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west window

ARCHED (Exeter Cathedral)

I was drifting through, sifting through, drowning in, the looking for some particular misplaced images and came across some photographs of Exeter Cathedral from a few years back. As our local town, we are familiar with the studied, silent bulk of the building and can, easily enough forget the utter splendour of the architecture and the dedication and effort that went into its creation. Exeter is not the biggest, but it is a very pleasing interior. It has an impressive West Front even though many of the carvings are replacements for those damaged by bombings in the Blitz. Over the last twenty or so years the interior carvings have been repainted to show their original gilding and bright colours. The roof bosses in Exeter are amongst the best and most varied in England, with a startling creative effusion of the Green Man image.

It squats
Muted, beached.
A honeycombed carapace,
Scoured crab
On drift shoreline.
A cry of gulls,
Still
At evensong.

cathedral front

There is a steadying presence in these old buildings, like ancient trees they set roots and hold time steady, somewhere between then and soon. Continuity. Continuance. A maintenance of faith. A measurement in bells and lessons. An axis, both long and tall. An anchor, a haven.

Caverned,
A weight of years,
Halted, encapsulated.
The green lawns
Where tourists flop
And locals watch
Or lie back.
Below that green turf
Roil and scrape the
White, white bones,
Skull and lolly jaw,
Thigh and hip
pressing upwards.
Like worms by rain
The dead are raised up.
The warm flesh weight
Subtly pushing down upon them,
Disturbed, alerted by the murmur of the living,
The chatter of the breathing,
The careless touch, the laughter.
They turn and stretch and unbend
The need to leave the holy must,
The flow of air, the scurry of gulls,
The shadows coming and going,
Hiding and revealing
The saints’ patient faces
Always looking west.

cathedral yard

Always a little ironic to see the living lying on those careful, green cut lawns. The Cathedral Green quiet, serene, sedate, overlooked by tearooms, by tweed-draped windows. Hardly an inch below the surface, the centuries of the fortunate wealthy piled up closer to God, buried in the wake of His rock ship, harboured in the long hours, waiting resurrection, to join the sunny picnickers, the gossiping long-legged girls, the running children, who all unthinking, brush and pick at the grassblades, the stubble of the dead…..

North Tower1

I will be posting more from this treasure-trove soon. Grainy, dark, inexpert pictures emerging from the shadows. a writhe of words and stone. my tongue is dust and forests frozen, illuminated, transfigured, made mythic…..

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Ash, my tall and graceful one!
My sky-sweeping, rooted one!
Pillar of the upland airs,
Feather-leaved and blowsy one!
May you live forever
On the green meadow,
The cliff-side wood.

May you not decline
With the eastern wind
That blows unwitting death.
It is not hateful, nor malicious,
That small spored thing.
It is itself, longing to live,
Breathing when given space to breathe.
Happy to flourish free.

But all eat the other.
Each food delightful,
A means to be maintained,
And who can dare say
This one form has more need,
More right, than that other?

These hills, sighing open,
Green-pillared with ash and maple.
Sky-open, crow and jackdaw,
Hare and hawk,
Were once oak deep
’til cropped for pit and forge.
We ourselves so keen to scrape
And burrow, scratch and gather up.
Those stone walls now, too,
Broke and deserted, wooded once more.

Our curse in time, our measurement,
Our expectation.
Climbing into the hill country, (warm air,
Cool breeze), time clicks backwards
In increments,
By hours, by days, by weeks,
By months, by years.

Midsummer here
And the hawthorn still heavy,
Chestnut red and proud.
And the stone, the building,
The road, they slip back
To a century, two centuries, ago.
Time slowed in the hills,
Time holding on.
Like the ash, time growing tall
And bending – green time, leaved, roofed.
Time cherished, built up.

Our habitual curse:
A narrow view on time,
A time of coming and going,
A fragment of patterns
Made larger than horizons by life.
A horizon invisible, but for you,
Towering ash, standing
So fair and tall.

Today is enough.
Today is forever.
Weep not for what will be,
What will never be.

The green shadow cools
Down by the Derwent,
A haven for the silk sheen of ducks,
Their quiet chuckling graze in grass.
The goatsbeard turning to sleep at noon.

——


This collected around a journey up north into the Peak District of Derbyshire, the beginning of the Pennine uplands that run up the centre of England to the Borders of Scotland. The highest lands are sparse fields, stone walled, crow-haunted, with windbreaks of sycamore and beech. In the high valleys, steep and narrow, magnificent ash trees grow tall and broad. Here ash and maple (sycamore, great maple) take over from oak as the main woodland species.

