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Posts Tagged ‘mystery’

VOYAGE OF BRAN (1)

For what reason

Does she call the Raven King,

Arcing over the waters to a safe land?

She is wedded to the song, blossom and fruit,

Calling from afar.

No matter where we turn

The music is invisible.

It sinks so deep that we sleep

And see what we cannot see,

Wish what we cannot know,

Set sail in hope on small boats,

Our lives no longer holding us

On their certain courses.

Cast adrift to find joy,

To measure it and move on

As the visions shift

And prophecies grow stronger.

We, in turn, become more, and less,

Floating above, sinking below.

The Raven sung by love to rest.

And restless shall they be

With and without this world.

The taste of the tree,

Never quite enough.

Never seen again,

Melting into the music.

Oh! Silver Branch!

VOYAGE OF BRAN 2

I turn back to see the future,

To see what has been missed.

A silver rent sings across the sky,

Laughter that only a world can make.

I know we dream, but do not know how to awaken,

Or if it is wise.

Water birds are screaming lies,

Hearts sink deeper into permafrost.

The smudge of sneers on too many faces.

Truth that was struggling is dead.

Best not to speak at all.

Let the world in, though,

That impossible branch of song,

To new pathways, new biologies.

Look back.

Has it not all been written of before?

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UPLANDS

1 (Near-eternal rules)

A perfect sky.

My tangled, old hands

forget themselves.

The valley dreams of the uplands and

The uplands dream of heaven,

and sing it so.

Easy it is to breathe its names

In the luscious sap

of hidden streams.

Easy it is to forget, though,

how to remain there,

Discomforted by continents of swelling air,

The sweeping veils of rain,

the unlikelihood of easy paths,

and how the weighted body

Yearns for flight

and how all thoughts always turn back

To the curling, dreaming bracken

and sullen silent stone.

The harsh gods gravitate here,

Born of flesh and born again,

with their horns and thunderheads.

Mud-spattered,

they hew and heft,

carve deeply the near-eternal rules.

Their language, as guttural, as singing,

as the falling crevices’ echo.

As the waters do,

melting away long millennia,

shaping bodies for breath

and for joy.

The deep folds of a planet’s shifting dream

Upon whose hunched shoulders

All the little things thrive.

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CUP AND RING

This wind from the fist of the storm,

This roaring in the pines,

These tumbling waters

From the fist of the mountains.

Time is the ache that sifts between fingers

And knots the locks of thought.

Bright swords are dulled with using;

Words ignored, unheard once more.

Those who chiselled the flat cold rocks knew this.

They have their voices still, and their long shadows

At the short days, return the sun, return the small hope

That lasting will be better than leaving.

Though leaving will bring rest and song.

That life will sift and slip through the fist

Of indomitable emptiness,

Whisper in patterns, find names and breath.

Circles ripple on stone.

Time is not a crop to give its yield.

The gold is elsewhere, glistening.

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If I can only stand still

Then all the competition shall fade away,

The last shall become first,

The first decay, and I shall remain.

If I can only stand still

As all sorrow and joy revolves about me

And blurs to time, and the time to eternity,

To one moment, and then that

To one who remained standing through it all.

If I can only stand still

The words shall come,

The truth and the prophecy

Will seed tremulous,

Hatch worlds

And pass away in wonder.

If I can only stand still

The fools shall stay silent,

The warriors grow tired of their excuses,

The rich find piety, the poor find solace.

If I can only stand still,

Give shelter to the small birds

And to the invisible weathers made of memory.

If I can only stand still,

The small light from the Pole Star,

Threading down my spine,

And only that one axis,

Held and held and finding peace there.

If I can only stand still,

Poised, regardless, rooted,

The vines solar, and the vines lunar

Winding up from my ankles.

Becoming rock, becoming mountain,

Becoming bark, becoming canopy.

If I can only stand still,

Place will become irrelevant,

Past, present, future

Roll up into a breath

And then not even that.

If I can only stand still,

It shall all be bestowed as a virtue,

As a beatitude, as a blessing.

If I can only stand still,

And not be this itching dust,

This hungry fire that must consume,

Consummate and move on, hungry still.

Made of dust and flowers,

Washed upon waves, sand sighed,

Sound sifted, shore-cast and motionless

With the roar of waves,

Unmoved, unrocked.

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GOLDEN MERIDIAN

“Here at the centre of things.”

(There at the centre of things),

“We see everything and hear everything.

