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Posts Tagged ‘landscape’

LLYM AWEL verse 12 Improvisations
(Part One)

Gvenin igogaur, guan gaur adar;
Dit diulith….
Kassulwin kewin brin, coch gwaur.

“Bees shelter in winter quarters, the weak noise of birds;
A bitter day….
The ridge hill cloaked in white, a red dawn.”

The hives silent.
Bees shut up in winter.
So too, the thin voice
Of birds.
A bitter day of it,
So, too, words fail.
Gagged, gaunt,
All declines to murmur.
The hill ridge
Is cloaked in white.
A red dawn.

The hunters for gold
In their hollow halls
Gather murmured dreaming.
Summer is far away.
The dawn flowers red,
But still the birds are silent.

The beauty of it:
A silent red dawn.
River murmurs under ice.

Their laboured breath:
A cold wind sighing
Through bare branches.
The gold of victory
Keeps not cold
From the heart.
They will dream of
Summer and a summer sky,
And the dance of victory
And the boasts of heroes.

This verse has the second half of the second line missing. Rather ironic, as one of its main themes is silence, or comparative silence. The inactivity of the hive I have taken to be a metaphor or parallelism for the host of warriors, inactive, in their lord’s hall. Hence, the imagery of hunting for gold, the warrior’s prize, and bees in summer hunting for pollen.

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THERE, THE CHAPEL YEW

Three nights now the clatter whisper
Ricochet words follow fade of breath.

A landscape sloped and skittered:
One old tree, small in its alloted bounds
Hunkered, curled tight about its heart.

Webbed taught, knotting stone to iron
Grown from bones, grown from bones.

Where all reach skywards and open
Wind, rain, cloud, jackdaw, hawk,
Where the wild, freed leaf flies,
Where it forgets itself
Where it can taste new names.

It will bend down, bend down low,
Not caring, delving to the smallest
A jewel of dust, the truest glimmer,
Wish to be nothing other than this:

A long vowel hummed, light in darkness,
Tongue spilled, an ejaculation this stringed
Taut, eloquent ivy, fearlessly veined
A clothing for the other, braced and measured.

It ripples blindly about its subject
Blinked and blinded, the brightest termination
An alluded something spaced hauntingly.

Resolutely peripheral, as all living things are wont.
Unbeknownst, uncontained, avoiding rigour
Vaguely rivered, an unassuming continence,
A this and a that and a wealth in shadows.

In sleep, only, can come communicated equivalence,
The monitors drowsed and edges blunt.
Something akin to a sleepy reaching love
A convolution wordless felt and melted
Inhabiting the same dream, a sometimes,
An always and forever, harboured together:
Ocean Mind waved and curled.

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WINTER SONG

This distant raven
Smudges the fields,
A rise and spin and fall
Into waves of rain.

Storm winds sweep away
The last of daylight.
Broken sun skitters the hillsides.

It is a rage, a downing tumble.
The world aches
For good governance.
We, an evil race
If we can sing neither
Praise nor beauty.

The heather has broken,
Black is the wild rock.
Unkept are the fields,
Unkempt the hedges.

The cold phlegm lies deep,
A ghost not to be forgotten.
The neat roads are a lie:
They go nowhere
But another stone womb
Devoid and hollowed of life.

Arrogance barking
Through the night,
A papered-over civility
That masks
The purple bruises
Of pampered bullies.

The lambs of peace
Will bring down wrath,
The ravens know.
There is only hunger,
Food and eater.

Marrow,
The heart of things.
We gnaw the shattered bones
To find the fire.
Peck the eyes
To see tomorrow.

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LLYM AWEL verse 10 (part2)

3
Snow falls.
Mountains:
A white edge to the world.
Cold, immaculate heaven
Against clouds,
Storm dark.

4
Their distant gradient dusted,
Every dip delineated,
Each crest remarked.
Imperious white they rise,
Impervious to height,
Clearly distant.
Lines of light icing horizons.
Bright as cloud, accumulated,
Tumbled upwards, whip-walled,
A cold sigh, a sharp hawk
In diving dip: the cowering valley.

5
These slim masters of earth,
Pines roar as ocean waves
Unrigged, sail-stowed,
Or broken-topped.
Rolls, the folded swell of soil,
Solid, wind-rocked.
Wet, desert reaches unwalkable,
Unpathed lost fragments.
Summer days torn away.

6
They stand
Against storm
To no good purpose
But stubborn will.
These teetering mast-trees,
Tied to their harbour,
Unfit to roam.
Spearmen huddled in a forest,
Shorn of reason to stand firm,
Yet standing together still.

