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Posts Tagged ‘nature’

20130430-190635.jpg
print of ‘Light of Beltane’ created from tree and other plant spirit symbols
*****

THE COOL GREEN FIRES OF BELTANE

These wild mad-eyed men
Fire burning souls, heart-clawed:
Let them cool and rest
Under the dapple of trees,
Let them silent learn to smile,
Let them melt a little
Considering this fragrant air
sufficient, replete.
Breeze-filled, bird-filled,
A hammock for goodness.

Let them drop their hunger,
The carving of empires,
The bitter profits of belief,
The fierce ambitions for more.

Let them love their sons and daughters
And let them remember the open woods.
Let them not fear heaven nor hells
But let them halt and watch
The small things gather, delighted,
Learning the blessing of trees.

Let the heart melt in May,
Let the skin warm, flesh relax, soul unfurl.
For there is a glory to find beneath all things
And it shall shine through
Enough for any,
Enough for all.
Life under trees.

Let the mountains remain open
Let the valleys be all in green shade
Comforted, rocked, whispered.
For there are sufficient deserts,
Howling emptinesses we need no more of,
No more cleansings nor clearings
Nor impositions of sterile order.

Let the heart melt into May,
The cool green fires of Beltane.
Let the soul, with the souls of all, unfurl,
The branching year blossoming.

Beyond is the cool airs turning warm,
Beyond is a place to rest completed,
Beyond is the dream of violet shimmer
The hum of summer, the nest of light.
Under trees, cooled, dappled, blessed.

*****

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The full length piece can be found here as a blog page as it takes up a bit of space (though does not comprise many words). I have recently been looking at some very old travel writings, mostly taking the form of haibun. This one was composed on a brief visit to the Orkney Islands, north of mainland Scotland, during the midsummer of 1980. I have added a few new linking texts, but apart from that the piece remains as originally composed. Accompanying the text were originally some black and white photographs, but as this was long before the days of digital anything, I will have to do considerable playing around to reintroduce them (once I have located prints or negatives)

XVI
(solstice)

Returning to Stromness I cooked an evening meal and then wandered aimlessly along the coast. Although I had to rise early next morning, planning to take a boat to Hoy, I was unable to leave such a beautiful evening. Despite the hour, it was still very light, and a deep silence filled both myself and the land through which I walked. Resonance was everywhere. Great wellings up of deep emotion when I beheld the waves on a small foreshore; the trawler, its mast-light flickering, heading out to sea; the hills and cliffs of Hoy across the water almost melting into the deep stillness of oncoming night; young lambs bleating on the hillside; mother ducks with their young by the shore.

this evening, too, lingers,
unwilling to leave
your summer stillness,
Islands of the far north.

on the shore
wave upon wave
only deepens the silence,
Islands of the far north.

XVII
(gift)

soon to depart,
at last
the tune
of something
framing this land

the stranger
knows a wholeness
to which
he does not belong.

mull kodak2 072

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1
The underside of heaven
A grey rolling, folded softness
Pushed gently, refiguring the light.

Messenger birds slide between worlds.

Settled and slow, layered in shells of skin,
Webbed, skeined, we solidify, objectify,
Await outcomes, anchor the ineffable.

2
Soon, and suddenly, there shall be green leaves.
A day or two of sun, a change of wind.
This pale stretched time will melt.
Hatched and brilliant will be the morning sun.
We shall remember what we have forgotten
And forget the simplicity of folded light.
Birdsong, bright edge and shadow;
The scent of hyacinths, the scent of mown grasses;
The roar of beauty as time flickers.
A brimstone butterfly in golden morning.

3
These words: a map back to my soul
Perhaps for another to discover
Where cold ashes still mark the place
I could not remain.

These words: a map back through dream to memory,
A resuscitation of hours and senses.
What is lost, gathered again –
A tide scouring, reforming the sands,
Never to be the same, though not so much changed.
The roar of time as beauty flickers.

4
Rain-wet morning
Cool on my brow
The blessing of doves

The blessing of doves
Soft chanting from treetops
Grey, heavy clouds

Grey, heavy clouds,
What is there missing?
Only the voice of the cuckoo.

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TIED

My heart is tied to the swell of time.
This tide of days, this wash of seasons.
This breath, this slow explosion,
This unfolding, this revealing and concealing.

Unfurled, I am stretched elastic
From dawn to dusk,
From horizon to horizon’s edge,
Surprised by cloud and bluster,
Swept up in flock and murmur.

Chimed, cascaded,
Catapulted into distance,
Collapsed to dancing, molecular dust.
Sun-caught, moon-cooled, star-pierced,
Tumbled through grasses and shadows,
Shorn by cold, wakened by ice,
Shaped and turned, lathed, formed,
Reduced, concentred, made real,
Made utterly real, made whole.

