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Posts Tagged ‘Poetry’

Looking towards Carn Wen at evening.

To watch the pass
of light and dark
and how they each
shape these hills, this way and that,
is all I wish now to do.
we live, we die
as the distances reveal themselves
then vanish with the pass of a cloud.

if not to fill our time with beauty,
if not to see the world as it becomes us,
then what?
a flicker of pain, a flight upwards of joy
and the rolling of light in the valleys.
what other instruction
for a being of discernment?
what other lesson but this?
and to count the days
’til cuckoos and swallows.
and to keep to the constellations
of sheep and the openness
of lambs.

we shall end again soon enough.
peace is here
and it is sufficient for a whole universe.
and to watch the clouds pile
and drift at the setting sun.
and the smell of dew
on grass.

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View from a mountain garden (part one)

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a house is there,
below the dome of mountain.
in days past
it might have been said
that it nestled ‘neath
the beetling brow
of raven-dark crags.
it is where
the high lands,
the sky lands, stumble and slide
in rough, grey steps
to crouch, dreamy eyed
on dappled sunlight in grassy pasture,
no longer scoured bald with fast airs,
nor woven grey in slow fog.
just here, now, they open slow stone hands,
release the waters, silver and peat-brown,
in streams and bogs and falls.
a tumble of white rush, an ache
of distant noise between
silent rustling oaks, lost in
deep and distance that is measured
and marked by slow drifting sheep,
the pools of sunlight scudding east.

it is a long time staying still, a dwelling,
piled up, re-walled, obscured, uncovered, re-used.
a pronunciation of name, a genealogy of comfort
and shelter, hope and hopelessness, a garden
and a rusting, a perch between here and heaven
and a bell to the beyond beyond that.

these are the colours of a day.
a day before Spring with cold winds
and a sun remembering warmth
and the palest of blue,
fragile blue,
mist-filled, hazy skies……

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A truth that believes

A truth that believes
it is the whole of the truth
Is a poison.

There are ghosts
In the dark, draughty attics
Believe themselves
Kings
Who are owed.

But it is not so.

A point of view
Draped
Over a few seconds
Is not, for sure,
To be relied upon
To define an aeon
Nor a purpose
Nor a good yarn.

All philosophy
Summed up and sundered:
The raven, sharp-eyed
And hungry
From his cliff nest
At break of day.

Expectant
Of
Nothing.

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ARTEFACT

We come and go one by one,
or in twos and threes,
waking, sleeping from dream to dream,
handfuls of dust cast heavenwards, taking shape,
then falling back to settled earth. Bubbles, thoughts, whispers.

Birdsong in a pearl-still dawn.
All day in this small green field,
in its tangled bare hedges,
in its edge of trees,
in its deep grasses, the birds
flit and feed, pause and fly off.
All day the sunlight picks out the distant slopes,
the forests, the valleys.
And they, too, come and go with mists
and clouds
and drifts of rain.

For months now I have been working the canvases,
(for people do so like a view to hold on to,
one so dear to them, one they do not have,
a way through the mute walls,
to remember an opening out, a beyond,
a distant something).
Against its nature to drip, against its habit to mix and merge,
against my own fingers’ wish to sweep and gesture.
A discipline,
the tying down of an illusion,
confection for tongue and eye.
A sweet minded moment, an ache of forgetting.
The life of itself, a liquid thing,
to be constrained so, to process
as a stately, well-dressed thing.
Not just a swirled, delightful, mute moment.
A meaning. A purpose identified. The monitoring of the familiar.
As if. As if.

As if there were a story.
As if there were a careful, structured tale.
A small beginning, a once, a long-ago.
Through wild, thorned paths and fog and frost
to a final end so careful balanced.
A just so.
An as it is.

Something to leave behind.
Something to say.
More than a rise and fall.
More than a raven’s cry across the valley.
More than a blackbird in the cool dawn air.
More than a drift of mist above a hidden river.
More than a rise of trout as the gnats dance on light.

The fire is lit
and it must be fed ’til nightfall.
Then, untended, it will die down,
become silent.

That smooth black,
silk-dark soot:
a hand-print,
a fingerprint on a cave wall:
we are here,
dreaming.
And we found a way through.

