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St. David’s Day

St. DAVID’S DAY

sunlight drifts lazy, slow, over hillsides
like the thoughts of man
and sleepy gods.
hunched low, these wild Cambrians
hide their own
merciless uplands with steep green:
ascending oaks and the downward rushing
waters that name the valleys.

there is there.
a studded look of clouded rock horizon,
a descant of filtered light.

turn round, though,
and you will see
the high, dark wavered line of the Epynt,
shrouded, begrudging light.
a mystery of mysteries in smoke-wet valleys.

and here now,
the ravens flying from one to the other,
from glowering dark to shining light,
swimming across sheep-sprinkled valleys
all green even now at the end of winter.
the farms all gathered for lambing
and the cherry plum awakening
with the snowdrops and daffodils
and all.

St. David’s Day it is.
he who is a saint of the edges,
a decentralised saint,
a saint of hills and horizons
and sweet, cold waters
and the birth of Spring.

look here: a bright benign unfolding.
look there: a towering roar of grey-blue cloud,
toothed and grating the hidden darkened slopes.

a march between contrasts
a choice of choices
that become nothing
but a roll of change as it changes with the wind,
cold then wet, a speaking of days,
a laughter of uncaring bliss
and an end to certain righteousness.

so this cold wind has March on its edge,
a kiss of rain and mist and a hope of sunlit moments.
this world is a landscape
made of whispers.

the proud man is his own fool
who cannot see.
the humble know they breathe
the breath of others,
the echoing chambers, the sighs and footsteps.

this world, hung upon the cross as our deliverer,
and we, hung upon the cross of its directions.
one given to the other, mutually mixing,
a melting of forms and of thought,
A landscape made only
of whisperings.

Wordless

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The rivers rise and fall
with the rains.

The hills come and go
folded into their colours.

Day and night are
the forest’s murmured breath.

Green are the roads full of song,
the spine of sky split open,

And the drovers’ cries,
forever herding stars.

Fountains of light sucked
into velvet: the silent midnight.

These moments, so translucent,
flower quietly in the heart.

Nothing concealed nor measured,
no meaning here:
A wordless thing,
open.

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Raven Wind

Raven Wind

Eight from the cliffs,
In groups of two and three,
Flowing into the light,
Into mist and mazy weather
Buoyed on distant sight
Sharp as ice,
Bright as water,
Wing-tips singing,
A smudge
Of unbegrudged blessing.

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Words Nest

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But ‘we’ is not circled.
We have no edge ( though we think otherwise)
(though we think we think).
We think beginnings and endings,
we think words, breath, silence, breath,
intake the other, exhale the other.
cannot remember any moment beyond
a circumscribed horizon, cannot, even, the dreams,
nor the memories, for sure (was it, was, was it so, was it not?)

There are, of course, clues.
Vagrants, with a certain mildewed smell,
mutter slewed directions, their demon-bright eyes.
(but those we shun, as shadows,
as churchyards at night, as the insisting amoral voices in the mist,
peripheral, shuffled, ambiguous).

The long halls, the rooms, the chambers.
My dear Giordano, such equations, such equators.
So few and tired are the moronic habitual paths,
so broad the primrose paths
to Hell untrod, unstudied.
A rumour of damnation, like a roll of distant thunder,
a storm coming. Well, certainly, there is a storm coming.
From the edges to the centre, from the centre to the edges..
An ending ( of sorts).
And then it echoes around another’s skull.
Seed syllables.
The end of worlds.
The beginning of worlds.

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Verse 13

Guenin igodo, oer agdo rid;
Reuid rev pan vo;
Ir nep goleith, lleith dyppo.

‘Bees in cover, a cold covering has the ford;
Freezing frost comes when it will;
Despite all evasion, death comes.’

1
All withdraws, thrall to frost, that covers all.
Fast it holds cold windings.
No one, no world, can wriggle free.
So we become still, a huddled, humming tribe
Unable to forage, to find food.
A cease of movement
Falling white frost covered, frozen.