Chalara fraxinea is the rather delightful name of the ash dieback fungus, first appearing in the forests of Poland quite a few years back. Since then it has made its way westwards devastating ninety-nine percent of Europe’s native ash trees. Now it has finally reached Britain. There is a slight hope that natural genetic diversity will allow five percent of trees to be resistant. It is very difficult to know what to do in the face of such changes. Life is a delicate, though robust, balance. The rise of one species and the decline of another is due to so many factors, and is part of the way things work here. We may favour the presence of one species over another, but our human view is always prejudiced by our habits and preferences. In the longer view of time, ninety-nine percent of all species that have ever existed here are extinct, and yet it all goes on. Who can say what life-form has more validity than another?

All we can offer is our appreciation for what is around us. Wishing all well. That may be all we can do. It may be the best we can ever do. It may be our sole purpose. To care for. To wish well. To cherish. Each day as it is.

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ripple light2

JUST LIKE HAIKU

1
nonchalant monkey
busy eating fruit
raises an eyebrow:
single snowflake
drifting down.

2
sound of seagulls,
echoing sea caves –
air-conditioning unit
splutters to life.

3
night rain.
a million leaves
gently clapping

—-

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P1090084
3 The Undefined

between definitions
death turns us all
time-travellers,
hunting echoes
in edgeless canyons.

becoming poets
searching flavour:
the right words
for a gesture, a phrase,
a filling of empty spaces.

actions dissipate,
colours fail in their purpose.
the emptiness of hollowness
(a mimic, a clue, a joke,
of real emptiness
from which we come and go,
come and go).

a dream of reaching:
unable to find
our
own hands.

P1090073

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jade beach1

ON JADE BEACH

On Jade Beach,
Looking out west,
Indigo and white, the sea.
Ripples, woven ikat patterns
By the cold wind.

We could not tell
What was precious,
Nor what bestowed
Immortality:
Pockets weighed down
With smoothed fragments
Of beauty.

Dark pine leans out.
An arc of dark sand.
White, cold wind from the mountains.

These pebbles were mountains,
This sea, spring rains.
Looking for signs of heaven,
Dreaming of jade rivers.

Six foot of snow
Deep in the hills.
Inside the grass-roofed houses,
Warm and dark:
Silk-drying racks,
Rice-harvest regalia.

The big drum is silent
But its roundness
Fills up the valleys
All around.

Our footprints along the ice paths
Melted, flowed into the bay.
The cedars redden again with pollen,
Rust-red in the sharp sunlight.

On smooth black sand
The tide rolls a pebble
To and fro.

Your fingertips
Impressed on clay tea-bowl rim.
The fragrance of memory
Bitter and bright.

These roads we take
So winding,
It is difficult to recall
The last views of the sea,
The last of the sunset.
Go on,
We shall not be far behind.

Down to the sea
Looking for immortality.

*****

jade beach8

BLEAK WIND

(no reason why
It should come up.
No reason why
It should not.
Remembering
The last time we saw you
Burdened but smiling
Far over the mountain passes
Down by the sea
Laughter along the shore
Dark pines listening
A bleak wind
Mountain still deep in snow)

****

THE WAY IT IS

no need to wait
no need to look back.
we are all following,
one by one.
the winding path
into deep mountain
stillness.

***
jade beach2

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20130502-113539.jpg

2nd May: Flow of Time

1
Finger of light
Twitches the curtains
Warm cat purs

2
Floating free
It takes a deep breath
Rising sun

3
Without doing,
Everything changes.
Time’s river

4
One or two moments.
Sunrise.
Fast river Time.

5
Watching.
Where is the small leaf of hope
I floated on that river?

6
Stay busy
So as not to notice
The speed of time.

7
No need to watch.
Sheep grazing
Feel the sun rise.

8
Catching breath.
No time to waste
Already gone

9
Accumulating merit
Then letting it go
Doing this, doing that

10
Morning sun
Now too bright.
Turning my gaze:
Waning moon

11
Sun and moon
Floating along
River of time

12
Where are they now?
All those plans floating.
River of time.

13
Caught sight of
One last time:
Small blossom.
Bend of the river

14
Somehow the same:
This thought
This river

15
One moment
Vanishes.
Recorded forever,
Perhaps

16
Deciding
Whether to go up the lane
Or down the lane.
Cat sitting in the sun.

17
To see all the pattern,
Break the pot.
Now the pattern,
Where is the pot?

18
Tune of an ancient chant.
Searching the words
That fit

19
Recording
Ordinary moments
In case
They never happen
Again

20
Thoughts, silence.
The sound of sheep
Munching new grass.

21
Slowly moving uphill
Into sunlight
Sheep nonchalantly drifting by

22
Choosing one,
All the others scatter:
Philosophical thoughts.

23
Should they never come again.
Collecting moments.
Mind fuel.

24
Fishing for words
The hours flow by.
But look what I have caught!

25
Small bright things:
Minnow moments.
I will return them to the stream
In just a moment

26
Haiku:
Not just words
Ripple outwards.

***

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The full length piece can be found here as a blog page as it takes up a bit of space (though does not comprise many words). I have recently been looking at some very old travel writings, mostly taking the form of haibun. This one was composed on a brief visit to the Orkney Islands, north of mainland Scotland, during the midsummer of 1980. I have added a few new linking texts, but apart from that the piece remains as originally composed. Accompanying the text were originally some black and white photographs, but as this was long before the days of digital anything, I will have to do considerable playing around to reintroduce them (once I have located prints or negatives)

