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Posts Tagged ‘metaphysics’

CROOKED ONE

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Naked and moist am I

Burning with stars.

A sickle swept low

Severing chance.

Tongues silenced

Their excuses full,

The stories tedious,

Revealed as smoke.

One deep dark eye

That measures worth

Unblinking.

I bend slow and low

Gathering up and binding.

The web tied and untied

Between all things

That tastes of poetry

But is seed and blood.

Unmannered, hungry,

The world shall taste it

And be changed forever

We demean ourselves with pretty gods.

Lessen the glory of the pulse of life.

Fail to stretch beyond the familiar,

Discard the chance for conflagration.

A passionate average, a mean measurement,

A judicial lack of vision.

The wild world dances,

So we turn away to sink

To meagre cooling gruel from yesterday.

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It flowers with the breath,

Unfurls like a fern on the hill.

A cuckoo thing from somewhere else,

Desiring to belong, to be heard.

A voice rumbling with thunder,

A hiss of rain, a roar of wave,

A keening of curlew.

Nothing new, though,

nothing new can ever be said.

Before the flocks, before the engines,

Before the need to be somewhere else.

Kite and buzzard wheeled high above here.

On their upward soaring voice,

The voice of moving, warmed airs.

With vision open, fixed on hope,

Their hunger to remain.

Insistent is the voice of a silent land,

Holding those who care, to stand still a while to hear.

From the ground, and from beneath that,

It will rise up in its own time.

An uncurling, a reaching thread,

A line of a melody,

A translucent tusk of language.

In the waters, between field and wood;

In the moments, as cloud shades and passes;

Before certainty and after doubt;

A voice weighs and judges its own worth.

The verses shall all bow down, bright-browed.

Prophecy is the love-child of thought.

Lost souls, reborn, eager to take flight again.

The root of my tongue is locked to a syllable of light.

A spark electric, a leap between precipitous cliffs:

The long darkness of being, the long darkness of non-being.

A slim, swaying golden chain

Rising up to eternity,

Sinking to iron-cold oceans.

It shall not cease til it ceases,

Takes breath, and speaks again:

The whispering of rock and stream and soil.

A mother’s voice, never lost.

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“I was a speckled white cockerel

Covering the hens in Eidyn”.

1

The egg is the sun,

Laid from the dark feathers of night,

Nested in the dawn of the world.

I am the grain of truth

Radiant in the drunkard’s boasts,

Naked in the silent waiting.

I learnt all languages from the waves,

All harmony from the tides.

Neither bird nor beast,

A tree in the forest am I,

A thousand eloquent tongues of green fire.

At dawn the cockerel calls my name.

Clear Song. Hall of Light. Mound of Obedience.

2

A domestic mythology.

A farmyard mythology.

No wolves, no hungry obstructors

Racing across space devouring sun and moon.

A black hen pecking the dust for grain.

In the corner of the eye

Time nailed fast to a new course.

3

Ah! The seed of poets

Spilling into the dark crevices

Of a fertile earth.

More precious than gold,

The desire for it,

More precious than song,

The moans in the hour of midnight.

I would strut and sing,

Hold all in dizzy thrall.

The girls would love it:

The boldness of it, the sly word,

The sliding, echoing eloquence.

Drunk would they be – the men snoring

Dreaming of a good death;

The girls tap, tapping on my door,

Filled with wonder till dawn’s light.

The seed of poets is an endless forest,

A skilful net of shining catch.

4

In Eidin I had dominion of the hill,

Dominion of the Mound, dominion of the castle.

A steady fortress was my staff,

Planted and reaching to heaven.

The gulls of Leith, the ravens of the Crags:

None was more raucous than I,

None more forthright in the bright morning,

None more persuasive in torchlight flicker.

They would rise softly ( like the Lammermuirs).

They would dip and sigh and open (like the Pentland Hills

Under a summer sky).

And I, the open tomb, echoing,

Doorway to golden moments freed from earth,

Free from guilt and sin.

A golden morning in the scattered dust,

Seeds uncovered, beginnings shining, a new sun,

New worlds nested, round and warm,

A clutch of futures, a prophecy of birth.

5

In a line or two

The bonny hero

Shall have his come-uppance.

Try as he might, the slippery eel,

The voracious worm, the flying hawk,

Shall be brought to justice, consumed, dead,

Himself eaten whole, adversaries conjoined,

The dark mother victorious.

6

Above Marchmont, above Morningside,

Above The Meadows, my covering wings,

My tremulous touch, sunlight penetrating

The deep hidden waters.

On The Mound, on Castle rock, on the Crags,

I brighten and burst forth.

On Arthur’s Seat I am resplendent.

I take my pleasures on the pleasant fields of Portabello;

I dive in the secret quiet waters of St. Margaret’s Loch.

The fortress is mine.

A crimson tram the long length of Prince’s Street.

A swoop down to genteel Inverleith.

My thirst goes forth beyond the shining rivers,

The blue hills dreaming in Fife

And the leaping span of poetry

To cross over it all to mystery.

My name is Taliesin.

I am the cocaine of bards.

Nine breaths of my cauldron,

And you are mine.

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BY CHANCE

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By chance I picked out Dylan.

Not his swinging easy, not his remembered known.

