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Posts Tagged ‘awen’

“I was a speckled white cockerel

Covering the hens in Eidyn”.

1

The egg is the sun,

Laid from the dark feathers of night,

Nested in the dawn of the world.

I am the grain of truth

Radiant in the drunkard’s boasts,

Naked in the silent waiting.

I learnt all languages from the waves,

All harmony from the tides.

Neither bird nor beast,

A tree in the forest am I,

A thousand eloquent tongues of green fire.

At dawn the cockerel calls my name.

Clear Song. Hall of Light. Mound of Obedience.

2

A domestic mythology.

A farmyard mythology.

No wolves, no hungry obstructors

Racing across space devouring sun and moon.

A black hen pecking the dust for grain.

In the corner of the eye

Time nailed fast to a new course.

3

Ah! The seed of poets

Spilling into the dark crevices

Of a fertile earth.

More precious than gold,

The desire for it,

More precious than song,

The moans in the hour of midnight.

I would strut and sing,

Hold all in dizzy thrall.

The girls would love it:

The boldness of it, the sly word,

The sliding, echoing eloquence.

Drunk would they be – the men snoring

Dreaming of a good death;

The girls tap, tapping on my door,

Filled with wonder till dawn’s light.

The seed of poets is an endless forest,

A skilful net of shining catch.

4

In Eidin I had dominion of the hill,

Dominion of the Mound, dominion of the castle.

A steady fortress was my staff,

Planted and reaching to heaven.

The gulls of Leith, the ravens of the Crags:

None was more raucous than I,

None more forthright in the bright morning,

None more persuasive in torchlight flicker.

They would rise softly ( like the Lammermuirs).

They would dip and sigh and open (like the Pentland Hills

Under a summer sky).

And I, the open tomb, echoing,

Doorway to golden moments freed from earth,

Free from guilt and sin.

A golden morning in the scattered dust,

Seeds uncovered, beginnings shining, a new sun,

New worlds nested, round and warm,

A clutch of futures, a prophecy of birth.

5

In a line or two

The bonny hero

Shall have his come-uppance.

Try as he might, the slippery eel,

The voracious worm, the flying hawk,

Shall be brought to justice, consumed, dead,

Himself eaten whole, adversaries conjoined,

The dark mother victorious.

6

Above Marchmont, above Morningside,

Above The Meadows, my covering wings,

My tremulous touch, sunlight penetrating

The deep hidden waters.

On The Mound, on Castle rock, on the Crags,

I brighten and burst forth.

On Arthur’s Seat I am resplendent.

I take my pleasures on the pleasant fields of Portabello;

I dive in the secret quiet waters of St. Margaret’s Loch.

The fortress is mine.

A crimson tram the long length of Prince’s Street.

A swoop down to genteel Inverleith.

My thirst goes forth beyond the shining rivers,

The blue hills dreaming in Fife

And the leaping span of poetry

To cross over it all to mystery.

My name is Taliesin.

I am the cocaine of bards.

Nine breaths of my cauldron,

And you are mine.

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If I can only stand still

Then all the competition shall fade away,

The last shall become first,

The first decay, and I shall remain.

If I can only stand still

As all sorrow and joy revolves about me

And blurs to time, and the time to eternity,

To one moment, and then that

To one who remained standing through it all.

If I can only stand still

The words shall come,

The truth and the prophecy

Will seed tremulous,

Hatch worlds

And pass away in wonder.

If I can only stand still

The fools shall stay silent,

The warriors grow tired of their excuses,

The rich find piety, the poor find solace.

If I can only stand still,

Give shelter to the small birds

And to the invisible weathers made of memory.

If I can only stand still,

The small light from the Pole Star,

Threading down my spine,

And only that one axis,

Held and held and finding peace there.

If I can only stand still,

Poised, regardless, rooted,

The vines solar, and the vines lunar

Winding up from my ankles.

Becoming rock, becoming mountain,

Becoming bark, becoming canopy.

If I can only stand still,

Place will become irrelevant,

Past, present, future

Roll up into a breath

And then not even that.

If I can only stand still,

It shall all be bestowed as a virtue,

As a beatitude, as a blessing.

If I can only stand still,

And not be this itching dust,

This hungry fire that must consume,

Consummate and move on, hungry still.