XVI
(solstice)

Returning to Stromness I cooked an evening meal and then wandered aimlessly along the coast. Although I had to rise early next morning, planning to take a boat to Hoy, I was unable to leave such a beautiful evening. Despite the hour, it was still very light, and a deep silence filled both myself and the land through which I walked. Resonance was everywhere. Great wellings up of deep emotion when I beheld the waves on a small foreshore; the trawler, its mast-light flickering, heading out to sea; the hills and cliffs of Hoy across the water almost melting into the deep stillness of oncoming night; young lambs bleating on the hillside; mother ducks with their young by the shore.

this evening, too, lingers,
unwilling to leave
your summer stillness,
Islands of the far north.

on the shore
wave upon wave
only deepens the silence,
Islands of the far north.

XVII
(gift)

soon to depart,
at last
the tune
of something
framing this land

the stranger
knows a wholeness
to which
he does not belong.

mull kodak2 072

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Yew textures

13

Equation

Belonging and separation
These, the truth of all relating.
Belonging and separation,
These, the fabric of all existences.
Belonging and separation:
The biology of being
The song of the heart
The engine of thoughts
The migration of souls
The tide of peoples
The stick and goad of leaders
The yearning of lovers
The fear of death.

Staying in one place:
The rowan, the birch
Taking up, letting go,
Bending to withstand rain,
Rising in springtime.

A blessing to all
A curse to none.
The house of trees
Ever remaining.

I breathe in
The wood of my own making:
The spliced double oak
Of my lungs
Shattering separation,
Drawing in life to life.
Feeding the forest
Of my blood, a red tide
Whispering the twin rivers
Of extension and return.
My own yew and alder,
Heart life, deep-rooted.

A dream of trees,
This world.
A home of trees.
A house of trees,
An open sanctuary,
A boundary of contentment.

The bright tumbling birches-
I breathe their fluid lightning,
Sucked in to my belly.
Spinning, revolving, sweeping away
Sorrow, liquid atonement,
A clarity of spiral song,
A reverberation of pure note.

I breathe in the star snow of rowan,
A descent of clustered frost,
Rock-borne, persistent.
A waterfall descent of night
Shot through with sparks of song.
A tumbled universe
Bridging beginnings and ends.
A resonance of watching silence.

I breathe the resin air of pine,
A seed of taste on the tongue-tip.
Awakened presence, reminder of place.
I breathe out the distant glimmer
Through the centre of my eyes,
Arrow-straight, target-less,
Horizon’s endless pull.

The tree of memory.
The tree of branching thought.

I breathe the sweep of ash,
The straight, silent spear tip of it,
Key to all houses.

I breathe the shattering quiver
Of aspen the whisperer.
A fountain of echoes,
Shaking each nerve tip
With rippled delight.

I breathe without movement
A perfect balance of oak.
Remaining poised,
Certain stitch, well held.

And I breathe a pool of yew,
Contracting, expanding, bubbled time,
A well of silence,
A well of time.

Half here, half elsewhere,
The dancers know that tune
Of leaf and root, galliard of the seasons.
The slow inhalation of moments,
The gnat-cloud of thought
Dispersed and reformed
In new pools of sunlight.

The house of trees:
Allowing the dark,
Allowing the stillness,
Acquiescing to gravity
And the yearning for light.
Placed, established, settled.
Whilst we,
Free to wander
But rootless and unsatisfied,
Busy to hide the doubt of silence,
The insistence of other questions.
Always running away, scurrying.
Better stories
Awaiting beyond.

It is time (surely) to
Attain a place,
An open view,
learning to remain.

Over the hills of Knoydart
The clouds have settled.
Dawn stills the waters
Between Raasay and the deep wood.
Distilled essence,
Liquid morning.
All roads and paths
To elsewhere
Are empty.

The house of trees:
A beginning and an end
Of remembering.

tall trees

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magic wood

12

The Singing Wood

In the tangled thicket
Blackthorn barbs of thought
With no safe way to turn
Suspended, doubtful, tired,
A bright berry yet –
Container of seed, small hope
Only requiring its portion
Of sun and soil.