How the chorus of dawn is continuous,

How the shadow, like a wave,

Retreats from the light around the world’s edge.

How the light, like a wave, retreats

From the shadow and silence of night

With owls and thunder.”

There is one here,

( there is one there),

Dressed in liquid gold

Like a summer river,

Like a wood filled with birdsong.

He says:

“If you wish to be more

Than you are now,

You must learn to suspend your knowing.”

He says:

“Your in breath is the outbreath of another.

Your outbreath is the inbreath of another.

She says:

“Look. Listen.

The birds of dawn

Forever singing.”

She says:

“Look. Listen.

The eternal stars

Forever resting

In cool midnight silence.”

He says:

“Beginnings and endings are words.

Life and death are words.

To travel beyond words

Is a road few follow.

All those here are dancers.

Movement comes before sound.”

She says:

“There are no questions

That cannot be answered

With more questions.”

He says:

“Eternal sunrise.

Eternal twilight.

We admit those

Who have forgotten their names,

Only.

What is your name?”

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Take away the words

( that give stories to the silences of doubt)

And there is still the song of the river,

The roaring in the pines,

The light rolling over the ever-changing hills.

Mist rises and the clouds roll past.

There is no need to fill the seconds,

That are already so full of mystery,

With anything other than this.

We are ghosts

Unless we feed on this glory.

We are starved of succour,

Only feeding on our own reasons.

Offer your silence, now and then,

In the early morning, in the dusk.

Now and then, listen

To how eternity sings.

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STONE AGE

Snow clouds drift below moon and stars.

The river roars its long distance.

.

What can can we do

But breathe in the warm smoke of fires

And huddle down into the skins of animals?

.

In this way

We become the world’s eyes

In long winter.

.

Hunters of stories

In the mists.

Recounters of the long herds

And the cunning wings.

.

Sustained by the strong life of others.

So we may sing their praises

And with our hands

Shape amber and jet

And flint and bone.

.

Beneath the one tree of starlight

And dancing, rising sparks.

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TWENTY YEARS ( OF DRUID TRAINING)

1

It was like a rope of light

let down into the chaotic darkness.

Only later would we see

it was a deadly serpent

and the chains of enslavement.

But such is the nature of knowledge

and we shrugged, accepting all costs.

.

Nyt o vam a that

Pan y’m digonat

.

It was not from a mother and a father

That I was made.

.

2

One year we were held in complete silence.

No word spoken

but internal recitation of all the masters’ words.

Becoming each one, and their lilt,

moving into their expressions,

reclothed in passions,

Eyes opening in other worlds.

.

A’m creu a’m creat

O naw rith llafanat;

.

And my creation was created for me

From nine forms of consistency:

.

3

Another year we each were given

one word only, to unwrap.

To follow, to hunt to its uttermost,

to its bright birth,

In a name that has become ours alone.

A map of our journey,

a seal on our circumference.

.

O ffrwyth, o ffrwytheu,

O ffrwyth Duw dechreu;

.

From fruit, from fruits,

From God’s fruit in the beginning;

.

4

Once the words were learned

all the rhythms and the hidden wealth:

We could see how nothing existed

outside of those patterns of plaid.

No move, no colour, no conceit,

nothing that was not drawn

from that well of words.

And so we learnt to see around us,

in every hall, in every byre,

where each would walk

and where in each tale

they would place themselves.

And how with a word

it might be shifted

and how with a gesture

the plot might be moved on.

.

O vriallu a blodeu,

O vlawt gwyd a godeu,

.

From primroses and flowers,

From the blossom of trees and shrubs,

.

5

One year we were given

the gift of madness.

.

Prid o pridet

Pan y’m digonet,

.

From earth, from the sod

Was I made,

.

6

Another year we slept all the long days

and at night gathered around still pools

to learn the dance of stars, and their songs.

Our dreams would be strange then,

and our names, unpronounceable

.

O vlawt danat,

O dwfyr ton nawvet.

.

From nettle blossom

From the ninth wave’s water.

.

7

One year we would speak only lies,

until we knew that truth is itself a lie,

and that the tides beneath us

are drowning darknesses

and screaming passions.

.

A’m swynwys-i Vath

Kyn bum diameth.

.

Math created me

Before I was completed.

.

8

A year as birds

soaring and rising on thermals,

to find the fulcrum of the winds

and to twist the cloud rivers to rope

for sun or rain or storm.

To placate, to restore.