Gauged and runnelled,
Flooded in memory,
Eroded in seconds and hours,
Made into the new,
Then back to familiar, dust.
A rise and fall,
A breath, a heartbeat,
A word
Whispered.

*

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**

A flood of gold
Danaë sighs
Morning sun.

**

Owl call
Answered.
A single star
Glimmering.

**

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Finally, I have got round to putting “The House of Trees” into format for e-publishing on Smashwords. Please go and have a look. You can download the first 20% for free, and the whole darn thing is only $2.99 in whatever format you would like.

House of Trees cover3a

http://www.smashwords.com/profile/view/Simonhlilly
Book page to sample or purchase The House of Trees: http://smashwords.com/b/302318

Here is the foreword to that book:

“FOREWORD

This long poem was composed in the late autumn of 2012 and through that winter into January 2013. It was conceived on the Isle of Skye, Scotland, during a short visit there. The main themes emerged from elements within that spectacular landscape, and became woven together into an exploration of the nature of freedom. At this time Scotland was again considering whether it would be better off as an independent nation, planning for a referendum in 1214. The history of Scotland, as with most small countries, is full of external pressures and influences. The yearning for freedom is palpable, as much as its strong sense of identity, but seems to be tightly knotted together with nostalgia, pain, suffering, the past and the mythic presence of its Celtic inheritance. My heart opens and relaxes whenever I return to Scotland. Although I was not born there, (and my traceable ancestry is largely rural English and Welsh), I lived and studied in Edinburgh for six years during the 1970’s and 80s, and always look forward to breathing its air again.
Everything we know, every place we cherish, is mythologised and overlain by countless personal coincidences. Significance and resonance colours all our perceptions and memories, often without our conscious knowledge. Poetry is maybe the most precise and accurate means to explore and record these deeper tides of the mind. When we make judgments, when we are asked to decide, it is not the rational mind that pulls the strings. That sensible voice of justification is merely the storyteller that weaves more stubbornly held beliefs and preconceptions into a political statement of policy. The past is not just a record of events. The past maintains itself and evolves through the present. The present, it might be said, is merely the visible tip of the submerged iceberg that is the past. It is in the same way that, amongst traditional cultures, the visible world is conceived as being a reflection, or an elaborate set of clues, to an underlying and much more powerful realm of spiritual beings.
“The House of Trees” is a weaving of these levels of mind: my mind, the mind of the land, the mind of its peoples and the powerful dreams that haunt every pool and rock. The outer always mirrors the inner. To attempt to differentiate the subjective from the objective may be thought by some as the noblest goal of science, a compassionate climb out of foggy ignorance into the clarity of certain knowledge. Indeed, the failure to make the distinction between inner (imagined constructs) and outer (perceived objects) is regarded by some as a sure sign of mental illness in this civilised world. The paradox, the mighty joke, is that both in our most detailed examination of the nature of matter and in our more hesitant exploration of the functioning of the mind the deeper we delve, the less substance we can find. Certainty evaporates like an ice cube in the sun. Each horizon is a dream illusion can never be attained. We yearn, reach for and remember stories that placate or vindicate us, that tell us how we got to where we are, that tell us the roads by which we can go on a little farther.
Simon Hughes Lilly
Exminster, Devon, England. Spring 2013″

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CLUES NAKED, REVEALED

Spit it out
These nails
This dust
These flowers
Spit it out
And move on.

The soles of my feet
Wedded to dust
Spit it out move on.

This naked morning
This clarity of frost
Say it.
Unsaid, it is not.
Spit it out
Like nails.

Seeing is sewing.
Speaking,
A song of noise.
Birdsong
In the mist.

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THREE BREATHS

This morning:
A broad, bright estuary.
I, little boat
Resting on reflected light.

With the rain,
Its sound between grass blades,
Fresh vapours
Savoured.

Grey and green
Laid out calm.
Sewed voices:
Harmonic doves.

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GAYATRI

They are there again-
Whispering voices
Measuring word against feeling,
Shaping edges, building coastlines,
Collecting drift for rafts,
A vehicle for mind,
A conveyance to elsewhere.

In the grey flow,
The river before dawn,
(Accompanying the purposeful padding
Of cats seeking a perfect
Place to curl or watch),
There they stand midstream,
Upright, silent upon silent,
Chant snaking over the water’s lap.

I shall go to that ocean’s edge:
Hiss of sand grains stinging
The dry marram grasses.
Listen to the wide waves roll in,
Their deep rumble of the miles
Through the soles of my feet.
Watch the cloud build and fade,
The cry of gulls, tasting salt.