It was his mysterious, dipped in Taliesin,

Dipped in the sublime.

Next to nonsense with the druids.

Next to lullaby and curse,

Next to madness (as all true wisdom is).

Line on line, piled up volcanically,

Overstepping the mark,

Singeing the happy world,

Burning the lazy words and setting the others free –

The other words of fire and gold,

The words barely human that insinuate

Ungodly pictures of worlds here but covered.

True but shattered words, sharp as glass.

Words reflecting bone and salt and jet and thunder.

Mad Dylan, burning his fuses day and night.

Eating passion, smoking passion, drinking passion.

Fingertips brushing hot, soft passion and laughing

Like a babe, drunk on sound and made mad

By cobweb sobrieties, made mad by ancestors,

Mad by earlier gods who required always the best sacrifices:

The first sons, the first lamb, the first daughter, the first grain.

See him fall burning, head downwards, like Blake in the night.

See him wish petticoats to lift and seed to be cast.

See him turn to serpent, turn to tree, turn to the gate unlocked,

And run into the world, naked, naked, naked, clothed in dreaming.

Released from the ocean’s fist, a sunlight shout, dazzling

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Dylan Thomas is one of my favorite poets. However, I do weary of the overexposure given to his (few) easier pieces, Fern Hill, Do not go gentle, Under Milk Wood and so on. The majority of his works are catastrophes of piled imagery singing so deep as to bamboozle everyone not simply happy to delight in ecstatic sound and image. His chaos, too, is usually so skilfully structured that he can hide rhyme structures seamlessly into them. On this occassion, I opened his collected works at random, and was as usual blown away by the heavy gold-threaded brocade of his lines.

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If I can only stand still

Then all the competition shall fade away,

The last shall become first,

The first decay, and I shall remain.

If I can only stand still

As all sorrow and joy revolves about me

And blurs to time, and the time to eternity,

To one moment, and then that

To one who remained standing through it all.

If I can only stand still

The words shall come,

The truth and the prophecy

Will seed tremulous,

Hatch worlds

And pass away in wonder.

If I can only stand still

The fools shall stay silent,

The warriors grow tired of their excuses,

The rich find piety, the poor find solace.

If I can only stand still,

Give shelter to the small birds

And to the invisible weathers made of memory.

If I can only stand still,

The small light from the Pole Star,

Threading down my spine,

And only that one axis,

Held and held and finding peace there.

If I can only stand still,

Poised, regardless, rooted,

The vines solar, and the vines lunar

Winding up from my ankles.

Becoming rock, becoming mountain,

Becoming bark, becoming canopy.

If I can only stand still,

Place will become irrelevant,

Past, present, future

Roll up into a breath

And then not even that.

If I can only stand still,

It shall all be bestowed as a virtue,

As a beatitude, as a blessing.

If I can only stand still,

And not be this itching dust,

This hungry fire that must consume,

Consummate and move on, hungry still.

Made of dust and flowers,

Washed upon waves, sand sighed,

Sound sifted, shore-cast and motionless

With the roar of waves,

Unmoved, unrocked.

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SEEDS

The seeds of sorrow

and joy

Are always present.

.

Take a little time

To cultivate

The seeds

of joy.

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ELECTRIC SILENCE

Memory is an electric silence.

Snowstorm at midnight

The tyre tracks we follow disappearing fast.

All the words, all the words,

Settle thickly obscuring what lies beneath.

If you do not know that moonlit void,

Without a body, without a thought,

Freedom shall elude you.

Racing on,

The road vanishing

Under the weight of white noise.

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SNOWON THE MOUNTAIN

Snow on the mountain.

When will fools be silent?

When will the wise speak out?

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Snow on the mountain.

Raucous sparrows

Wake a fragile sun.

.

Snow on the mountain.

An empty train crosses the valley,

Keeping its promises.

.

Snow on the mountain.

Cold wind knocks on every door

Seeking shelter.

.

Snow on the mountain.

Murmuring flocks

Sheltering the newborn.

.

Snow on the mountain.

The broken tree

Still with new shoots.

.

Snow on the mountain.

The coal-house latch

Burns cold.

.

Snow on the mountain.

It is always the clever ones

That save us, then destroy us.

.

Snow on the mountain.

Blackthorn in the valley.

War is never far enough away.

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This piece consciously echoes an Early Medieval Welsh poem that begins each stanza with the same line. It also has a flavour of a haiku sequence. It was written in early Spring this year.

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ALDER FOLD

Singing severed head

Folds and puts away

The blanket of space,

Rolls away time.

A comfort against poisons,

A comfort against memory.

Sunlit is the hall,

Spacious with birdsong.

The sound of the sea

In the sound of the words.

And there is no greater magic than this.

By the shore, by the river,

By the evening light,

By the dividing of the roads.

One gasp and it will be gone.

Floating down stream,

Lodged in the mud

Of a new world.

The root of the tongue.

The cotyledon of sight.

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THE ROSES

The roses

They have been in bud

For months

Through sun and rain.

Now they open,

Bloom for a day or two

Giving joy to all,

Then fade and

Fall apart.

The roses.

The roses.

They throw off their beauty

Like dancers.

They value more

Their roots

And their thorns.

The blood red hips,

The hard won strength

To go on.

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