A dream of all the islands
Bridged and bounteous
Dangerous Sounds, riptides of recrimination,
Gravestones of sorrow
Mapped, but foresworn.
The few that foolish fought
Squabbling, slaying the hopes
Of all others, forgiven
But no longer exalted.
Each land with its sweet air
Breathing new life into its own
Sweet song, strong language
Not misered, but known by all
Shaped, gloried, delighted in.

The blessings of all required by all.
The gold of happenstance
A fountain of benevolence.
No capercaillie strut, no clash
Of antlered rut – lords only
Of knowledge and kind words.
All requiring all, sustaining all.
In the flash of day between
Long night and long night
The hearth of kindness
The food of companionship.

Islands no longer prisons of belief
Walled by the bones of the slain.
Each a tree: oak, ash, thorn,
Birch, mazzard, distinct, shining,
A singing wood of distinction,
Where roots sustain
Woven tight together
Where branches catch light,
A net of bright breezes dancing.
Where trunks are lithe, given space,
Grow strong,
Sheltered and warmed by all.
Islands of the blessed,
Apple islands,
Shining in sunlit seas.

woods at Tokavaig

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moss cave

11

The tasting of edges

Here is how it is,
How it was:
From the vastness of sleep
A coagulation, a gravitation
Towards the poignant edge.
The bliss of voiceless silence
Shaped and constrained:
Electrical motion, remembering, defining
The surge of emotion, the
Tumble of language, the assertion
Of primacy, constraint, neural nets
To catch and take hold, own,
Possess, reject, disown, demean.

The walls of this house,
Our house,
Sure against the gale,
Black and warmed.

Here’s the truth of it:
This language is not my own,
Not my words, not my syntax,
Not my thoughts, nothing new.
History: the reiteration
Of the forgotten blood
Still roaring changeless
Down the rivers of the years.

Here we are:
Rooted, belonging,
Our right,
A place to return to,
Warm in the soot-blackened darkness
(The winds screaming, battering, squeezing
Sound from tumbling dust).

A silver flash on the black waters,
Leaping fish way beyond the heron’s gaze.
The tawny glen, its tawny sides
Closing in as day’s end darkens.
Where are the fires?
Where are the voices?
The footsteps of those returning home,
The yawns of babes
Turning in belly-filled sleep?

The roaring tide has left.
Its sound diminishes.
The white, wheeling gulls
Are silent specks, the dark horizon.

We are left at a peace
We do not want,
Wordless sorrow for the misplaced.

I’ll tell you of the purest emotion,
Feeling that is free of judging,
Free of qualification.
It is the only language of the heart.
Music, the language without definition,
The summoning of tears and smiles,
Our greatest blessing to the universe.
A song, wordless and unequivocal,
A language universal, sublime,
Fearful, shaking the roots of things,
A net for the Almighty’s scatterings.

(I would barely trust one
Who could not find a tune
With nimble fingers,
Who could not speak verse
As if it were his own heart talking,
Whose words stay cowled behind
Heavy drapes of seemly logic,
Whilst inward, seethes and rails
Against opinion not his own.)

It is not here
In the dream of standing alone.
It is not here
In the upright light of independence.
Uprooted, it is not possible to find a place,
Poor and worthless, it is not possible
To find gold or glory.
It is the same voice
As it ever was:
The clever words well-weighted,
Reasonable.

The rain on the roof,
The wind at the door.
We huddle
Holding the weaving of stories,
The paths telling how we got here,
The choices, the turns, the betrayals.
Cold draughts sweep abandoned corners.

The water does not fight the rock,
It tunes its song and flows around.
It is neither this nor that.
The stepping stones in the flood –
Not the only way to cross.

This house of trees –
It is a house of despair,
A house of howling winds.

This house of trees –
It is a bounty of bright life,
A re-population of delight.

This house of trees –
It is a signal to all
The tyranny of the past has fled.

This house of trees –
It is a plight of bitterness,
An empty, starved gesture of despair.

Delight and despair –
Sunlight and shadows on the hills.
Holding firm is not the way of life.
Freedom and independence, not
A way to understand life.
The making of edges
Is the sound and silence of the tune,
A convolution of anticipation.

Each edge, though,
Neither this, neither that.
We define too closely,
Barter truth for surety
Miss the paradox,
Hold too tightly.

The bright edge is a sword
That severs as the sunlight is a sword
That blinds the sight.

Coming over the hill –
The sharp curtain of the Cuillins,
The still waters of Ord.

Belonging or not belonging:
I borrow my breath
From the exhalation of sparrows
I borrow my sight
From the sparkle of waterfalls
I borrow my heart
From the song of dust and worm
I borrow my words
From the whispers of the dead,
From MacLeod under the sky,
From the white bones, the bleached bones.

I am nothing
But a continuance
Nothing but a path
Made by those gone on before
A house of trees
A house of birdsong
A house of utterance
A forever
Dreaming of a walled instant
Of peace.

BlackCuillins Ord

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