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Posts Tagged ‘time’

kali1e

WORD OF EARTH ( “geo- logos”) – a dream stream.

(from “RECITATION” (3)

Measureless are the layering of voices stratifying the night. A geology of language. A wisdom of the earth. A voice of weight. A voice of remembering. Mutterings over herbs and hunted, mutterings around campfires, incoherant weepings in empty spaces, rocking, rocking inconsolable.
The few
who have pushed through,
who have passed to the other side of the sky,
where the stars walk
on two legs, like people,
in brightnesss,
in brightness.
They find the rhythmic chants spinning out of the web along its thin, strong lines, its reliable patterns, its junctures. They weave and weave in and out of song, free to find and to lose form, to remember and to forget, but always to return to the axis, climbing their own spine-tree just for the view, just for the view.
In the dark,
snakes and daggers.
The hungry fingers, the hungry eyes.
To be sent out
and not to return home
empty-handed.
To never be bereft again, never that spun hollowness where power pulls to the edges and breathes itself away in a silence more devastating than sobs.
Click, clack,
the needles go.
Snip, snap
the shears.
She gathers up,
she gathers in,
she counts the knots,
she raises the winds.
She claps her hands and waves boil. The black cat weaves between her calves, purring. Patter, patter on the wet sand. The strings move deft between cold fingertips. A catching of moments. They are so intrigued, so curious like cats, like moths, these spirits clamber and elbow in to see more. Sticky wisdom traps them as flies. Their syllables mirrored and pronounced, taken from thin lips, pointed tongues, and turned, turned and shaped, malleable soul breath mingled to free the dreaming souls of drowned sailors anchored in the black, black starless deep.
They float and turn slowly.
Increments of light
bounce around empty eye sockets.
Teeth shed like wheat,
like barley, nicotine-stained.
Worn thin
and grazed by little fishes,
little fishes,
scoured by starfish,
bored by worms.
They rise and feel the release of water’s weight. They rise and rise, blow and shatter to powder, diatom dust. Turned song for whales, cathedrals of breathing space.
Oceans : just unfamiliar skies.
Skies : just uncharted oceans.
Skiff and wherry,
stars tacking dimensional tides,
solar winds,
trawling the chants,
the glimmer scale words,
the protection mantras, the seeds, the forms, the road home.

——

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ARCHED (Part 7)

Stone
Cast in,
Rippling
Time’s pool.

Outwards
And inwards,
A settled pattern
Of comings and goings.

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And the weight
Of the stone:
An anchor, a haven.
Small, still island
In a restless sea.

alder creatures boss

A forest for song.
A forest for silence.
A carpenter’s house,
A house of edge and curve.
A mother’s house,
A house of succour,
Of promises kept,
Of warm dark.

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Artificer’s jewel:
A design
Of forever.

—

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ARCHED (part 6)

Footfalls,
Echoed whispers.

Slow light
Pools.

Names
Fading slowly.

—-

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A thin, cool shell.
A golden cup
For space.

Earth wells up,
Slow bubbled bliss
Under flags and brass.

Carapace,
Remnant, skull.

Outline echoing
Slain god outstretched
(still dreaming),
Vines growing
Through splayed fingers,
Fingers growing into mountains.

Eyes full of light
Coruscating, kaleidoscoping,
A replaying of memory
And sound.

Illumination of dark corners,
Interface and intersection,
Cavity.

Heart
Evaporated:
Chambers
Of song.

—-
quattrefoil screen

Stone’s song:
We, eloquent in edge,
Tumbling meaning,
Disguised as the living,
Guiding, naming,
Numbering the dead.

A condensation of merit
And tears, and beating blood.
A lithophone, an organ
For reverberation.
A song for endless sleep,
A cradle for dream.
An approximate eternity,
Outwearing centuries.

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ARCHED (part3)

The bardo of entrances.
Intermediate transitions,
One spliced into the other,
Time and space elapsing.

A slow cool outbreath of stone.
It requires a recalibration,
A rearrangement of the senses.

