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Posts Tagged ‘landscape photography’

THE HEALED SKY

The healed sky

Blue as the calm gaze

Of the Medicine Buddha.

May all beings find peace.

The healed sky.

Wherever we go

The chanting of honey bees.

The healed sky.

A deeper peace creeps in,

Silence no longer a threat.

The healed sky.

Eternal mind

Ever returning to life.

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ON THE HILL OF ARBERTH

Shall we climb the yonder green mound?

Expand our view to the wide unseen horizon,

See wonders, see the unattainable brilliance?

I shall tell you a story where the darkness shines

As bright as the glory of day,

Where the horror shouts loud enough

To wake the doorkeeper between worlds,

Where the pictures come as clues to other strange things,

Where places reconstruct in cellular aggregations

Down the spine and the tides of new air

Tingles with the riddles of a new way

To lose certainty and find a better truth.

Rest now.

Time and space is full already with this world.

Watch as patterns shift.

In shadows and slowed moments

Other worlds can show themselves,

The other that is not the other.

( the woodpigeon’s grey cool song

And the deep green wind between the hills).

It is so full, so full.

Let go the river downwards.

Just below, just below the known

Are the vast halls of golden brocade,

The sapphire cool pavements, as it were.

Wait, unframing, un-naming.

Roads are small patterns of consistency.

Mingle the words of in and out.

Lay one on another without choosing.

Climb the green rise and see what might be seen:

Distance, shimmer, dazed,

What is there is elsewhere.

Soften and dissolve the sight –

That is the way, ( a voice says), to see outside.

The mirror ripples, water turns to rock.

The slow creatures stop to dream,

The warm air chants with bees’ hum.

One step without moving.

There is an art to it akin to drunkenness and despair.

Waiting, not wanting control, dissolving slightly,

Wavering a haze of possibility.

Silence. The deep is the dream

That dreams you here.

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The Stones Of Words In The Rivers Of Meaning

‘Sacred’

Is the most precious thing.

That which is unpartitioned.

That reaches roads longed for.

That unfurls sky landscapes unbounded.

That is the most precious.

That fills and empties and makes whole possible.

That wraps meaning in glory and silence.

That goes beyond meaning to mean more.

That flows beyond edges still singing.

That is utter silence enfolding, accepting.

That swells and feeds and gives succour.

That cannot be defined by limitations.

That is beyond and within.

The engine of breath,

The longing to exterminate failure.

To awaken, to sparkle, to feel more, to perceive more.

To stand on the edge of a precipice,

To leap and let go and not care.

To recalibrate, to forget.

To sing eternally.

To be welcomed home.

To be unsullied.

To become the story.

To be magnified.

An infinite expanse of meaning,

A means to go beyond here.

The awen – an inflowing and an outflowing.

Exhilaration.

It can possess but cannot be possessed.

That which carries us away.

Exponential expansion of fractal geometries.

Everlasting metaphor.

Edge of the mysterious void.

Extinction of destruction.

Edges dissolve

And we expand

Into the sacred more.

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SPRING FROST

take this tight

fist of frost

sky knifed

star edge cold.

all night growing

winter chime

whispered seed.

Certain is

fools for fools

while the world turns.

Life and death

a blade edge breath

that flips and loves either.

The in and the out of it

that we would hold fixed

and steady as a sure eye.

King ‘til the Spring sun

smiles over the hill

and dreams of summer

quiet upon the air.

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ORKNEY SEQUENCES

1

The wind sings between the grey walls of the town.

It sings of long seas turned to green fields.

Small birds scatter and reform in flowing air.

Islands turn to cloud and then dissolve in the driving rains.

2

Perhaps the first thing you notice is the soft lilt of the land:

The way the colours slip from brown greens to sapphire greys,

And the sound of the waves, a ceaseless singing (that is also in the quiet voice

Of the people who slip between worlds and grey streets

In and out of tinkling tea shops, the warm must of cosy bars,

Turned around through doors by the sharp wind and its slap of cold rain).

3

This wind is not to be escaped from..

It has come this far from a world away.

Though you may wait awhile in the warm quiet,

You must leave to face the remorseless thrust of it.

4

So many miles crossing the earth.

So many miles across the air.

So many miles over the seas,

To the first hearth, the sparking fires,

The strong stone vulvas of the rolling lands

Arching green, gentle green from the green seas

From which the dead do dream,

To which the living return like swallows,

Like swallows sifting their songs, the scything memories.

The dead own all the songs, the songs feed the dead

And keep the fires of the living warm and strong.

5

Deserted farmsteads scattered the slopes

Weathered grey skulls, window eyes dark and sightless

Broken jaw doorways toothless gaping

Slate pate roofs smashed open by war-hammer winds.

They mark the passage of years and the bite of seasons.

6

By whatever ways, whatever ways we come to them

Waiting diffident or with curious eyes to see what they have become.

Until we feed the fire, until we feed the warmth now the long memories,

Until then they are remote as stars whose names are not known,

Whose patterns are not picked out by pointing fingers.

We move towards them and they, waiting or not,

Wrapped up in their own watching.

There is nothing left here but scattered teeth

And broken skulls, voiceless gaping jaws

And the endless wind across the low green fields.

It was better than this, it was better.