—-

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Early morning frost
Wind beneath the raven’s wings
A nice cup of tea.

The first drops of rain
Three kites skim the valley floor
Their cries long and thin.

In the tall oak
by the chapel door
A gang of jackdaws
telling smutty jokes.
They have no care
for the slow sermons
of crows,
Nor the ponderous theology
of glint-eyed
ravens.

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March Song

Sunshine on the snowfields.
Rain in the valleys.

The fields are churned,
The lambs cold.

From chimneys
Woodsmoke leans southwards.

But in the hedgerows
Sparrows are chattering.

On every bank
Daffodils risk their yellow song,

And the jackdaws dance
Carefree in wild, grey skies.

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St. DAVID’S DAY

sunlight drifts lazy, slow, over hillsides
like the thoughts of man
and sleepy gods.
hunched low, these wild Cambrians
hide their own
merciless uplands with steep green:
ascending oaks and the downward rushing
waters that name the valleys.

there is there.
a studded look of clouded rock horizon,
a descant of filtered light.

turn round, though,
and you will see
the high, dark wavered line of the Epynt,
shrouded, begrudging light.
a mystery of mysteries in smoke-wet valleys.

and here now,
the ravens flying from one to the other,
from glowering dark to shining light,
swimming across sheep-sprinkled valleys
all green even now at the end of winter.
the farms all gathered for lambing
and the cherry plum awakening
with the snowdrops and daffodils
and all.

St. David’s Day it is.
he who is a saint of the edges,
a decentralised saint,
a saint of hills and horizons
and sweet, cold waters
and the birth of Spring.

look here: a bright benign unfolding.
look there: a towering roar of grey-blue cloud,
toothed and grating the hidden darkened slopes.

a march between contrasts
a choice of choices
that become nothing
but a roll of change as it changes with the wind,
cold then wet, a speaking of days,
a laughter of uncaring bliss
and an end to certain righteousness.

so this cold wind has March on its edge,
a kiss of rain and mist and a hope of sunlit moments.
this world is a landscape
made of whispers.

the proud man is his own fool
who cannot see.
the humble know they breathe
the breath of others,
the echoing chambers, the sighs and footsteps.

this world, hung upon the cross as our deliverer,
and we, hung upon the cross of its directions.
one given to the other, mutually mixing,
a melting of forms and of thought,
A landscape made only
of whisperings.

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The rivers rise and fall
with the rains.

The hills come and go
folded into their colours.

Day and night are
the forest’s murmured breath.

Green are the roads full of song,
the spine of sky split open,

And the drovers’ cries,
forever herding stars.

Fountains of light sucked
into velvet: the silent midnight.

These moments, so translucent,
flower quietly in the heart.

Nothing concealed nor measured,
no meaning here:
A wordless thing,
open.

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Raven Wind

Eight from the cliffs,
In groups of two and three,
Flowing into the light,
Into mist and mazy weather
Buoyed on distant sight
Sharp as ice,
Bright as water,
Wing-tips singing,
A smudge
Of unbegrudged blessing.

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But ‘we’ is not circled.
We have no edge ( though we think otherwise)
(though we think we think).
We think beginnings and endings,
we think words, breath, silence, breath,
intake the other, exhale the other.
cannot remember any moment beyond
a circumscribed horizon, cannot, even, the dreams,
nor the memories, for sure (was it, was, was it so, was it not?)

There are, of course, clues.
Vagrants, with a certain mildewed smell,
mutter slewed directions, their demon-bright eyes.
(but those we shun, as shadows,
as churchyards at night, as the insisting amoral voices in the mist,
peripheral, shuffled, ambiguous).

The long halls, the rooms, the chambers.
My dear Giordano, such equations, such equators.
So few and tired are the moronic habitual paths,
so broad the primrose paths
to Hell untrod, unstudied.
A rumour of damnation, like a roll of distant thunder,
a storm coming. Well, certainly, there is a storm coming.
From the edges to the centre, from the centre to the edges..
An ending ( of sorts).
And then it echoes around another’s skull.
Seed syllables.
The end of worlds.
The beginning of worlds.

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