Slowing,
Time is tamped down
In dusty layers,
Glistening.

An inhalation
Of fractured light,
Absorbed, solidified.

Entering the cave of God:
His ribs, grey skin tight,
Desiccated, stretched out.
Pinned, hammered, sheltered.

We are slowly digested,
( the enzymes of faith),
Becoming less, and more,
Of ourselves-
Becoming one of the waiting.

Slow and turning
From cave
To cave,
( the frozen forests whispering
Chiseled curve and keel ),
A reconstruction of gravity.

Tree roots sky conjoined,
Arched, steepled.
Leaves, gold,
Fruits rotten,
Drift weightless, upwards,
Food for avaricious
Angels.

An embroidery of whispers
An evolution of sorrow,
A still heaven
Waiting for a new
Eternity.

looking west

pierced light3

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Conversations with invisible friends(4). Herewith, before they get overlain with other things, another collection of bits and bobs inspired by the blog posts of others. For which I am very grateful….

BIG ROCK

Warm sun
And the dance of laughter,
Sinking deep.

(The weight of stone
Is its memory
Of moving things).

—-

MOTE

Speculation,
moving specks:
what is in my eye,
I see.
It may be clarity,
or clouded vision.
A message
or misinterpretation.

—-

ORIGAMI POEM

Fold mind
Fold sound
Find word
Sharp lines
Open, closed
Tip of tongue
Held between lips
This way
Then that way
Frozen form flows
Into paper.

—-

SOUND ANALYSIS

Great folds of rock!
A lovely beach of curled words
and washed reaches.
What is not “supplement”?
(such a French word
made clunky 3:4 ,
almost an engine jive
with a touch of 4:4
(that gear change between ‘n’ and ‘t’,
a secret hidden pause as the mouth adjusts).
Mouth music.

—

OLD PORTRAIT PHOTOGRAPH

Black and white
frozen light.

Eternalising
the inconsequent
moment.

LKeeping the fleeting
flicker of instants.

Remembering how easy
it is to forget.

Stealing souls or
letting them live
forever?

—–

WAITING ROOM (FUGUE)

When the real
Pushes hard
We slip shattered
Holding still.

Stretched
Transparent, even,
Beyond help
(though never really).

Timeless
Between events
Distanced, grey,
Ghosted hollow by
Too many endings.

Sloughing skins.
Abandoning identities
That fail
(as if they were ever
Sure or sound).

Uncertain of echoes..
–
Tracing grey worlds
Mapping consequences
Of beginning and ending.

Sloughing identity,
Ghosted hollow…
–
When the real
Pushes hard
We slip shattered
Holding still.

Stretched
Transparent, even,
Beyond help
(though never really)
Sloughing identity,
Ghosted hollow.

Somewhere
Weeping.

—

CELLULAR

It is cellular,
how the body grieves,
despite tutting mind,
bright-rouged beliefs.
It is the bones,
the guts,
mycelial nerves.
The hymn of cells,
eternal charnel and chantry,
never expecting anything
other than to pass on,
to pass on,
to cancel,
to forget,
to never forget.

—

ETERNAL EPHEMERA

How still
The lashes of your eyes
Searching words
How still

How long
The slow rise of your breath
Searching peace
How long

How fine
The enamelled morning
Blue, shadowed
How fine

How light
The dive of swallows
above buttercup shine
How light

How still, how long
How fine, how light,
This filigree life
Floating skywards

—-

SPILT LIGHT

Crackled clear
not yet broken.
Hold on or let go.
You will not be forgotten.

—-

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Ash, my tall and graceful one!
My sky-sweeping, rooted one!
Pillar of the upland airs,
Feather-leaved and blowsy one!
May you live forever
On the green meadow,
The cliff-side wood.

May you not decline
With the eastern wind
That blows unwitting death.
It is not hateful, nor malicious,
That small spored thing.
It is itself, longing to live,
Breathing when given space to breathe.
Happy to flourish free.

But all eat the other.
Each food delightful,
A means to be maintained,
And who can dare say
This one form has more need,
More right, than that other?

