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Posts Tagged ‘memory’

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1
We are, after all,
Nowhere other than here:
Held in the soil-stained hands
Of earth.
Held as a wish, a dream,
A joy, a grief.
Gone home to rest, to be cast,
To be moulded, kneaded.
To be on the cycle,
To be recycled,
To be returned,
To be cherished.

2
The dream was of the great circles, Stonehenge, Avebury. Their function, to stop people “falling through earth”. To set them back on the wheel in the right cycle, the right place.
Using the right quality of sound and space, the right length of rod, the self-healed, snake-strewn ground.

3
Drawn up awake
But dreaming.
Brought all to the rivers
By moon-faced reflection:
The one face.
Drawn out awake
Yet asleep, soul’s home
Bright revealed.
Pierced by blade and bleeding,
Held, not allowed to fall through,
We shall be returned, given life.

Turned, turned , the road become moonlight.
Flesh golden, stripped of burdens,
Certain ratio, a spell of line and curve,
Placed on the wheel,
A language of trajectories,
Forces multiplied and compensated,
An art of vectors, of prophecy,
A heft of distinctions.
Revived with tongue and breath,
A dance in footprints,
The learning of a song,
Its thousand thousand verses.
Its drummed rhythms
Its curses, its blessings.
Jewelled serpent:
Her back, the path of the sun.
Remember,
Those of you who know,
The bite, the sting, the knowing.

4
There shall be three:
The child, the man, the woman.
Eternal, bound, faceted.
In threes the remembrance.
In threes the curse.
In threes, the healing….

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SNAKE SPIRAL TORC

We slide spiraling
Ferociously nonchalant
Eyes on fire, laughing.

The tumble of sun on sun
The silk whisper, pale moonlight
Equations piled up,
The footprints marking time,
Precise dancers through space.

A knot upon hillsides,
A marching shadow in the valley.
Enchained to the motion,
Slave of raw power, sudden beauty.

This is our sign.
That we dance the dance
Between dusk and dawn
According to the paths before us.

spirit dancers text1

A continuation of my sporadic project to re-introduce Iron Age Celtic imagery and world-view into the world art vocabulary and other grandiose schemes…..

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KEY EIGHT
(Iona)

The heart beats
Then it stops
Then it starts again.

How strange!
The eye that is
The organ of understanding
Is the well
From which fall tears.

Storm clouds rush in,
Salt on the air.
Amongst the leaves
A thrush singing:
Listen, listen, listen to me.
Beauty, beauty, beauty.

No heart can overtake
The long passages of time.
Beauty dissolves.
Kings, saints, seasons, tides
All vanish, vanish
Into the hollow hills.

The hollow hills
Will vanish into the sea
And sunset.

The eye
Forever bathed in tears,
The heart that starts
And stops –
The thrushes song.

The clouds
Pass over:
Sunlight
On the mounds of the dead,
Dancing with the eternal dancers.

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RETURNING SONG

Before daybreak,
In quieter airs,
A smaller dawn.

As a blackbird sings,
Before the hint of light,
An old man settles,
Rises,
Releases,
Returns.

Leaving the complexity, leaving the overlay of moments,
We are a simple tune, one or two notes,
A nursery rhyme, guileless,
Needing no elaboration.

Leaving the moments, leaving the overlay of complexity,
We are, always have been, a little dance, a gesture,
A ripple, delighted perturbation,
Needing no justification.

Yesterday on a distant coast,
Storm waters uncovered footprints
Left and right, made by wanderers
Nine hundred thousand years ago.
Traces return, unexpected,
Vanish, unexpected.
These roaring tides, these sands,
These comings and goings,
Noticed, unnoticed.

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On long tides
The rivers rest.

Longer than
Long moments
Of memory.

Swaying words
Swinging between meanings.

Lost days
Remembered and forgotten,
Sweet details, seasons.

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UNDERPASS

Discarded words,
Crisp once now sodden spinelesss,
Losing colour
Swept down underpasses,
Damp and ammoniac,
An autumn of emotion,
Sullen sludge becoming inchoate wail.
Ripped from mind of one,
Falling into cascade of cliché,
The parcelled soap of millions,
Petty drama deified,
Rigorously abandoned
For the next scene.
Ghosts and leaves,
Both noun and verb
Are we become.
We have fallen into the sere….
Our own phantom menace,
The deeds we did and did not
Haunting the municipal paths,
Ifs and buts in overfilled bins
For late wasps of conscience
To drain some goodness out
And last the long winter
Sheltered in some crook of warmth.
Fire and fallen leaf
Flicker, send up incense,
A bonfire to remembrances
Found and lost,
Found and lost.

