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Posts Tagged ‘Poetry’

The precinct of the Archangel
by the mill on a stream.
I remember it on a fast road
between the high red hills,
curling up, like a bow,
like a warrior’s cold, virtuous smile,
and circled there,
(as they are wont to do,
these fortresses of God),
bright as the rolling eye of an ox,
enclosed in gold, round and cursive on parchment,
certain and lofty as the eagle’s eye,
brushed by the winged feet of angels,
fast as swallows, lion-maned and roaring downwards.
A stream in righteous flood, founded and pierced
watching the long abeyance of old stones,
set to conquer and control in the name of an almighty
(who needs none of it, but will not, ever, say).

Perched above the ringed stones,
placed upon the circle, a squared house, holy upon holy,
holy with age, each forgotten, become green and softened,
their lichen-words married together,
one song become all together wrapped, and reaching trees
carrying the dead and their bones skywards.
Ring on ring, ground grain and chaff-free
by chapped, sinewed sure hands of time
and the endless flow of its river
and the grinding together echoing amongst the hills,
all heathered and blessed with sheep.

The fast road does not see but always curves past.
A million herded feet, a thousand whispered wheels
roaring past leaving this hushed wonder.
Circled circle, reiterating its roundness,
a mapped and renumbered holiness.
Tree and stone and church, the eternal stream,
the mill grinding out stars.
All, prisoners of patience guarding each the older guardians.
Tree and stone and church, where the dead congregate in their branches,
whispered in the long winds, the setting suns.

A pale sun rolls along the fields, a pale and pellucid fraction of eternity,
named and mapped in a honey tongue
pronounced slow and certain on a fast road between high red hills,
there for all to see in the green evening,
its cool, green shade, its many circled names,
its deep and darkening bed.

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A Season’s End
(Epitaph for Vicky)

we become more uncertain
and waver by the day,
our past melting behind us.
a change of season, inevitable.

where now that warm pulse?
that voice? that presence?
altered a little into sunlight,
into a vast, bright landscape,
into a bigger heart.

for there will always be beauty,
though no one promised joy
without sorrow.

we have melted into summer
wrapped in cooling green shade.
and some of us have not returned.

here then, the blossom heart of hawthorn,
here, a cowslip sky and creamy elder.
in the forest still are one or two violets
and the sound of running water,
and the droop and sudden flash of bluebells.
the sigh of swallows and the cuckoo misted valley.

where she walks now is all beauty,
and calm, and easy forgetting.
a summer that shall come upon us all.
and a long day, and a warm evening,
and a long, silent, singing night.

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A LITTLE MADNESS

What else should we call it
but a continuity of forgetfulness?

A tumbled consequence
carried away with itself.

A singing river stumbled over stones,
worn down, meandered, lost in slowing meadows.

A skylark hovered in boundless blue sky,
bobbing above folded, dreaming summers.

A veda, a hymn though, still.
An ornament, they say, a precious jewel
winged with inevitable waking into timeless ways.

The proscribed drunken rambling of slow-breathed,
shine-eyed hermits brought wisdom in broken cupped skulls
by lithe, smiling dancers.

The tongue-tasted words, nectar-sung words,
scribbled on leaves in golden letters, bright as fire.

A little madness, a note held sustained far, far too long,
escaping reasonable doors of breath,
But going onward nonetheless.

A wonder, really, that we do not all, forever,
die of laughter.
Always so tragic and beautiful
this fragrant thorned life is.

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View From A Mountain Garden ( part)

2

Of ghosts,
a splendid architecture of ghosts
Do we make our habitations.
From the heart and sinews of seas and forests,
From the ground-down aeons of mountain muds,
From river stone, from oak shadows….

this waiting house,
a world reconstrued, once
laid low to dust, now breathed
and built up once more…

a nest for sighs and whispers
wrapped in birdsong
wrapped in leaf…

making no choices, though shaping all.
says nothing, mother and grandmother,
mam a mam-gu of the land.
dressed in their wild and neatly stitched green lawns,
their tidy beds, their hasty gates and tumbled yards…

they all rest in their own weight,
watching the come and go.
an anchor for time and space,
intimation, imitation, even, of eternity.
our own cosmography outliving us….

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SWIMMING MOON

swimming moon
and floated in light

this sorrowful world
surrenders to peace

a few hours bathed clear
in blue shadowed silence

thought waters
white, rippled
reflecting one perfect smile

all will settle homewards,
belonging

never having left:
a moment only,
forgetting completion.

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A Landscape Illuminated.

It is the drift between the breath of in and of out,
the fleshy petalled night a poison,
and an endless moonlit rain.

In gardens at very least, the green
will muscle upwards a brief month or two
from cuckoo’s bell and sighing swallows
to the ticking, scratching melodious crickets.

In hills, now, flakes of gold are falling snow silent
and the thin ghosts ever crying for justice
in the long, cold, blue shadows.

We dim with daisies a glimmer haze
And drop of hawthorn goddess,
scented and mean on red-folded air.

Sliding, we are sliding, uncertainly
whether up or down again, the long drip.
Time it is dripping, invented, named, measured
and wasted away as if dawn and sunset were not enough,
and the stars forever clouded and lost in mystery, as they are.

Adrift and turning, rocked gently, dismally declined.
Warmth slow escaping, longing for another somewhere
with bees and lilac and long, painless sleep.
A landscape illuminated, kissed in light,
unburdened with consequence, unfolded.