These hills, sighing open,
Green-pillared with ash and maple.
Sky-open, crow and jackdaw,
Hare and hawk,
Were once oak deep
’til cropped for pit and forge.
We ourselves so keen to scrape
And burrow, scratch and gather up.
Those stone walls now, too,
Broke and deserted, wooded once more.

Our curse in time, our measurement,
Our expectation.
Climbing into the hill country, (warm air,
Cool breeze), time clicks backwards
In increments,
By hours, by days, by weeks,
By months, by years.

Midsummer here
And the hawthorn still heavy,
Chestnut red and proud.
And the stone, the building,
The road, they slip back
To a century, two centuries, ago.
Time slowed in the hills,
Time holding on.
Like the ash, time growing tall
And bending – green time, leaved, roofed.
Time cherished, built up.

Our habitual curse:
A narrow view on time,
A time of coming and going,
A fragment of patterns
Made larger than horizons by life.
A horizon invisible, but for you,
Towering ash, standing
So fair and tall.

Today is enough.
Today is forever.
Weep not for what will be,
What will never be.

The green shadow cools
Down by the Derwent,
A haven for the silk sheen of ducks,
Their quiet chuckling graze in grass.
The goatsbeard turning to sleep at noon.

——


This collected around a journey up north into the Peak District of Derbyshire, the beginning of the Pennine uplands that run up the centre of England to the Borders of Scotland. The highest lands are sparse fields, stone walled, crow-haunted, with windbreaks of sycamore and beech. In the high valleys, steep and narrow, magnificent ash trees grow tall and broad. Here ash and maple (sycamore, great maple) take over from oak as the main woodland species.

Chalara fraxinea is the rather delightful name of the ash dieback fungus, first appearing in the forests of Poland quite a few years back. Since then it has made its way westwards devastating ninety-nine percent of Europe’s native ash trees. Now it has finally reached Britain. There is a slight hope that natural genetic diversity will allow five percent of trees to be resistant. It is very difficult to know what to do in the face of such changes. Life is a delicate, though robust, balance. The rise of one species and the decline of another is due to so many factors, and is part of the way things work here. We may favour the presence of one species over another, but our human view is always prejudiced by our habits and preferences. In the longer view of time, ninety-nine percent of all species that have ever existed here are extinct, and yet it all goes on. Who can say what life-form has more validity than another?

All we can offer is our appreciation for what is around us. Wishing all well. That may be all we can do. It may be the best we can ever do. It may be our sole purpose. To care for. To wish well. To cherish. Each day as it is.

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MAGATAMA SAYS

Magatama says this is what you are, a wriggle in time, a wriggle in space. An eye that is hollow, a mind that is hollow, a space where, a vessel where, sentience pools and flows through. Embryo spinning round sun yolk. A distinction, a seam, a pebble, an accumulation of used data, a debris, a morraine, a momentum of moments lost, not quite forgotten.
A tube, sealed at either end with only hope. It will not suffer to remain. It too will distort amd become formed, reformed. The spin of horizons never long denied. A new in and a new out. A new edge, a new world, given names from somewhere else. The hollow eye, for the hollow eye does not see except what it has seen before. Somewhere there was a beginning, but it was not here, not here. Each key becomes a door, each door a wall, each wall a cell, each cell a wondering of me and mine, a selfish small delight, a harbouring of dream. Now the tide slips, the shattered, polished brilliance fades. We are left high, drying, the long keening of gulls, sandflies and bladderwrack. No more words. Day becomes day.
Scatter, scatter,
Ye stars!
Scatter,
Ye manifold living beings!
However so far
This home
Shall never become lost,
(though misremembered,
Though mistook),
So wrapped, so folded,
So entangled it is
Within your sheer fibre,
Your fluid, your feeling.
Flee as far as
Beyond the named,
Further than edge,
Farther than form.
Digging foundations for what walls exist, reconstructing our noble and grave histories, mirrors and clouds, equations, flocks of reasons seeking a roost, a reputation. The sun has hidden herself in a cave. Where is the sly shaman will entice her out with curiosity? Shiny things, laughter of others. Wrapped up in, wrapped around and upon ourselves. In becoming out, out in, the curve of edge, empty but for its own density.