In cold dawn
For whom does the blackbird find
Its mellifluous river?
For whom does the raven call
Across the wild moors?
And for whom,
On his columned tower of air,
Nearly beyond sight,
Does the eagle send out
His long, descending cry?

To reveal the truth:
Nothing but the interior,
Masked by, revealed by.
A prison of the recognised,
Of memory, of habit
And well-trod pathways
Reinforcing a clutch of clues.
To reveal the truth:
Nothing but an exterior,
A view devoid of viewer,
A shaped, echoing chamber
Of what is not elsewhere.

Emissaries of the void,
Mediators of re-orientation,
Skilled in gematria,
Consulting tables of correspondences,
The magical hours of day and night,
Sigils of the planetary spirits,
The magic squares, tablets
Of the Thrice Great.
Translators and interpreters,
Riding the words spluttered
By the depths, by the flocks
Of wild thought scattered
By an eye upon a lituus.
Measurers of geomantic force –
The will of the interior dragons
Of elemental necessity.
This they are.

(Or so the child, over-tired, set to sleep on chairs,
Believes, mishearing the backroom boys at their
Smoky, affable, night-long poker game:
A wash of rising, falling stories, subdued bluff
And laughter, silence and staccato curse.)

Through that long, slow flow,
The grey river, never ceasing.
The memory of ice-fields, ancestral shrines,
Ghosts of prayer flags, squalls of chant.
Bone thin fingers, urgent, prising apart
To get one more view, to reveal
A fall of trigrams, a cipher, or
A terma, space-hidden.

My own dear companions:
Weather-wizards,
Shepherds of storm and lightning,
Weavers of reeds and grasses,
Compounders of root and petal.
If it is you, then blessings and apologies.
Out of step, out of time,
The world waits no more
For eloquence or art
That weaves mind and matter
By the fireside.

We are blackbirds
In the cold dawn;
Ravens crying out fierce joy
And ineffable sorrow to empty hills;
Eagles beyond sight,
Forgotten by the grass-eaters,
Turning upon an exhalation of air,
A gesture of word,
An alchemy of heart and breath.

A pinch of insignificance,
A deja vu,
A rusted key
To a forgotten door
Within a buried ivy cave
In a twilit,
Twilit world.

For no-one but ourselves,
Ourselves to ourselves,
We raise cupped hands,
Let the clear water fall sparkling
In sunlight,
Let the hymns rise and fall
To the sun, the world,
The watcher within,
Purified, cleaned, emptied,
Made silent once more.
Silent in mid-stream.
The lapping waters.

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Atom – Heart – Mother
(Third object of transcendence).

Dark moon.
There is nothing to measure
The passing or staying of time.

A pewter plate, leaden glow heaviness
Is upon me,
Upon which ants crawl –
An incessant hunt
For meaning’s addictive
sweet crumbs.

No silver sickle,
No thin cold sharp edge to sever
Glutinous swags of thought.

Tedious, this circularity,
This inability to dive
Beyond the debris.

No owls,
No bats outside.
All opposition slain
To the blundering flight of our own
Monochromatic, monotheistic,
Magnificently naive self-appointment
As pinnacle and paragon.
The Mysteries and miracles,
Only annoying flies bouncing off
Dirty panes of glass.
The backroom boys of nightmare,
Gagged and emasculated
Now that we load
The silver bullets of rationality.
Stallions and nightmares, wild kelpies
That would drag us screaming
Below the dark, still, loch waters,
Consigned to flickering square screens.
Insanity banished,
The moths of eternity
Shattered, spiralling torches,
The quenchless fire of plutonium:
Endless yuga
Of sudden and slow, bright death.

Dark moon.
Nothing to see here.
Stars hidden
Awaiting Great Time,
O Mother of Darkness.

Clouds part a clearing,
A darker nothing beyond grey nothing.
A pause.

Travel down peripheral paths, abandoned, webbed, forgotten.
Away from the echoing vestibules and cavities trawling feckless thought.
Rooted through the feet, an anchoring of sober light.
With breath,
A river of acquiescence
Gravitates down
To our hidden heart,
soil,
solid,
matter,
mother.

A silver sewing,
A phosphorescent bond,
An electric blue tang
Of diving clarity.
An exhalation in the centre of stillness,
Stratigraphies of forgiveness,
Of forgetting, of remembering.

New wings spread
Flexed wide, descending
Upon the winds
Of interior light.
A song bursts upwards
That is a dance.

The three ways, the three channels,
The three poisons,
Become one tree
Vast and sheltering,
at once seed and fruit.
Branching senses interweave,
A galactic arch.
Subatomic tendrils reach sustenance,
abundance, belonging
And are cherished.

Sleep and the Sleeper
A moon in shadow
A silver tree ringing with light
A forest of stars.
Bitterness, a blessing
That wakes and warns.

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