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Posts Tagged ‘myth’

VOYAGE OF BRAN (1)

For what reason

Does she call the Raven King,

Arcing over the waters to a safe land?

She is wedded to the song, blossom and fruit,

Calling from afar.

No matter where we turn

The music is invisible.

It sinks so deep that we sleep

And see what we cannot see,

Wish what we cannot know,

Set sail in hope on small boats,

Our lives no longer holding us

On their certain courses.

Cast adrift to find joy,

To measure it and move on

As the visions shift

And prophecies grow stronger.

We, in turn, become more, and less,

Floating above, sinking below.

The Raven sung by love to rest.

And restless shall they be

With and without this world.

The taste of the tree,

Never quite enough.

Never seen again,

Melting into the music.

Oh! Silver Branch!

VOYAGE OF BRAN 2

I turn back to see the future,

To see what has been missed.

A silver rent sings across the sky,

Laughter that only a world can make.

I know we dream, but do not know how to awaken,

Or if it is wise.

Water birds are screaming lies,

Hearts sink deeper into permafrost.

The smudge of sneers on too many faces.

Truth that was struggling is dead.

Best not to speak at all.

Let the world in, though,

That impossible branch of song,

To new pathways, new biologies.

Look back.

Has it not all been written of before?

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CROOKED ONE

.

Naked and moist am I

Burning with stars.

A sickle swept low

Severing chance.

Tongues silenced

Their excuses full,

The stories tedious,

Revealed as smoke.

One deep dark eye

That measures worth

Unblinking.

I bend slow and low

Gathering up and binding.

The web tied and untied

Between all things

That tastes of poetry

But is seed and blood.

Unmannered, hungry,

The world shall taste it

And be changed forever

We demean ourselves with pretty gods.

Lessen the glory of the pulse of life.

Fail to stretch beyond the familiar,

Discard the chance for conflagration.

A passionate average, a mean measurement,

A judicial lack of vision.

The wild world dances,

So we turn away to sink

To meagre cooling gruel from yesterday.

.

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UPLANDS

1 (Near-eternal rules)

A perfect sky.

My tangled, old hands

forget themselves.

The valley dreams of the uplands and

The uplands dream of heaven,

and sing it so.

Easy it is to breathe its names

In the luscious sap

of hidden streams.

Easy it is to forget, though,

how to remain there,

Discomforted by continents of swelling air,

The sweeping veils of rain,

the unlikelihood of easy paths,

and how the weighted body

Yearns for flight

and how all thoughts always turn back

To the curling, dreaming bracken

and sullen silent stone.

The harsh gods gravitate here,

Born of flesh and born again,

with their horns and thunderheads.

Mud-spattered,

they hew and heft,

carve deeply the near-eternal rules.

Their language, as guttural, as singing,

as the falling crevices’ echo.

As the waters do,

melting away long millennia,

shaping bodies for breath

and for joy.

The deep folds of a planet’s shifting dream

Upon whose hunched shoulders

All the little things thrive.

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TALIESIN IN EDINBURGH

7

And shall I now sing the same sing

In the voice of sweet, sad Sorley?

Mugged on the streets by the muddle-headed,

The roar of impatient buses even in the cobbled ways

Hidden from any sunny truth.

The roar of modernity beating the brains

From the fallen doves of loveliness.

And the peace in the glens (where we lay

And forget even our names for a while),

And the peace of the hills (where we wept

With the rainbow promises of unlikely futures).

I shall walk with the ghosts down to the Grassmarket.

I shall nose into the deep pockets of Death

And await a sign, like Greyfriar’s Bobby,

And love it all, and lose it all – all the loud wanting,

All the measureless cloth and cut of status –

In the dusty bookshops down New Town way.

The hidden waters, unsuspected, below the gardens,

Below the pavements. The rock of ages

Staring down as it ever was: an emperor,

Purple in the dawn, where the pigeons quiver and coo.

It was mine. It was all mine, without taking one step.

Lungs filled with with barley malt from the breweries

There by Usher Hall. Seeping into every hope

On frosty mornings, the warm rusk scent of it,

Crossing the Meadows beneath whalebone arch

And cherry aisle. Old straight tracks

Converging on soot-black steeples.

Our slender grasp on life reaching for thistles

(And the harsh wind, a plaid of discomfort

Walking us into winter along the long grey cliffs

Of tenement and aspiring views).

Across the hills to the hills beyond,

And beyond that to the long dead hills

Dreaming in the Kingdoms of Fife

And the shining Forths.

Diesel chokes the throat at dawn chorus.

The sun, too neon, misses us out

And rises nonchalant.

The myth is always there, dressed in rags,

And us, looking down, scanning the pavements

For the wrong kind of gold.

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CUP AND RING

This wind from the fist of the storm,

This roaring in the pines,

These tumbling waters

From the fist of the mountains.

Time is the ache that sifts between fingers

And knots the locks of thought.