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The scratching, sketching reveals magatama is also an ear, an orifice that listens, that absorbs…..and so too, turns doodling into that ubiquitous Celtic mysterious icon, the ‘trumpet spiral’, or for the more botanically minded, the mushroom divided, or for those who watch the way waters weave, the rippled surface vortex……but the doodle as doodle, as gesture, as delight of wrist, it is an outward sweep, a slow arc, an inward sweep, conch consciousness, two shapes from one line, an ineffability, a mystery, a going out and a return, the shape of a soul. Spirit language. It is always tricky, always says more than it says. Clouds conversing with hills………

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THERE SHOULD BE CUCKOOS

There should be cuckoos.
The warm silver clouds
Low with rain
Sheeting the high hills,
Green and weighed down
With yesterday’s light.

There should be cuckoos.
Floating, echoing hidden
Like a gong, like a memory
Turning over the still heart
Melting tight paths of thought,
Manifest distance.

There should be cuckoos.
Inhabiting every wooded fold
Deep in the world
Now settled, fruiting,
Slowly inturning, indwelling
Heading high to solstice
And then the long
Slow burn to harvest.

There should be cuckoos.
Now the hay is turned and gathered
Now creamy elder scents the air,
Worlds in worlds, layered, established.
Angels barefoot down the lanes,
Honeysuckle fingers, messages forgot.

There should be cuckoos
Measuring this loosening, this hollow,
Replacing thought and song
Answering all, settling all,
Letting go, adrift and floating.
Low clouds, rain heavy,
Warm air’s slow somersault
The swaying grasses, the rippling grasses.
From the green world’s roof,
From its rafters,
There should be cuckoos.

—–

(Ornithologically suspect, as cuckoos here in England usually call most in April, but it was the thought of cuckoos on a warm, cloud-filled day in June, that inspired this flow of words.)

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SEEN THROUGH AND THREADBARE

We are tumbled, we are lost.
Dreams scattered, dreams hanging on.
Bleached of radiance, long bitter hours –
The nonsense of encumberance.
Expectation exposed, soured, drained.
Threadbare themes clutching for others,
Drifting away, drifting.
Stale rooms, wan sunlight.
Uplifted, waylaid by thin cliché:
Music somewhere to race through,
To wear as flags of intention.

A matter of opinion, this weighing of souls.
The animal-headed ones cast out
For the favoured, faceless, nameless accountants.
Glory rationalised as aberrant chemical imbalance,
Ninety-nine point nine percent of all known dreams
Killed, deadened, ridiculed.
Distracted, taken for a ride,
Disengaged from small beauty,
Cursing the train of more,
The sleek highway to an echoed here.
Consumed, never consummated.
It will never add up to much.

Friends, one by one,
Acquiescing to anonymous silence.
Silent dawns without laughter,
Void cracking through the eggshell light.
A pillow of dissapointment
Stifling a few last breaths.
The parasite gone one step too far,
One step far too far.
Abducted, returned, discarded,
Tested, rejected.
Numbed, awaiting the quenchless wrath
Of the righteous.

—

( a small cloud of melancholy drifting by,
A life returned unopened)

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4.MOON AND MEMORY

there is no limit to the stretch of words
yet they shall snap back to the punch of present,
piquant, drenched, unpersuaded:
the insistent knot and never of this loss.

four times
(since severed heart turned stone, hope faded),
four times the moon has drained the palest light,
punctured, bled out, trespassed, wilted.

four times, too,
risen, filled, flowered again.
memory and forgetting is the long answer to all.
the longest of views: a levelling balm, recycled effulgence,
finally ingested, become ornament and unbound.

rippled eternal edge,
each falling is a misunderstood choreography –
taking wing, pushing out, interrogated possibility.
an orbit. a turning away and a turning towards.
—

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