7
Ghosted flesh gnawed by cold to bone.
We stand tall not from choice- our bitter fate.
Sore is the storm: it seeps within without surcease.
Sliver, shard, we shiver still.
Holding fast – a downward slide.

—-

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The long rain, grey,
Has dissolved a fragile distance.
With the wind, it comes and goes.
A silent room, a flutter of words.
A curl of incense, a bitter tea, warms and dries.
Perched above joy and sorrow
A ribbon road turns endless,
With only two steps,
Left and right.

A monk dips his quill.
He has become half-uncial.
A steady curve delights,
One syllable at a time.
A river of knowing
And forgetting.

Though the skin he writes upon
Is his own,
A compassed scratch,
A foliate curl,
Heroditas, Avicenna, Merlin.
A history of mirrors,
A rotated wheel.
A willowed sigh,
This river ink.

—-

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LLYM AWEL verse 10

Ottid eiry, guin goror mynit;
Llum guit llog ar mor;
Meccid llvwyr llauer kyghor.

Snow falls, mountains are fringed in white;
These bleak trees: masts on the sea;
A coward has endless excuses.

1
Knowing what we know
What should be done?
We ask ( fearing the answer).

The cold clear cut,
The slow scribbled signature
Of snow.

Timber shattered,
The mast trees weep.
Stripped fingers
They have nothing to say.
The cry, long dry cry of winter.
Glass sea, glass sky,
Broken.

2
What is slight
Sustains us.
Rills and ridge
Croak under snow.

A laughter cough of ice.
Harsh is the wind on the edge of the valley.
No kind words for the hesitant.

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ALL THE WATERS

I cannot stay and I cannot go.
My heart melts like ice
On the high valleys in April
And I am given, melted to crow
And the cry of curlew.
Taken up and laid down:
All cool rain on the grasses
Of the rolling meadow,
A drift of cloud, a mist,
A risen vapour turning,
An Ascension to light,
A transfigured condensation.

All the waters of the world
Are one river.

By the bent and tangled hawthorn
We wait and wait long
For the return of blossom.
Yet we always are surprised-
The wealth of cream incense
Laid upon it, arching down,
The fragrant dew,
The hum of bees,
The expanse of growing summer.
The heart bursts open
To the horizon’s edge of light.
Warmed and belonging
A simple home
A simple return.

For all the waters of the world
Are one river.

And all the lost and drowned,
Flesh taught as dolls,
Roll now to and fro
In the breakers
On the tourist beaches.
Their last breath unheard,
Surrendered to the waters.
Their names and origins
In the thick, green weeds
Feeding tides and fishes,
Rolling, sightless, a little more,
Til they, dissolved in bubbles,
And rising now, meet the air they were refused
In the lands of milk and honey,
The brambled cliffs,
The stain of fallen fruit,
The rag-tag remains.
Bitter will be the tears, bitter and salt
As they ever are,
Dubbed with senseless poisons
And reasons and reasons why
And why not.

How long
before we learn
All the waters of the world
Are one river.

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And is it not true,
Waiting a while in darkness
There blooms a sky
Once blank
Now full more and
More of stars?

And so, too,
in silence waiting
We see thoughts roar and multiply,
Emotions self-arise, endlessly,
and, fecund, roll
To oblivion.

It happens without effort,
This stretching, purring cat close by,
These hillsides echoing
With wild cries of foxes.
This air, motionless, cool,
A taste wrapped in grass and woodsmoke.

Without edge,
Without distinction,
Mind fills up all space.

The world, a cup
Half empty of sorrow,
Is half full of joy.
Yet we thirst
And must drink
Regardless.

Gulping life,
A taste to keep us,
A withstanding
of emptiness.

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CONFLICT (The Old Fight)

The green grasses heaped and peaceful,
as they always are,
Steeped and shaped by nibbling sheep,
bowing, pausing, moving on
Like writers, like painters, considering the sound,
Chewing over the bitter and the sweet,
The limp sorrow, the tight-wound grief,
The bound and binding pain not forgot:
Not forgot though buried deep in heaps across the hills.

The buzzard cries and red kite wheels for the recklessness of princes.
Ancient trees so uprooted, excised, their long shadows lost
And peasant weeds happy for short moments in sunlight once more,
Before the whining scythe of war steals life and land
That cannot ever be owned.

This sorry foreign tongue wanders uncertain paths
Around lost sound and buried names.
Those gone before now hood their eyes to listen by the warm hearth of God.
I await, as always, their sure narration, its flow and lilt as if my own:
A habit of work and weather, of sewing in twilight,
In beer that eases ache of long labour
And puts by for a while the winds of winter
And the haunt-eyed want that loiters,
Hanging its dark shade by every byre and door.