Bright swords are dulled with using;

Words ignored, unheard once more.

Those who chiselled the flat cold rocks knew this.

They have their voices still, and their long shadows

At the short days, return the sun, return the small hope

That lasting will be better than leaving.

Though leaving will bring rest and song.

That life will sift and slip through the fist

Of indomitable emptiness,

Whisper in patterns, find names and breath.

Circles ripple on stone.

Time is not a crop to give its yield.

The gold is elsewhere, glistening.

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5: Prophecy of the Hero

.

A naked babe lies on the hillside.

The fear of prophecy is great.

It waits sleeping and golden,

Unnamed. Without any doubt.

The ragged ones without hope,

Without skill, who warm themselves

Only with their good hearts,

Shall find it there.

That is what the tales say.

They shall be nameless, too.

A milkmaid, a woodsman, a shepherd.

A loved cuckoo it shall be

At their meagre hearth.

A killer of kings, a hero,

A saviour, a long-lost one.

It becomes the truth

Because it is told again and again.

It satisfies the world to be so,

And so it is.

The rivers carve the valleys deep.

The mountains converse with cloud.

All the waters, all the words, converge.

The deep well echoes, resounding.

We join and leave the dance.

A step or two and then return.

Compelled by the music

We fall into the patterns.

Belong, whirl, smile, shine,

Then fade into shadows

And watch breathless as others

Take to their toes, clasp hands,

Lock eye and step and smile

The smile of the dancer.

No competition here.

No winners or losers.

The pattern must be woven,

The threads lock and unlock.

It is prophecy. It is the truth.

Few see it. Fewer still mind.

The stars wheel. The planets rise.

Heroes rise and die.

Roses drop their petals

With the first frosts.

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THE COMPETITION

( 2. The Prophecy of Flood)

Tell me, then, that there are no gods of weather

Now everything is measured, everything explained.

That we can go about our business safe and sane,

Not wondering what shall befall us if we anger or stray.

That knowing vanquishes fear.

That naming disarms the fact.

.

I would not pit the gods of cities against the gods of the world.

Though the god of money enchains us to its tumbling promises,

Though we are comforted here by the law and order

Laid out in concrete streets.

.

The breath of time we measure, but the god of Time is not of us.

The god of storm, the god of light, the god of life, the god of death,

The god of twilight, the god of decay.

They are all no smaller now than they were before.

Tame the weather, and there is a greater weather.

Cage Time, and there is a greater Time.

The gods are those against whom we dare not compete.

The sky towers we have built of swaying, rickety philosophies are no match.

The chiselled, honed words, all the equations, mean nothing

But a murmur dream.

.

Is there anything more poisonous to the soul than competition?

The battle for worth, the war for best?

Listen! I am the best at sorrow, the best at melancholy.

I am forty days of rain. My bitterness, a pointing finger

That wipes the slate clean. Above all. Below all. Separate. Distinct.

In the flood I am the spark that burns down the one remaining boat.

Sneering at lesser things is my entitlement.

First among the angels. Too great to fall.

The Elders lined up there on their thrones, counting points, counting scores.

Chosen by the chosen to join the ranks of the chosen.

Offer up your pious praise to God and deftly gather up the gold.

We honour the first, the second, the third (with a shrug)

Wave through the beautiful, wave through the best.

Wave off the rest. Judge and separate.

Gwion was a pauper, grabbed by the ear and told to watch.

Afagddu, the soot black sullen shadow, was the chosen one,

Born for greatness, a certain destiny.

Taliesin: best at bragging –

I was. I am. No one better than I.

The stunned poets casting up their eyes to

The heaven he says he comes from,

Packing their bags, looking to find less glamour-filled halls.

He knew a thing or two:

Please the crowds and praise the kings.

A bawdy innuendo, a prayer, a vision of glorious death,

And for the quietly watching intellectuals, ambiguity in spades.

A foundling of dubious parentage, brought up by rivers and seas.

A certain affinity to water, like Moses: cool fountains and dowsing

The springs in burning deserts, slaking thirst with words and glory.

How many streams are there? How many rivers?

Following the frightful pillars of smoke, the pillars of flame,

The burning bushes, the falling star.

There is a green land, and a green hill far away,

And the best of the best shall find peace there.

Across the river to the green lands for your sorrows.

A green hill of suffering for all your good works.

You shall become forever now, a constellation

Of the revolving fortress of glorious night.

I, not I, the river that is your awen,

The best, displayed in shining light,

A rainbow promise.

A slight and glorious

compensation

for past and future horror.

This is the second poem that was written with Llanwrtyd Eisteddfod in mind. Not one of the finals I chose to submit: too long a rant and not so obviously following the theme, though it continues and develops some of the threads found in the other seven parts.

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WILD HUNT

I am lost

So I am yours, Gwyn.

Driven mad, worn thin,

By the fickle certainties of man,

The lies of the blood

In the lees of trust.