Made of dust and flowers,

Washed upon waves, sand sighed,

Sound sifted, shore-cast and motionless

With the roar of waves,

Unmoved, unrocked.

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CERIDWEN AT THE ECLIPSE (25/10/22)

Crooked as the moon, as the moonlit river.

Silver to the horizon and daylight’s tempered glow.

Above our heads, a cauldron full of seething stars.

We are dipped head-first, dyed blue and golden,

White as bone and new again.

.

A still pool of light that waves lap.

Connected, the moments coagulate,

Combine under wisdom’s gravity.

One drop contains all, and all that is needed,

Not perfection, but the headlong dance of life,

Falling into itself, lost and rebounding.

.

I have forgotten everything but my name,

And now that, too, is slipping away.

What remains is not matter but memory,

Sly, sliding dreams, seeds stirring.

.

My song all things sing.

My cooking pot bubbles gently.

You run by my rules, my rhythms.

Child, you are as dark and you are light,

And raucous as starlings, as flippant as seagulls.

Hawk hunting, hare racing, Time devouring,

So you can grow your own wings.

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A lot of my writing this year has been towards an art/word project inspired by The Black Book of Carmarthen, a small, handwritten manuscript containing poems collected over a lifetime by one person. It is the oldest known manuscript written in the Welsh language. A mixture of ancient bardic poems and prayers, it is at once mundane and transcendent, simple and utterly baffling. The words that come to me are either reflecting some of the imagery or subjects of the fifty odd pieces, or dwell on the nature of the author and the continuity of language and writing. The art works I am making mainly combine parts of the manuscript pages overlain with my own woodblock prints from decades ago. There will, probably, be a book that combines text with image. It is in no way a translation of the original text. It is one artist’s reflections of the magical mirror and timelessness of ancient books.

MER KERTEV KEIN (Black Book)

(The marrow of fine songs)

It is a river

Uncurling in caves,

A white torrent on dark slick rocks.

It is a shoreline cave where mystery is born by echoes,

Far from comfort, where opposites couple in the roaring of it.

Spanning centuries each word tumbles combining elements.

Shadow worlds are dressed in time to shatter and rebuild the fragments.

Oh, speckle-breasted thrush,

Thrice the song to sing.

Morning rain.

Rain of morning.

Dawn storm.

Eternal song.

A river where meaning slips like fishes,

A flash, a flank, and gone.

The next ripple, the next wave, the scintillating light.

Umbral echoes.

It dances from sound to sound.

A juggler slipping from stone to stone

In the midstream rush. Where next? Where next?

And the foaming roar of it:

The world dancing elements and prophecy

And the arc of words cast up and caught, too fast for the eye.

A stream, a stream, of passion itself.

Sound clothed in the names of things,

The naked, naked sound.

A river of God’s being,

A bowstring caught and released,

The mouth’s harp

And its breath drum rhythm song.

There are spirits here

There are ghosts

Where I see these landscapes,

Familiar, sunlit, wild

I have never been.

I am haunted by the names

And by the meanings

Within the meanings I know.

Other pages in other hands:

Mirrored, pushing through.

I am become a palimpsest of prayer-

The angels with clawed feet

Offering golden torcs.

A language of waves,

Of echoing empty hills.

My eyes water the seeds of words,

Grow vast forests.

The dance of sounds:

Lost timeless for a while,

We dance and dance.

The memories are not ours

That lodge in our hearts.

My soul fragments to the four quarters

As though I am already buried.

There is a cold wind from the north.

A woman who is not a woman

Moves at the edges of my sight

Whispering rhymes with berry-stained fingertips.

One of Three and Three in One.

Before Eden we quake.

The Tower was too high,

The Tree was too bright.

The Flaming Sword

That drove us outwards

We stole for shovels and mattocks.

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It is not the roads that we have lost

That leave us blinkered and aimless.

It is the songs.

It is not the gold we have given away

That leaves us impoverished and hungry.

It is the songs.

Left silent without even echoes.

The body’s rhythm stuttered,

The heart’s reason stultified.

We have gathered, huddled in silent cities,

Upright, efficient, vague and unmoved.

No tides of song, no roaring winds of song,

No rising hearts, no heat.

Never lost in the making of names.

Never tangled in the fleeting syllables.

No lilt, no catch, no net, no praise.

No meaning that dives deep below meaning

And feeds the spirits of the dead and of other places.