I know where I myself would be
To soothe and polish the grain-edged slate of sorrow.
Down with the world’s roar at Pwll Bo,
Its throat of rock slaked and scoured.
I would be rain-cooled, too, in the smoke cloud of Cwm Dwfnant,
Forever under the big hills staring bare into God’s blank blue face.

I would crouch, nostrils spiced with fern and fir
And the damp drip from the birch, itself turning silver and gold
From each and every early frost.
Below where the hidden boys are ever hunting their courage,
Learning to kill for bitter whim of distant government,
Watched by raven eye and silent nested hare.

All beaten down, we have flocked to the cities to be sold for pennies.
Huddled there believing safety is numbers from the wilds and curves of the world.
All winnings, though, are desolate or requisitioned,
Elbowed out, of course, by the mighty.
Rephrased, remapped, remade,
The hills are worn down by the measuring,
(Though they clutch still their gold, their own cheese and milk,
Their own paths downward to certain golden summer
Where the hounds, red-eared, hunt the dreams of heroes.)

Crouched like God’s old hound, the church of Llangammarch,
Perched on its very own hill, push-toed between streams,
A confluence of dark and light, washed in gravels, the quick dippers and lowing cattle.
There above the porch, cut deep in fragmented stone is carved
The old fight between the four corners of the world and the spiral twist of eternity.

And we look on, tangled in, amazed,
Forever wanting what is neither this nor that.
But listen:
There is no more to fight for
Where we have found our home,
Where we breathe in and out all weathers,
The hills of rolling meaning
And the churchtops of exaltation,
Asleep in sunlit valleys,
Companions with the living and the dead,
A ripened mulch,
A song worth singing.

Forgive the reposting, for some reason some of the like and share buttons did not show on the original post, and I don’t believe it reached many people. I hope this one works….

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The green grasses heaped and peaceful, as they always are,
Steeped and shaped by nibbling sheep, bowing, pausing, moving on
Like writers, like painters, considering the sound,
Chewing over the bitter and the sweet,
The limp sorrow, the tight-wound grief,
The bound and binding pain not forgot:
Not forgot though buried deep in heaps across the hills.

The buzzard cries and red kite wheels for the recklessness of princes.
Ancient trees so uprooted, excised, their long shadows lost
And peasant weeds happy for short moments in sunlight once more,
Before the whining scythe of war steals life and land that cannot ever be owned.

This sorry foreign tongue wanders uncertain paths
Around lost sound and buried names.
Those gone before now hood their eyes to listen by the warm hearth of God.
I await, as always, their sure narration, its flow and lilt as if my own:
A habit of work and weather, of sewing in twilight,
In beer that eases ache of long labour
And puts by for a while the winds of winter
And the haunt-eyed want that loiters,
Hanging its dark shade by every byre and door.

I know where I myself would be
To soothe and polish the grain-edged slate of sorrow.
Down with the world’s roar at Pwll Bo, its throat of rock slaked and scoured.
I would be rain-cooled, too, in the smoke cloud of Cwm Dwfnant,
Forever under the big hills staring bare into God’s blank blue face.
I would crouch, nostrils spiced with fern and fir
And the damp drip from the birch, itself turning silver and gold
From each and every early frost.
Below where the hidden boys are ever hunting their courage,
Learning to kill for bitter whim of distant government,
Watched by raven eye and silent nested hare.

All beaten down, we have flocked to the cities to be sold for pennies.
Huddled there believing safety is numbers from the wilds and curves of the world.
All winnings, though, are desolate or requisitioned, elbowed out, of course, by the mighty.
Rephrased, remapped, remade, the hills are worn down by the measuring,
(Though they clutch still their gold, their own cheese and milk,
Their own paths downward to certain golden summer
Where the hounds, red-eared, hunt the dreams of heroes.)

Crouched like God’s old hound, the church of Llangammarch,
Perched on its very own hill, push-toed between streams,
A confluence of dark and light, washed in gravels, the quick dippers and lowing cattle.
There above the porch, cut deep in fragmented stone is carved
The old fight between the four corners of the world and the spiral twist of eternity.
And we look on, tangled in, amazed, forever wanting what is neither this nor that.
But listen. There is no more to fight for where we have found our home,
Where we breathe in and out all weathers, the hills of rolling meaning
And the churchtops of exaltation, asleep in sunlit valleys,
Companions with the living and the dead, a ripened mulch, a song worth singing.

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The image is from an old early medieval carving now above the doorway of the church in Llangammarch Wells

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