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Moonlight cover2

My first collection of poems is now available from Smashwords.( http://www.smashwords.com ) it contains one hundred and eleven poems compiled from my first year’s blogging, up until December 2012. This is my first attempt at e.publishing, and as far as I can see it seems ok – looks really nice on Kindle.
If you would like to take a look you can download the first twenty percent of the text for no charge. Price to download the whole caboodle is $6.99 (apparently there are 13,910 words, most of them in the right order! In a little while we should also have the book as a downloadable pdf available from http://www.treeseer.com

“This is the first published collection of poetry from Simon H. Lilly, an artist and lecturer who is also an established writer on esoteric healing. The majority of the works are from the last two years, with a selection of earlier poems spanning four decades. There are over a hundred poems, from short, haiku-style pieces to longer performance texts and epic narratives. The landscape of the changing seasons is often the backdrop upon which the nature of mind, awareness and reality is explored. His poetic influences are the spiritual landscapes evoked by Classical Chinese and Japanese poets, the rhythms and word-play of Old English charms and spells, and the wistful lilt and muscle of the Celtic bardic traditions, particularly the contemporary Scottish Gaelic masters.
Rich language, sometimes dense, sometimes light, always looking to recreate an instant within memory, a picture in words. Quiet, contemplative, but never sentimental, he describes these poems as “flocks of thoughts watched from a quiet distance”.”

Next project (when I’ve fully recovered) will be to publish “The House of Trees: a poem of thirteen parts.” and then maybe a volume with a mixture of word and image (a lot more unpredictable in how it will work on different reading platforms, though I believe).

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Atom – Heart – Mother
(Third object of transcendence).

Dark moon.
There is nothing to measure
The passing or staying of time.

A pewter plate, leaden glow heaviness
Is upon me,
Upon which ants crawl –
An incessant hunt
For meaning’s addictive
sweet crumbs.

No silver sickle,
No thin cold sharp edge to sever
Glutinous swags of thought.

Tedious, this circularity,
This inability to dive
Beyond the debris.

No owls,
No bats outside.
All opposition slain
To the blundering flight of our own
Monochromatic, monotheistic,
Magnificently naive self-appointment
As pinnacle and paragon.
The Mysteries and miracles,
Only annoying flies bouncing off
Dirty panes of glass.
The backroom boys of nightmare,
Gagged and emasculated
Now that we load
The silver bullets of rationality.
Stallions and nightmares, wild kelpies
That would drag us screaming
Below the dark, still, loch waters,
Consigned to flickering square screens.
Insanity banished,
The moths of eternity
Shattered, spiralling torches,
The quenchless fire of plutonium:
Endless yuga
Of sudden and slow, bright death.

Dark moon.
Nothing to see here.
Stars hidden
Awaiting Great Time,
O Mother of Darkness.

Clouds part a clearing,
A darker nothing beyond grey nothing.
A pause.

Travel down peripheral paths, abandoned, webbed, forgotten.
Away from the echoing vestibules and cavities trawling feckless thought.
Rooted through the feet, an anchoring of sober light.
With breath,
A river of acquiescence
Gravitates down
To our hidden heart,
soil,
solid,
matter,
mother.

A silver sewing,
A phosphorescent bond,
An electric blue tang
Of diving clarity.
An exhalation in the centre of stillness,
Stratigraphies of forgiveness,
Of forgetting, of remembering.

New wings spread
Flexed wide, descending
Upon the winds
Of interior light.
A song bursts upwards
That is a dance.

The three ways, the three channels,
The three poisons,
Become one tree
Vast and sheltering,
at once seed and fruit.
Branching senses interweave,
A galactic arch.
Subatomic tendrils reach sustenance,
abundance, belonging
And are cherished.

Sleep and the Sleeper
A moon in shadow
A silver tree ringing with light
A forest of stars.
Bitterness, a blessing
That wakes and warns.

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MAHARATRI – Great Night

Continuing my exploration of the Mahavidyas, this piece tracks and picks out words, phrases and ideas from Danielou’s work. I don’t know how it will stand by itself for those not familiar with any of the imagery or symbolism, but for me it is acting as a trigger and an introduction to how both visuals and text might develop in the future.

Object of transcendence. Maha Ratri 1

1
Eternity, ten nights long
Five for the god,
Five for the goddess.
The power of Siva –
To know it, one word,
No other word were needed.

Ten objects:
The divine night, destiny mapped,
Destruction mirrored,
Fear revealed.
The power of time,
The last manacle of sky iron,
Melted, irrelevant in the bliss
Of our supreme nonexistence.

2
The state of deep sleep,
Our little dream, ocean’s drop
Of perfect quiescence,
Nothing remaining,
Not time acting on,
But time itself:
Absolute night.

Beyond the beyond,
Sleeper withdrawing
Into the power of time,
Itself.
Immensity,
A diadem of illusion:
Licks of lightning
Flickering
At the corners of the sea,
Surface, iridescent, unmoved.

This absolute night,
The night of destruction,
When things
That are not things,
When the objects
Of our philosophies,
When even the bare bones
Of is and now,
Slide and smudge
Decorating no longer
The resounding passageways
Of thought,
The geometries
Of measured edge.

For there is now one thing
That is the only thing,
A no thing,
A perfect surface
Curving to infinity,
Our lady
Of the spheres,
Resplendent emptiness.
The little light
That does nothing but divide,
Distend, distort,
And shatter into matter
Finally engulfed,
By the Giver.

Returning in the evening
All the birds nest in happiness,
All nestle to the welcome night,
Enfolded by calm.
All, all come to rest
Upon her lap-
Mother of Happiness,
Mother of Night.