Words piled up in cairns,

Words piled up and stones laid out.

7

The central hearth

Where stars burn

Where the gathered starlight burns.

The wind is in a minor key.

Ghosts of footsteps heading north.

This is the last feast

Before the world changes.

Before the old doors are sealed.

Before we throw away our names

And watch for new signs.

Bone by bone

We disassemble our gods

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CHAPEL OAKS

Scattering dark fingered roads

Across bright dazzled morning.

.

Jackdaws coming and going

like second thoughts.

.

Snow picks out the distant hills

As if they were unattainable heaven.

.

Cold clouds drift on slow sunlight.

.

The in-dwelling silence is a song

Stretched out to eternity.

.

It is what the red kites,

What the ravens, wheel and dance upon,

Uplifted by delight.

.

The pain of frozen air

Is how we know

we are alive.

CHAPEL OAKS (2)

A murmuration of starlings

A murder of crows

A ricochet of jackdaws

A damnation of preachers

A singing throne of oaks.

.

The bones of the snow

On a bitter wind.

.

March morning sky

Churning the bright butter of glory.

.

The hands of trees reach out,

Shaking in eternal prayer.

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.

STORM WIND

.

We cannot outrun the storm wind

We cannot outrun the rain.

.

Between the lines appear the shapes of other letters.

.

The moment the tongue finds a shape to express a feeling.

The moment the feeling swells, a flower

Of song blossoms out.

.

We cannot outrun the swollen river

We cannot outrun the racing cloud.

.

Every thread laid and lost within the weave.

To hold one thought, just one,

When the roaring chord that rocks the pines

Sweeps the world away in ragged tatters.

.

We cannot outrun the world of sorrow

We cannot outrun this tide of time.

.

The meaning here

Is not the meaning

We seek.

.

We cannot outrun the storm mind

We cannot outrun the candle’s shadow.

.

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ORACULAR MESSAGE

In the woods, in the green wet woods

The dead are waiting with their songs.

.

They have longed for their flesh and they have forgotten.

The rivers are full of their passions.

It is a cold steel desire, a lust like winter.

.

It is gone now, subsided into multiplicity,

The tracks lost, the flash of prey in the bushes,

All become unintelligible like a valley dissolves in driving rain.

.

But the dead are waiting there with their slim fingers

To crack open your sight, to break open your eyes

The release the hawk of your mind, the hungry raven of your heart,

The river of your reason.

.

This is for you, a prophecy for you

Because you have read these lines,

Because of the intersections of the stars,

Because you are nothing but this,

About to be forgotten, about to be lost.

.

The dead are waiting in the woods, singing and dancing,

Forgetting everything.

.

You have dreamed enough.

You have destroyed enough.

.

They slide between species, have no regard for distinctions.

They breathe the matter ejected from shuddering galaxies into the void.

.

These words are not for you

But you must remember them and pass them on.

They are for the last one who leaves.

Who turns to flick the light switch

And with a small smile steps into darkness.

.

Tell them the dead are waiting in the green mossy woods.

Tell them to listen for the sighing song

For the surprise of pine scent drift singing storm winds.

Tell them to remember the small things,

The notions that eat worlds.

Tell them the dead are waiting

To take them home.

.

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CLOTHED

Clothing himself in these common borrowed words,

A certain style, a certain habit, turns it all around.

Anonymous ubiquity becomes an intimate paced voice,

The poet emerges from the rough hedge glowing in the darkening evening.

Everyone has seen the full moon a thousand times,

Yet still now sighs and stands still.

Clothing ourselves in another’s memory

Or dreaming a dream not even ours:

The profoundest philosophy here,

A truth of who we are, think we are,

Where our edges blur and meet,

Where our voices change key and tone,

And slip into accents unfamiliar,

Where we stop being who we think we are,

And for a moment, if only ever for a moment,

We leap from the endless river, glinting and free

Into unfamiliar harvests of air and evening

On the floating view of somewhere we can never stay,

Returning so rapidly to the noisy rush of time and space,

Swept downstream, singing tunes with a cadence now not ours,

Now not solely ours.

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DHRUPAD 24 (New Year) 10.1.2020

Slow, slow now, slow time uncertain

Slow as honey slow it is unfolded

The paths untrod, the ways clouded

The roads silver, the roads brown

The roads puddled poured into the hills.

The days slow, unnumbered

The days unencumbered, weighed in

Silence. Slow slow the revolutions

Of the red kite, the wheeling, returning

Circling in slow light in slow light

And the sun low and slow looking

Looking for a new name a new name,

And the air leafless, the land leafless

Something something on the tip of its tongue

A new name, a new name, a path

A new way and the small birds brown

And the small birds red and blue and brown

Pecking looking for a new name.

And all the dreams a-slumber

And all the days a-slumber

And all the seeds and the leafless air

And the falling rain dreaming and sleeping

A small new name, a new name

And the sparrows shuffling in the eaves

And the gutter rivers singing, chanting

Murmuring, whispering, breathing, sighing

A new name a new name. Slow, slow the days

Slow the days now, time as thick as honey drips

Pools and falls and collects time taking shape

Shape taking space space taking voice voice

Murmuring a dream here, a dream here a new

Name a new name a name a new name, slow.

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