, seven with tears still falling,

Seven tired and justified. Seven wan and clustered stars

Backward looking, racing on.

In a world, in a morning, not ours.

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The slim waning moon floating into the stormy dawn,

Losing its light minute by minute. No longer noticed.

Fading into day.

I have cast out on the grass, seeds for the small brown birds,

For the hungry and the cold.

The eagles and the hawks have gone. The songsters silent,

The stately waterbirds, the watching herons forgotten in the fluttering rush.

I shall sing the names, uphold the excuse,

a psalmist counting off lines in a cold cell: the cajoling verses of warrior kings

For fickle vengeful gods, the rosary of blood red beads, the genealogies,

Until the shivering silver-edged awen fails, tumbling into mute silence,

Voiceless watching an unextraordinary morning.

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If we had not been so strident, so golden,

Could we have passed the doors unscathed?

Had we understood what was asked of us,

Has we not mistaken guileless honesty as elaborate deception,

A trick to catch us out,

Could we be in those halls still feasting?

There with no needs to forget,

no weight of dust and falling radiant starlight upon us.

No need to elaborate the litany of the dead,

Compose harmonious laments, gather together the names,

as if they meant anything any more, as if we remembered

Their bright eyes, their smiles, their warm strong hands,

Their words around the fires.

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The ashes are cold and must be cleared now.

Reset the hearth. Begin again.

The splash of sweeping oars and the crack of canvas receding.

Our bright futures looking westwards: the new approaching night.

It is not what it could be,

Not what was promised.

But it is what it is.

Shadows

SHADOWS

These lines – the chiselled shadows of words.

Consonants moth-whispered, vowels, lichen-grown.
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A sunlit porch and laughter.

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Light swings round the mountain

throwing a cooling shadow

across wood and field.

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Ghosts do not tip-toe here.

As if they own the place, as if they always have,

Squeezing us between regret and reminiscence,

stained by poetry, small life blooming

on cold fallen hearths.

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Their lilt of names and

who lived where

and who they loved

and who they hated,

whose sheep on which pasture,

whose son left and lost in another war,

whose daughter run off to a bigger life.

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Pipesmoke and murmurs,

paraffin and oiled rags.

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The long light stretches between October trees.

In the cities the streetlights flicker on.

On the farms ashes raked,

Cold stoves chivied back to life.

Small lives shadowed by greater things.

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The chink of tools, the warm scent of sawdust.

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A gentle downward slope into night.

Rests Lightly

RESTS LIGHTLY

My heart rests lightly

on this wind.

It dips and bobs

and lets go

tumbling in the passing light

rolling off the gradients

of the seasons.

Fragments of rainbows come and go

piercing time with beauty

– a reminder.

The leaves too, dance and let go,

and green slides off the hills

to settle in sheltered places.

Bracken turns quick gold

then long reds.

Air spiced with things losing names

becoming something else,

becoming earth.

The willows dance,

the poplars dance all silver,

the birches, gilded.

Tumbling

TUMBLING

My heart rests lightly

on this wind.

It dips and bobs

and lets go

tumbling in the passing light

rolling off the gradients

of the seasons.

Fragments of rainbows come and go

piercing time with beauty

– a reminder.

The leaves too, dance and let go,

and green slides off the hills

to settle in sheltered places.

Bracken turns quick gold

then long reds.

Air spiced with things losing names

becoming something else,

becoming earth.

The willows dance,

the poplars dance all silver,

the birches, gilded.

Restless

RESTLESS

This mountain sails through its weather

just as it moves through the centuries.

Magnanimous, it shelters all under its shadow.

Infinitely patient, it welcomes all,

Folding their tired dust into that long gaze.

The mountain, settled in its own weight

Breathes whispering streams and roots.

In the garden a robin sings in light rain.

The autumn winds curl the edges of leaves.

Dogs bark, uneasy from their white walled farms.