.

A’m swynwys-i Wytyon

Mawrut o brithron.

.

Gwydion fashioned me

Great enchantment wrought by a magic staff;

.

9

A year abiding by trees –

some would not return,

fertilising the world

with their eternal silences.

.

O Eurwys, o Euron,

O Euron, o Vodron;

.

By Eurwys, by Euron,

By Euron, by Modron;

.

10

Another, we hunted and slew all the gods,

taking their women and siring new progeny.

These we fed with our own blood and souls,

so that they would know us when we summoned them.

.

O pymp keluydon

Arthawon eil math –

Pan ymdygyaed.

.

By five enchanters

Of a kind like godparents –

Was I reared.

.

11

One year to placate and cajole poisons.

Those songs were enticing, sweet as death.

.

A’m swynwys-i wledic

Pan vei let loscedic.

.

A ruler fashioned me

When there would have been a burning extent.

.

12

Then we did all return to our own families

To serve one year, unrecognised, in their midst.

For many that was the final chain broken to the past.

Allegiance of blood once sweet, now rancid, old, bitter.

.

A’m swynwys sywyt

Sywydon kyn byt,

.

The wisdom of sages fashioned me

Before the world was made.

.

13

A year of folding secrets into the mundane;

Of speaking to the deep;

Of remaining human.

Learning that love and hate

Are the gravity that keeps us here.

.

Pan vei genhyf-y vot,

Pan vei vach veint byt.

.

When I had being,

When the extent of the world was still small.

.

14

A year polishing swords and mirrors

And placing the singing spells

Of vision and death within them.

.

Hard bard bud angnawt,

Yt uedaf ar wawt

A traetho tauawt.

.

A fair poet, of unusual gifts,

I control in song

That which the tongue utters.

.

15

The genealogies of the lost

And the equations of gods;

Their doorways, their doorkeepers.

The mysteries under the earth

Where the stars wander,

Passionate light on an endless river.

.

Gwaryeis yn llychwr,

Kysceis ym porffor.

.

I played in the light,

I slept wrapped in purple.

.

16

The transmutation of the body into smoke;

To see without eyes;

To move the shining streams.

.

Neu bum yn yscor

Gan Dylan Eil Mor,

.

I was in the citadel

With Dylan Son of the Sea,

.

17

To become free in chains;

To remember the first cauldron

And the journey from there.

Brightness remaining.

To give everything away,

Yet remain undiminished.

.

Yg kylchet ym perued

Rwg deulin teyrned.

.

My bed in the interior

Between the knees of kings.

.

18

To summon guards and guardians;

To curse the dreams of kings;

To know the stars’ positions in daylight;

To travel out on rays of light;

.

Yn deu wayw anchwant:

O Nef pan doethant.

.

My two keen spears:

From Heaven did they come.

.

19

To know one’s manner and time of death;

To move into other forms;

To prophesy and to escape from prophecy.

Transformation at the moment of death;

To remember every name and

The shape and hungers of souls.

.

Yn Annwfyn llifereint

Wrth urwydrin dybydant.

.

In the streams of Annwfn

They come ready for battle.

.

20

To return to simple words,

To return to silence;

To remember and forget,

To move freely without ripples.

Three drops spinning –

Their taste, the honey moment.

To know that all is song.

That all is one song, one river,

And to listen to the winds from the hills there,

From the rapids, from the shallows,

To leap upstream, to float downstream.

To inhabit the world that inhabits the wise.

.

Ef gwrith, ef datwrith,

Ef gwrith ieithoed.

.

He made, he remade,

He made languages.

.

Llachar y enw llawffer,

Much llywei nifer;

.

Radiant his name, strong his hand

Brilliantly did he direct a host;

.

Ysceinynt yn ufel

O dosas yn uchel.

.

They were scattering in sparks

From a drop in the heights.

The Welsh is taken from ‘Cad Godeu’, a long and mysterious poem attributed to Taliesin. It is not meant as a commentary on my verses, nor the other way round. But perhaps they both come from the same place and act as a counterpoint in time and space.

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WINTER SONG

Storm words roar from the north.

From oceans of ice the sanity of cold.

.

The pines here bend and shudder.

The birches here shimmer light webs.

The waters here grow thick and silent.

.

Time, its old fire wan, weakens limp.

Nothing can be done, its slow moments congealing.

Nothing can be saved, the precious mirrors tint and spall.

.

There is no way out, no way in.

