Fingertips brushing hot, soft passion and laughing
Like a babe, drunk on sound and made mad
By cobweb sobrieties, made mad by ancestors,
Mad by earlier gods who required always the best sacrifices:
The first sons, the first lamb, the first daughter, the first grain.
See him fall burning, head downwards, like Blake in the night.
See him wish petticoats to lift and seed to be cast.
See him turn to serpent, turn to tree, turn to the gate unlocked,
And run into the world, naked, naked, naked, clothed in dreaming.
Released from the ocean’s fist, a sunlight shout, dazzling
.
Dylan Thomas is one of my favorite poets. However, I do weary of the overexposure given to his (few) easier pieces, Fern Hill, Do not go gentle, Under Milk Wood and so on. The majority of his works are catastrophes of piled imagery singing so deep as to bamboozle everyone not simply happy to delight in ecstatic sound and image. His chaos, too, is usually so skilfully structured that he can hide rhyme structures seamlessly into them. On this occassion, I opened his collected works at random, and was as usual blown away by the heavy gold-threaded brocade of his lines.
This piece consciously echoes an Early Medieval Welsh poem that begins each stanza with the same line. It also has a flavour of a haiku sequence. It was written in early Spring this year.