—–
A haunting image, subtle, empty, that graced the graceful words of Jessica Ryan’s blog post soveryvery.wordpress.com ‘One’s place’ is the spark for this flurry.

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SCRIBE, ENTANGLED
(Transience measured)

To carve in sound
The passing wings,
The roaring flicker of Time.

To hold up, turning slowly,
To reconsider, to honour,
The long and short moment
Immeasurable, of incalcuable value.

Ice equations melting with each sigh,
A collecting, falling, echo geometric.

Consummation by flame, bright dancing
For a moment, a transmutation ungraspable.

This location of variables,
Borrowed breath, quivered pattern,
Delineations: all immanent
Divinity.

Break the stream,
Suspend the pulse,
Question the lack of purpose,
The reason why,
And nothing further
Can be revealed
(The one answer already given).

This is the prize
For existing.
Why look round
For more?

—-

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The constellations of stars have the lustre of the blazing deadly fire,
But they have the mudras of bestowing boons
And freedom from fear in their hands…….

Here is the thing:
We seem, we define,
We come to terms with the world,
Plan our exits,
all with strong threads
Of memory.

Yet nowhere,
(Despite the most fervent wishes,
Despite the sharp snick of scalpels,
The dull drum of scans, the following
And cataloguing of nerve and fireburst),
Nowhere,
has
one memory
ever,
Ever been found,
in the skull’s bone world.

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There
In the chamber of lapis lazuli,
The rivers have icy chill waters.
The waters in the lakes have sparkling lustre
Free from dust.
The lakes are adorned with cranes, swans
And lotuses,…

The tragic analogies: library,
Telephone exchange, computer,
Holographic image, desperately
Conjured, falter and fail.

We are, it seems,
Elsewhere.

(This cold wind through dry leaves,
This long cry on a starless black night).

Though perhaps,
Firstly, we should consider
The heart, the bones,
The muscles –
Closer, dearer to us
Than this
Chattering doubter,
This artiste,
This hogger of limelights.

A matter of attention,
These thoughts:
Caged, wheeling
Through sawdust,
Pink-toed, sharp-eyed.
Listen more deeply
To the language
Of spleen and liver,
Of knee and tarsus.
The rippled tides
Of our borrowed waters,
Fountains, rivers,
Estuaries of blood and lymph.

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To follow every signpost must lead to endless confusion.
To know a destination
Or to never care.

(Cool winds rock the hedgerows,
Piling in from the north:
A bank of fast cloud.)

There is one, some say a goddess, some a shepherdess, or, I say, a mouth of greenest laughter, who gives a taste of other memories, other lives ( a bouquet of burning skulls, a posy, a displaced, replaced mirror).

Attempting
to locate comfort.
(Rain slaps across windows
Bright now with sunrise).

He should then meditate upon his own soul and the form of the deity, without distinction between the two. He should sit in the padmasana posture facing the east. He shall sit steadily without thinking of anything else….

Endless are the conversations of sages,
the warring of equations,
the battle for the ending of knowledge,
the prize of certainty.
The sage spouts endless words
commentating on the nature of silence,
Each scratch a mudra,
Each splutter, mantra.

(Silent ground turns sunwise,
Sparrows leap the bare branches,
Knowing just one thing,
And are happy.)

He shall take the eight groups of letters in the navel, in the heart, and the throat, at the root of the heart, and on the head….he shall place the letters on the surface of the Earth in the same order…
.

If the head is void of memory,
if the heart has forgotten all
but the rhythm of continuance,
if the blood does not shudder
and sing the times past in molecular waves,
in electric sighs, remember, remember,
reconstruct, reconstrue, imbibe,
fill the empty spaces, the vestibules,
the ventricles, the wind chambers,
the echoing vaults,
where shall we place the shining, golden letters,
the sounds of,
footprints of,
evidence for continuity?