The roads all spattered, batter edged.

Small beasts bear the burden hearts or give them up to rest.

Small beasts melt into the shrines of singing stars.

.

The clouds ring loud, the earth an anvil, cold steel hard.

The sun has three days stood still,

It stutters on now, but in new pain.

.

The days of winter are a long entrancing poem.

It has a recitation hypnotic, unyielding.

The wind shouts it, the north wind, the song of winter long.

.

And winter still to take its deep bite on the warm world.

Day by day the dying are heading west,

They trail their names and their memories, river dreaming.

.

What is left are bones and the teeth of night.

Harsh goddesses who lust for flame,

Older stories than the ones we know,

Older by far, in the language of soot and coupling.

A cave-deep heat lit by animal scents.

.

These first roads are etched on our palms,

Red, in the alignments of circumference.

From here, the silver rivers;

From here, the stones that sing;

From here, the roots reach downwards;

From here, the seeds are gathering together.

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THE TALIESIN SHADOWS

1

He comes forth by words,

out of darkness and brightness

(we, watching, blinded by both).

.

Out from blood, out from skulls,

out from the groves and the mist.

.

They tumble, birds from nets,

these wild words seeking skies.

.

The scent of oak and moss,

the scent of rust and iron blood.

.

A thousand years,

and still no-one has fathomed its depths.

.

The evening sky swept clear of life and death,

autumn clear with the tooth cold edge to it.

.

He has learnt to weave the shadows.

Mystery is his cloak, a feathered cloak of wings,

wings of words.

.

The meat of the past, the blood and muscle

of all forebears held in rhythm and sound.

.

They have perfected their own shadow,

full of mystery and silent horror.

.

Persistent dreaming encourages a certain familiarity

with dear monsters. “My awen is an ash spear”.

.

We talk to the spirits of the dead,

recounting their stories, reviving their memories,

reincarnating the spirit.

.

I will sing and sing and sing your words.

Your voice feeds my nerves

and I become, first, between, then other, then empty,

and you can walk in.

.

My shadow

becomes your shadow,

your words,

my words.

.

2

I open my mouth.

There is silence.

But now the wind

From the graves

Forms sound, the vowels,

The rivers of sound from the caves of wisdom,

From the mounds of remembrance.

.

I will not sing to the lords, to the rich kings.

I sing to the free, who lack good weather,

Who seek rain in drought, seek sun in storm.

.

The space of song.

They listen and travel through these words

To become closer to the divine.

This is my space. The protective weaving of poets’ words.

Enwrapped, entranced, protected within the poet’s rhythm.

3

Cauldron

This cauldron: iron hard consonants

Wrapped round and shaped by the curve of vowel.

What will it not encompass?

What shall never be encompassed by it?

.

Awen is greater than this cauldron’s expanse,

Awen is deeper than its deep resounding belly.

Powerful is the echo of that fortress of truth,

Yet an echo in the hills of distant thunder is what it is.

The ocean roar of awen in the cursive chambers of shell and bone:

A whisper of voices, millions, there are millions, from the deep before.

.

Deep as this cauldron is, and as ancient as its gigantic creators,

It cannot contain the horizons of Annwfn.

One part is understood and named,

Four-fifths remain eternally hidden.

A clear light blinds by its brightness

And the shadows deepen wherever it shines.

It cannot be named by names, it cannot be sung by songs,

It cannot be understood by philosophy,

It cannot be measured by maps.

Look up, look down, at the revolving stars:

It is there and not there.

Stir the bubbling verses in the honey cauldron:

It is there and not there.

In the breath and in the void

It escapes the understanding as the sun at sunset,

As the cuckoo in winter,

As the wren in the hedgerow.

There and not there,

A diminishing cry

Stirring the mind of poets.

.

He grows from his words – the seeds of sound

On the soil of listening silence.

Embodied, he is mystic light, a tricky one, iron hard steel.

An evolution of the world’s voice found in the dark tombs,

A clothing of golden brocade for liquid tongues.

They whisper in circles in their root-wrapped rooms.

The transcendence of death by the sages, by the brave,

By the wise, by the heroes who pass between, who pass on.

I have placed the words of the past in my body.

Golden, they rise up when my tongue bids it.

The mead flows, we drink and are drunk upon it.

.

The deep speaks, and it stirs the deeper still.

We are echoes and can trawl

The life beneath the single

Small light of the soul.

This voice overtones infrasound.

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