2
Nothing can prevent a fall of freezing frost
Falling on all: the hive, the water, the hall, the blood.

3
Bees in their halls, drowsy and dreaming.
The tribe is huddled, hungry and silent.
The ford is wrapped in cold, a bleak vein,
Mist-chilled, brings no succour to the valley.
Ice teeth tears its edges.
Fogged with frost, water turns metal,
Metal turns ice, cold shrouds all flesh now,
Or when it may, or in the end.
Wriggle or writhe – no escape is there anywhere.
The white winding cloth awaits, none can avoid.
A fog, a mist, an icy frost, it descends on all.
It is as it is, a bleak thing maybe,
But sharp enough to wake a tongue to song
With honey words, a rippling stream of song,
A lullaby to the living, elegy to the dead.
We all await a Spring, a way across the water.
To be led homewards, the priest’s plainsong,
The warrior’s dance, the summer flowers blossoming.
The watchful wake, the blessing of silence.

4
Rimed, it will collapse
Regardless of wishes,
Of urgent wriggling.
All the living become silent
In the end.
The ease of winter:
Ice, frost, freezing when it will.
Effortless, it falls on all.
Bone white with cold teeth,
With sharp tongue
It sucks marrow
From a broken world.
Lord Winter commands
And stillness falls.
Rasp and murmur,
Our ice breath chatters,
Edged at darkness
A distance from the hearth.

5
A cold flow it is,
Draining warmth from blood.
Frost-hollowed, fog-bound,
The valley river, a tusk.
Sudden or slow,
Ice will eat us.
A falling frost freezes all,
Moving or still.
We tumble wordless
Earthwards,
From a bleak
Empty sky.

6
In the perfected chambers,
In the golden chambers,
Silent the queen,
Silent all the host
Drowsy and dreaming,
Hungry, huddled in their halls.
Through and within
Is an echo
With the single moment,
A cold breath,
A wandering , whispered ending.

7
The stars in their millions
The forest’s edge
The river’s roar
The cold darkness,
The ice air.
Muffled is the coming
And going of the ford.
Weighed, constrained,
A limitation of frost
Crust cold, heavy
Sliced iron moments.

8
It shall stalk all halls,
The stars, the cells,
The covering dreams of all
Whilst we sleep, whilst we walk.
Neither frost nor snow,
Not in anger, nor in carelessness.
Within the song.

9
From these strict geometries
Our dances express wriggled sweetness,
As if it were possible to dream away
The stillness behind it all,
The cold between breath and heartbeat,
The petal bloom of mist
Flowering on frozen air.

The way across is covered.
Lost perfection falls
And will not tolerate us.
So we must dream, be still
Or break and burn,
Then crystal clear, rimed, lost.

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A Particular Device

A PARTICULAR DEVICE

When we look so close at life inside us,
it simply becomes a tree of madness
where ghosts host and catcall,
swapping bodies and their nightmare mysteries
( from which we have never, ever, recovered).
Such strange animals. So many hands.
So many dances. So many attributes.
A collective deity ( or a pan Demonium).
There is a clue in it all somewhere,
a clue, a clew, a thread, a maze,
a spider, a monster, an eater of the charming ones,
a hungry axis, a deliverer,
a coin on his eyes and on his tongue.
The rite of the Opening of the Mouth,
escaping gravity through the small angled shaft,
homing on the singular, most singular star.
Dust to dust. An assay of hearts
before the animal-headed ones.
We are Jongleur, kindly admit us.
Remove our head. Give us the bliss of love and asses.
Return us whole to the world without end.
And let us cease to burn.
Let our mouths be filled with the cool waters.
Seven rivers from the Garden.
A lascivious sprouting of leaves, a splayed, secret hand of fig.