No offered breath, no chant that infuses hours with timelessness.

The electric hum of compliance.

The drone of automatic equilibrium.

White noise of dissolving passion.

Quietly waiting an end to tedious static.

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THE OLD TALIESIN

He does not have to raise his voice –

Silence comes with it like the tide on the shore.

Bent-backed, i see his strong staff, serpent-wrapped.

It is still a tree of fruits, sweet and bitter:

A crab apple scented with autumns, hard with frost

And the seeing of too much sorrow.

I see his bright brow, bald as the moon.

He is being chased again through the halls of the world

By another who shall not relent.

And he will change form again,

On wide, sunlit oceans again,

But not until the three drops congeal in truth,

Not until the chariot wheel is cracked,

Not until a new axle pin is shaped and smoothed.

A year and a day,

And we shall all change places.

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Because of their words:

A quantum entanglement.

Whether equation or story,

The ripples vibrate.

All metaphor is truth.

All truth, metaphor.

So said Euron.

So said Eurwys.

They wrap the bones

Of space in pictures.

Weave timelessness

With heroes.

By means of language

And of matter

They fashion magnificent trees,

The span of universes,

A melodious ocean.

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GODDESS BOWL

I am the unknowable bliss at the moment of death and birth.

I am the shatterer of stars.

I am intimately enwrapped in every moment.

I am the passion of breath.

I am the fragile vessel of eternal light.

I am the bright moon burning.

I am the smell of molecules and the wetness of love.

I am every skin and every longing.

I am the drip of cave mouth and the yawn of lions.

I am the eternal tree of photons and its infinite song.

Beyond size and judgment, beyond care and carelessness,

Beyond mirrors and windows, every door speaks my name.

Every bowl acknowledges my precedence.

All vowels and consonants praise me.

All silence contemplates my forms.

All seas, all rivers, all days, all nights, all revolving,

All steadfastness, all remembering, all forgetting, all breath,

All consummation, all conceit, all dream, all thought, all name,

All essences, all senses, all waters, all featherlight caresses,

All thunder, all change, all disappearing, all sorrow, all tears,

All reasons, all homecomings, all roads.

Perfect, unsullied, naked, unadorned.

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PROLOGUE (dark druid arts)

I have sat down and tasted the words of the dead.

What do they taste of, the words of the dead?

They taste of the feathers of owls and the scent of old books.

They taste of domed silent libraries and the flow of a million minds.

They taste of iron and the flower of blood as it fills the mouth.

They taste of mud and rain and scythed grasses.

They taste of the forbidden, of the forgotten,

of the bitter and the everlasting.

They taste of answers and riddles and orifices.

I have sat down and watched them

As the old words make pictures,

As they attempt to communicate their forgotten truths

and the lying stories, and the power of breath and the power of song.

2

Let these sounds revolve slow:

The seed that sucks in water swells

Reaches out to worlds unseen

New airs moving, new sense, new scenes.

Becoming is leaving behind in darkness

That which feeds us still.

Moving out, moving out, peeling the familiar.

These fragments to be held without adjustment,

Without conclusion, as it were,

And if we were not shaping, as it were,

As if we knew somewhere deep already:

The old languages of the blood,

The old languages of potent dreaming.

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The Stones Of Words In The Rivers Of Meaning

‘Sacred’

Is the most precious thing.

That which is unpartitioned.

That reaches roads longed for.

That unfurls sky landscapes unbounded.

That is the most precious.

That fills and empties and makes whole possible.

That wraps meaning in glory and silence.

That goes beyond meaning to mean more.

That flows beyond edges still singing.

That is utter silence enfolding, accepting.

That swells and feeds and gives succour.

That cannot be defined by limitations.

That is beyond and within.

The engine of breath,

The longing to exterminate failure.

To awaken, to sparkle, to feel more, to perceive more.

To stand on the edge of a precipice,

To leap and let go and not care.

To recalibrate, to forget.

To sing eternally.

To be welcomed home.

To be unsullied.

To become the story.

To be magnified.

An infinite expanse of meaning,

A means to go beyond here.

The awen – an inflowing and an outflowing.

Exhilaration.

It can possess but cannot be possessed.

That which carries us away.

Exponential expansion of fractal geometries.

Everlasting metaphor.

Edge of the mysterious void.

Extinction of destruction.

Edges dissolve

And we expand

Into the sacred more.

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