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Catalogue

rivermouth of the man-servant
house of the councillor
ridge road by the forest’s edge
the abbot’s land.
the dark stream and the winding river
dipped between the domed land
sprinkled with enclosures of saints,
tonsured walls on green tumped hilltops.
the washpool, wolf’s leap, devil’s staircase.

thr whistling ghosts of drovers and the
warm breath panting of their dogs.
stories of cobbled streets and a wild language
far away.

with gold of many kinds,
they return to the long silence here
and the starlit grazing
of sheep at peace.

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NIGHT THE SECOND (A LANDSCAPE POPULATED)

All the clues are there in the symptomatic madnesses. Here they come willingly.
Lurching dressed in the horrors of those Germanic artists driven mad by the scent of the rot of death and the acid blue veins of ergot. Give us this day our daily dead. My very bonnet badge: clan mother belladonna and mad dancing.
The restless limbs rippling,
A hot wind, a sirocco over the waterless sands
Of dried, flaking skin, a glowing leprosy,
A holy transformation back to earth.
Tropanes needle and embolden. The Golden Mean, the Fibonacci, eroded by endless rains so the weighty cliffs of selfhood grow sodden and at last liquify collapsing, stone to mud and root and revealed bones, the sunken bells already deep in salt silt haunted – the unblinking cynic eye of dragons counting the too few millenia of tall brains swaggering top heavy and profligate as if all were truly made for them alone.
Chiselled are the precise gargoyles vomiting rain,
Pissing spouts of life.
The clues are all there, my dears,
They are so close so as to
Raise tiny neck hairs with their breath.
So moist are their lips, my dears,
So darting their electric tongues,
Their opaque eyes staring still,
An inward crouch, a search for vowels
In a sea of consonants.
Only evil comes of elucidation. Eat it all up. Revealed are the shadows in light to be answers.
Clear-cut the butterfly-winged angels come straight from sucking the nectar of God, will drive the penitential into burning buildings and the queues of forbidden passions will be kebabbed and skewered for each chimereal constructed thing. Stare long enough. Turn not away. Given signs and clues and testings. For how many millennia have the lists been corrupted? Turn away upstream or downstream. The same song.
Even angels wither there, becoming demons.
Self-mutilated, gnawing on bones of certainty.
Marking aeons in long, shallow scratches, muttered lists,
Reasons why and why not.
The shelved, locked-out passions, the dirty shameful things. Power piled up, an unused compost that can never rot lest fed, forgiven or owned once more.
It ferments, ignis fatuus, Hand of Glory.
Abhorrence and disgust,
To look elsewhere and forget,
To disinherit, to deny.
Not an easy thing to remain sane and honest. Not a habit that is cultured or condoned. A dangerous device is this difficult conjuration. Likely to consume as consummate. There may or may not be maps, may or may not be instruction. No consensus from a millennium of points of view whispered into the rhythm of the blood.
Be wary of the insistent ones.
The ones offering sense.
White noise as their echoes build up.
White noise becoming stillness.
A perfect inaction,
suspended, turning slow,
turning slow,
cocooned and waiting.

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NIGHT THE FIRST

It is not the placid herds of angels mooing praise nor the conniving pedantic demons.
It is not the male nor the female, nor the roaring furious ones, nor the cowered silent ones.
Nor the eloquent silence, nor the tearing ripping void of sorrows and despair.
Nor the words
Nor the music
Nor the movement
Nor the flash of wings
Nor the sleepy curled furry ones
Nor the bleak uplands, nor the cold winds, nor the emasculating inanities.
Not the glorious truths of dust and measure, nor this, nor that, nor memory, nor forgetfulness.
It is nothing but a book of voices, an intercourse of pulse and pause. A regardless cause, a fleabite itch, primary and secondary, a flowering of galaxies in a tumbled arc across what is not itself. A fierce catastrophic ejaculation, a burst of incalculable seed that looks, feels for, fertile ground uncompromised by purpose or censoring scissors redacting sense and nonsense. A piling out of truths and lies. A justification for beginnings. All the words ever spoke uncysted, growing wings and spines to feel the new red flow, to make a difference, a sifting wind blown unmappable, desert nothing to be quenched but regurgitated photonic haze.
It will inevitably
Fail to favour the blasphemers
With muscle and righteousness,
The gore-caked murderers insistent
Will be cropped and fed quiet bones
Ground down by swans
To cloyed, sweet dust.
There it is, a landscape emerging from mist, a dawn construed half familiar, half achingly strange, inhabited, or not,
Pierced with fierce birdsong
And scything swallows.
A slow mind of colour ripped up,
Pasted from a memory belonging to others,
A grated zest palled, recalibrated as means to an end,
Muscular worm palpating, digesting,
Evacuating.
A little nothing, an almost nothing (see there, a failure to avoid fake evaluations, an arrogance indicative of the species that so presumes an elevated itch: the ability to destroy is the right to destroy). Lead us not into temptation but deliver us from the evil of others. Every time. And slay our enemies who laugh at us with good reason, mocking our belligerent, petty gods, our loathsome, vast and irreducible shadows….

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Looking towards Carn Wen at evening.

To watch the pass
of light and dark
and how they each
shape these hills, this way and that,
is all I wish now to do.
we live, we die
as the distances reveal themselves
then vanish with the pass of a cloud.

if not to fill our time with beauty,
if not to see the world as it becomes us,
then what?
a flicker of pain, a flight upwards of joy
and the rolling of light in the valleys.
what other instruction
for a being of discernment?
what other lesson but this?
and to count the days
’til cuckoos and swallows.
and to keep to the constellations
of sheep and the openness
of lambs.

we shall end again soon enough.
peace is here
and it is sufficient for a whole universe.
and to watch the clouds pile
and drift at the setting sun.
and the smell of dew
on grass.

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