The Towers of Summer

THE TOWERS OF SUMMER

clouds roll

mixed with sunlight

slowly down

the side of Y Garn Dwad.

the hay is in now

so let it rain a warm rain.

now, now, everything green

reaches upward in one great exhale.

the towers of summer stretch out, bow down.

there is thunder

in the distance, so they say,

and the rivers will soon be filled again.

the surface of Llyn Berwyn though,

shall not be troubled for long:

it will return to its quiet reflection

of hills and cloud,

the brown trout

hardly noticing

a world

that cannot decide

between this and that.

held firm it is, unperturbed,

the lake that lies

in earth’s firm

folded hands.

Nine Ripples on the Lake

NINE RIPPLES ON THE LAKE

Will it take your names, all your histories,

your reasons for and against?

Will it hear them while it gazes,

timeless, at the timeless changing skies?

Unless you remain in the depths of it,

unless you lose the skin and bones you love,

unless you become welded, wedded to the flow

of remaining still, staying silent,

you cannot know anything of it

but what it is not.

What its eye beholds: an endless upward gaze

of shaping ancestral cloud.

It is an open mouth modelling syllables of ripples,

the sweet rain and beating grey hail.

This steady rest is your antithesis,

O comrades who dig and delve,

who shape and mark out and name

and lose, slash and burn and wonder why

loss is loss and always so painful.

Painful enough for songs that will not be forgotten,

the badge of emptiness and of dogged continuance.

Though you are beautiful in your ways,

you are not as beautiful as this.

Though you belong and hold on, tenacious, to that belonging,

you cannot belong as much as this mirror-edged bright shimmering.

Sit here and do not move. One century, two centuries,

a thousand years, the centuries before forests, before the lands drowned,

before ice, even, as the blackbird pecked the anvil to a nut,

as a stag became tree, and the oak watched as the salmon flicked

its rainbow waters.

The rivers locked and singing here in silver chains, in golden chains.

The lament you hear is your bloodrush, your heartbeat.

The sorrow you feel is your food and your sustenance in darkness.

Hatched and growing, you will swim and wriggle across the oceans,

the rivers beneath the sea ( its orchards, its plough boys,

Its bright jingling chariots, its proud, proud horses in the morning.)

Knowing nothing and knowing everything.

This is how water is, how the lake is.

A metaphor for everything else.

Shimmering mirror memory.

Look down into the highest heaven.

The moment it is reached for, it disappears

Tumbles

TUMBLES

The year tumbles fast now

towards its closing.

Dragon’s breath swathes the hill

In the middle of the morning,

and the grasses lie damp and lank all day.

The sun is distracted, its thoughts elsewhere.

The rivers race through the night with the rumbling stars.

Our moon flicks its light

from dim to sharp to dim.

Days of storm follow days of cold still calm.

Growth stutters and halts,

the trees reach for their golds and browns.

Plans compress or are abandoned.

What is not done, now can wait.

The fires are lit in dark mornings now.

The fires are all lit.

John Price ‘Beulah’

JOHN PRICE ‘BEULAH’

Between heaven and earth

John Price, there, was a blackbird before rain,

a song thrush in the evening.

He kept to small lanes

and taught others his delight

at the end of a hard day.

Carpenter, son of a carpenter,

between the rolling roads and rising views,

between Llangammarch and Beulah,

he measured with a clear eye

the mortice and tenon of his rhymes,

turning the tune, tapping home the notes.

His voice heard mellifluous

by the hills and rivers,

by the gathered singing poor,

by maid and shepherd,

by schoolchildren and labourers.

To sing in chains

is to watch the chains

dissolve.

John Price ‘Beulah’ was born in Llangammarch. He learned his music from a couple of skilled local music teachers, particularly the ‘sol fa’ systems of notating music. Apart from a couple of years in America, where quite a lot of his music was published, he spent his life as an estate carpenter, teaching music and local choirs around the Irfon valley in his spare time. He was a prolific and influential hymn writer in the early 20th century, and also wrote many popular songs. His work did much to promote local choirs, so central to the characher of Welsh rural life.