To slip and wriggle

Into cracks and crevices,

To numb as many seconds

As we may.

Kneel down in the soil

And weep.

You are clay that knows death

And have learnt a mechanical time

So as to watch its coming.

The whispered “This is how it is”.

That is a lie weighed down

By the phantasms of others’ dreams,

Souls worn wan draped in dust.

If we are not reborn

Then where does this yearning come from?

If we are not reborn

Why does music bring so many tears?

If we are not reborn

Whence the joy, whence the sorrow?

If we are not reborn

How do our desires arise?

Whence our dissatisfactions?

If we are not reborn

What purpose does hiraeth serve?

What purpose the stirring of the blood?

The bones of trees

I turn to small hopes.

Collect your souls, Gwyn.

Scatter them into a new Spring.

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RAVEN IS POET

1

I have built my nest in the billowing cloud.

My phurba beak subdues the demons of hunger and despair.

This bright eye measures the generations of worms

And the oracles of shattered bone.

I ride the cracks between worlds on the wind of stars.

Does not my voice peel back all illusion?

What wealth is there here but the wealth of memory?

And I am not unfeeling.

I remember all their names, all their reasons.

Their genealogies are the forests of my delight.

A gathering at suppertime where I cloak the unseeing

In a sheen of knives.

My philosophy, you see, is alchemical, pure and simple.

I shall eat all suns, steal all warmth, reveal all truth that is lie.

There is no sin except satiety.

No song that is not beautiful.

No poet that does not dissect the foolishness of the world

And feed off it.

A long-shadowed cross, I am nailed as a sacrifice and a hero.

Fast, my deep is deeper than all skies.

My deep is the deep within.

Navigator of the impossible, I have the voice of icebergs,

The gravel of continental subduction.

I am generous with praise:

I will laugh joyous at the capers of poets and the drunkenness of heroes.

I wheel and turn patient as the stars,

Wait for the sickle moon to bring it all down to food.

The eloquence of continuance.

The continuance of dreaming.

Consume and consummation, it is all one to a raven poet.

Laughter is the weapon of last resort.

2

Snow on the mountain.

Hazels flower in the valley.

Still no signs of any wisdom.

Snow on the mountain.

Silence after the last battle.

The world again

Shall fill with birdsong.

3

Spin in gorse-bright light.

Dance of black cloak, black knives.

Exultant raven warriors.

4

I am Dark Mountain.

My wife is Midnight.

My daughters are Hunger Sated and Sleek Breast.

My sons are Piercing Hunger and Arrow Straight.

We are descendants of Snow on the Mountain

And Utter Darkness.

The Well of Memory and The Blasted Tree

Are our dwelling places.

Soot Black

Ocean Depth

Bright Brow

Radiant Ash Tree

Thief of Knowledge.

Turner of the Wheel

Season’s End

Hunger Abates.

Wind and waters name us thus.

Mountains name us,

The vast sky names us thus.

5

At the end of the universe ( or at its beginning)

There sits a raven-headed god on a stone throne.

I have seen it. It is so.

He has one eye that sees all things.

He has three eyes for the past, present and future.

He has four eyes that roam in every direction.

He has five eyes that glimmer in the dark and see all things.

He it is who makes the eggshell curve of the sky,

The white light of day. I have seen it. It is so.

When the sky was broken open and the earth fell out

That is when the ravens were born – in the space between.

6

From the bird god’s breath there comes a warm wind.

Let it blow the seeds of destruction away.

Let it extinguish the embers of hate.

May the needful dead fall ripe to our praying beaks.

A thousand ages is his out-breath.

A thousand ages he will breathe it all in again.

Sky and land and the holy air

Will wrap in silence about his dreaming.

We shall be named one by one

And nested in the cliffs of his gaze.

7

There is sufficient death.

We have no need

For the glut of war.

Our falling, floating dance

Inscribes the air.

We tumble towards

Our altar, earth.

We rise to sun,

World-filled cries.

This dance we dance

Is for the dance

Of life and death,

For the bird-headed god

At the end and beginning of all things.

For the drink of it.

For the breath of it.

For the bliss of it.

Raven poet I am.

This is the truth.

This is how it is.

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MOON DISC WORDS

Winter moon

Burns cold,

Burns deep.

.

Afagddu

Gwionbach.

Sun and moon.

This cauldron earth.

.

Winter moon

Looking down.

How many waters?

How many streams?

.

Winter moon.

Keeper of souls.

Cool breath of words.

.

Winter moon.

Cauldron warmed

By breath of nine

Maidens.

.

Winter moon.

Cauldron bubbling.

Road of souls.

.

Winter moon.

The gatekeeper asks:

What is your name?

.

Winter moon.

Born with no mother,

No father.

Bright browed.

.

Winter moon.

Taliesin.

Eloquent silence.

.

Winter moon.

No stunned poet.

Radiance of starlight.

.

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