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These fragments, shattered mirror,
A thousand views
Of a world unimagined.
(We, perhaps, that mirror,
Erroneously supposing corporeality,
Intuiting infinite distance, profound volumes
Where all is simple reflecting surface from elsewhere.
We, unrippled, unmoved, medium, ether, field).
Here, though, that grand error:
Not being something does not equate
With being nothing.
A simple matter of perspective
Resolving paradox.

But how great a thing is this, even the possibility!
That memory resides elsewhere.
Not locked in brain, not stored, not filed,
Not embedded.
Worlds turned inside out,
Talking back, we belonging again,
To the beyond, to the weather,
Enfolded.

The movement of birds in the firmament is not observed distinct from the sky. The movement of aquatic beings in water is not discerned distinct from water. Similarly the great conduct of noble-souled ones is not distinct from their environment.

——

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Occasionally I dip into Rupert Sheldrake’s “The Science Delusion” as a remedy for the bitter excesses of Big Science. Though the processes and structures that lay down memory are somewhat identified, all attempts to locate memories in the brain have so far failed. The concept of molecular memory ‘stored’ seems deeply flawed. The idea of a filing system requires another layer of memory to remember how to locate the memory, and so on ad infinitum….. It can, of course, hardly be countenanced that ‘we’ might exist beyond our physical bodies, one dogma too far for the tortuous illogics of materialist science.. But if it were found to be so……!!!!

The quoted sections are from the Brahmanda Purana, the section on meditation on the letters and mantras of the Goddess, Lalita. The Puranas, like all Vedic texts, always seem to me to be precise mathematical and cosmological equations in the form of complex symbolic mythological imagery…

The art is a wittering reflection of memory, action, and suspended process, going somewhere unmapped….

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Great Halls of Memory

Such a long time since last visiting The Victoria and Albert Museum in London. Completely misremembered its architecture and style. In my mind it was red brick and High Gothic, but no, now, at least, it seems to be Victorian Neoclassicism, all columns, domes and marble cladding. Perhaps there are corridors, rooms, floors, wings in different styles, different times, different memories.
Ascend the staircase,
The head that looks out,
The open dome,
The caverned stone skull.
Nothing else but a memory palace. Slow the heart, slow the eye,
The crowds blur and fade,
Their footsteps to whispers,
Their passing to plumes, dust motes dancing

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.

All that remains, motionless, eternal: the memories, the constructions of memory, the shaping and honing of memory. The forms frozen and holy, the skilful turn of chisel and burin. Dark stairwells, cold. Curved stone scrolls, careful, less inhabited. The images of the dead, a maintenance of expectations,
The mental bones,
The bones of the mind,
The fossil fragments of heart,
Congealment.
Not as it was. Not as it seemed. Mind matter welded to timeless earth. An imposition of perfected memory, fabricated, polished. These we keep. These we cherish. These we honour – the bones of our ancestors, deep in our skull cities.
A record of dancing dust.
A reassessment of forgetting.
Mr Brown would come from afar,
Smiling sweetly ( eyes like jackdaws).
He would know, he would number the portals, the gateways, the porticoes, rearranged by time and place for fond ghosts to find then lose themselves. Hungry ghosts, longing, bored, wandering vestibular chambers.

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Neither are they our memories
Harboured here.
Not ours, but wrenched,
Wedged, removed
From forgotten, desolate ruins.
Passed down by the impecunious,
The vanquished, the uninterested.

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Our own little memories, ghost memories, too, no more sweetly harboured at sunset satisfied. They, wandering, away, pick trinkets in other lands, embellishments. Each time told remembered the last time told, the last time, told. An evolution of maps and stories, a hearsay, an edifice of straw and mud, an edifice of marble, collated by grain and polish, by echo, by echo eroded, by echo reborn.
Nothing but chaff and chatter
That fades at closing time,
The weight of stone time,
An instant frozen.
A pin dropping.

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all the photographs here were taken on my visit. It was not my intention, time and equipment were not sufficient. But I salvaged a few blurry images and worked them a little.it is a place to go to summon strange juxtapositions,reflections,spaces

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FIGURATIVELY

Such as it is,

(All immanent),

It fades, fades, flies, falls.

Our art,

The only way

To catch the present moment,

Reflected, mirrored

On this moving, rippled

Lake of memory.

—-

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