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Red Hill

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RED HILL

that open hill crowned with light.
this dark valley lost in winter.
patient oak and purple birch,
and the fast, grey river.

folded and hidden is the road to Troed Rhiw,
between the cliffs of day and the cliffs of night.

a cold wind and a cast of rain on the red hill.
at the rivers’ meeting are round silent pools,
the small sands, the worn, smoothed chambers, in the lee of the flood.

a roar, white as cloud, stretches the skin of green rock,
squeezed between the knees of Craig Clungwyn and Rhuddallt.
a mouth of water it is, a long name, a summons,
a history of welcomings and fare thee wells.

the withered sedge counts the hours and different ways,
dreams on the cliff’s edge of new green days.

and this I wanders between the thin weathers
watching the light stray as slow as sheep,
marking the orange and the gold on this fine day,
and a grace of blue sky hung for a moment
slung between Craig Du and the steeps of Pen Rhiwbie.

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THE WATCHES OF THE NIGHT

satin smooth,
the slip of minutes.
a thrum of rain, softly.

tumbled from skies,
dreams like the Towey,
slow, meander seawards.

a wide forest sleep
sighs, a symphony.
owl and fox, conductors.

wandering through.
a trail, footstep words:
small, moonlit puddles.

a dark plateau.
a dusted sequence,
trespasses unforgiven.

even bodiless,
adhering to habit,
cambered causeway.

a bridge suspended.
dark the waters
shimmering cold beneath.

sung by a shape of words.
mountains named,
a throned reciting.

an intimate decay.
a clock of heartbeats,
a lilting, familiar nod.

sideways and down.
subtle the shift,
the weight of dawn.

draped about,
falls discarded.
gathered in, forgotten.

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Only This

See how the sharp edge
of the moon
is a whetstone to the wind.
worn down, nail thin,
by heaven’s river.

keen, I suppose,
will be the waters at Pwll Bo.
focused, brown and roaring curses,
squeezed between rocks
in the ringing, whirled pools.

there is only this:
sudden mystery rippling
waves of grass;
a dog barking
as the hills come and go.
the waves of their edge
breaking deep
to the green valley’s bed.

last day of January-
flooded with passion
for things unmade.

and the yews of Aberglasney
will be bowed down
from the weight of stars,
their dark corridors
woven deeply with tingled silence,
a worm’s turn from Spring.

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Sgraffito

SGRAFFITO

Eyelids turned translucent,
The walls of flesh dissolved.

In utter darkness a pool of mercury trembles.

He should place the day upon his forehead,
The moon’s taste upon his lips.
The music of crickets he should place
Upon his ears,
And the music of starlight
Upon his breast.

These veins: bright rivers that knit a certain landscape.
Blood red are the hills in sunlight,
Rust, the slopes, in rain.

Falling beyond breath and beyond sleep.

His two eyes should both behold
His best beloved.
In his left hand, his cares.
In his right, his passion.
Upon his feet
Strong wings of lust.

Small, dark, is the day.
Fevered and wan the sun.
The crow’s wing coughs.
Withered is the hill.

Swells the beginnings and endings, bright burning, dreaming names.

Let him be surrounded
By a great host of angels and demons.
Let him observe as they mutually engage,
Rise and lift, conjunct and consummate,
Until they fall apart slaked, becoming satisfied dust.

This scatter of farmsteads
Glistens white as quartz
Washed desolate,
The cold stream
Of winter’s winds.

In utter darkness an impossible music shapes words.

Light from a billion years
Pours from the sky,
Not casting one shadow.
It sinks to a core of iron and gold,
Filling silent caves to feed a petalled tongue.

In utter stillness everything waits and forgets to wait.

He should focus upon his own coming and going,
The last bright moment of his breath.
The sudden possession of valley roads,
The heralding wing-tips of hill hawks.

His wish is fervently to disappear
From the sight of all men,
So he shall contemplate
The paradox of rainbows.

He shall write his name forwards
And backwards
Until it become a single,
Unutterable line.

Diamond backed
The pines at dawn.
A burning roar,
A stormfront clamour.

Rests within these moments of choice, the fall of dust.

This heart a bowl, a harp, a bird.
Weightless, filled with hope,
An open sky is all it lacks
And courage to give it all away.


Sgraffito – a process of scratching through different layers (clay, paint etc.) to reveal what is beneath.

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