( I shall step into the still,
mild darkness,
the rush of silent air,
fragrant after a day of rain.
Feel my purpose dissolve,
my need and reasons waver,
words and names becoming uncertain,
then soon submerged.
Passing clouds,
passing clouds).

3
Time
That tears asunder
All things,
Destroyer of worlds,
She herself
Is your dance.

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moss cave

11

The tasting of edges

Here is how it is,
How it was:
From the vastness of sleep
A coagulation, a gravitation
Towards the poignant edge.
The bliss of voiceless silence
Shaped and constrained:
Electrical motion, remembering, defining
The surge of emotion, the
Tumble of language, the assertion
Of primacy, constraint, neural nets
To catch and take hold, own,
Possess, reject, disown, demean.

The walls of this house,
Our house,
Sure against the gale,
Black and warmed.

Here’s the truth of it:
This language is not my own,
Not my words, not my syntax,
Not my thoughts, nothing new.
History: the reiteration
Of the forgotten blood
Still roaring changeless
Down the rivers of the years.

Here we are:
Rooted, belonging,
Our right,
A place to return to,
Warm in the soot-blackened darkness
(The winds screaming, battering, squeezing
Sound from tumbling dust).

A silver flash on the black waters,
Leaping fish way beyond the heron’s gaze.
The tawny glen, its tawny sides
Closing in as day’s end darkens.
Where are the fires?
Where are the voices?
The footsteps of those returning home,
The yawns of babes
Turning in belly-filled sleep?

The roaring tide has left.
Its sound diminishes.
The white, wheeling gulls
Are silent specks, the dark horizon.

We are left at a peace
We do not want,
Wordless sorrow for the misplaced.

I’ll tell you of the purest emotion,
Feeling that is free of judging,
Free of qualification.
It is the only language of the heart.
Music, the language without definition,
The summoning of tears and smiles,
Our greatest blessing to the universe.
A song, wordless and unequivocal,
A language universal, sublime,
Fearful, shaking the roots of things,
A net for the Almighty’s scatterings.

(I would barely trust one
Who could not find a tune
With nimble fingers,
Who could not speak verse
As if it were his own heart talking,
Whose words stay cowled behind
Heavy drapes of seemly logic,
Whilst inward, seethes and rails
Against opinion not his own.)

It is not here
In the dream of standing alone.
It is not here
In the upright light of independence.
Uprooted, it is not possible to find a place,
Poor and worthless, it is not possible
To find gold or glory.
It is the same voice
As it ever was:
The clever words well-weighted,
Reasonable.

The rain on the roof,
The wind at the door.
We huddle
Holding the weaving of stories,
The paths telling how we got here,
The choices, the turns, the betrayals.
Cold draughts sweep abandoned corners.

The water does not fight the rock,
It tunes its song and flows around.
It is neither this nor that.
The stepping stones in the flood –
Not the only way to cross.

This house of trees –
It is a house of despair,
A house of howling winds.

This house of trees –
It is a bounty of bright life,
A re-population of delight.

This house of trees –
It is a signal to all
The tyranny of the past has fled.

This house of trees –
It is a plight of bitterness,
An empty, starved gesture of despair.

Delight and despair –
Sunlight and shadows on the hills.
Holding firm is not the way of life.
Freedom and independence, not
A way to understand life.
The making of edges
Is the sound and silence of the tune,
A convolution of anticipation.

Each edge, though,
Neither this, neither that.
We define too closely,
Barter truth for surety
Miss the paradox,
Hold too tightly.

The bright edge is a sword
That severs as the sunlight is a sword
That blinds the sight.

Coming over the hill –
The sharp curtain of the Cuillins,
The still waters of Ord.

Belonging or not belonging:
I borrow my breath
From the exhalation of sparrows
I borrow my sight
From the sparkle of waterfalls
I borrow my heart
From the song of dust and worm
I borrow my words
From the whispers of the dead,
From MacLeod under the sky,
From the white bones, the bleached bones.

I am nothing
But a continuance
Nothing but a path
Made by those gone on before
A house of trees
A house of birdsong
A house of utterance
A forever
Dreaming of a walled instant
Of peace.

BlackCuillins Ord

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Kyleakin evening

2

 Weavers of the Sidhe

Two came at twilight

From the rath,

Cold with curiosity,

Small as children

But with strange eyes

And smiles too old,

Far too old.

To see who it was

Carried the silence

By the shore

That was not the grey heron’s;

To judge the cry of one

Neither curlew nor oystercatcher;

To weigh the harsh throat

Not of the hooded crow

Nor of the raven.

To find the mote

In sunlit attic,

It’s dance to forgotten harp

Dusted earth, dreamt melody –

Dream nerves tied to sing of rock,

To follow the dancing road.

When they speak

Small blue flames flicker

Upon their tongues.

Their eyes –

Corridors of starlight

From distant galaxies.

Their thin fingers

Cat’s cradling

the centuries.

They are the same

Our ancestors knew:

Changeless,

Dissolving in midday light,

Returning at twilight

With shadows dancing.

They belong to place,

But not to time.

They are the rolling,

Rising, blue distance-

Yearned for,

Unattainable.

032LochDunvegan

3

The Secret Commonwealth

Cast out,

Cast down

From Heaven’s brilliance.

Not falling for the passion of rage,

Nor swayed by the unforgiving violence

Of righteousness,

(The simple, clear lie

of polarities, justice, truth).

Condemned by the Most High

For failing to take sides.

Falling down,

Down

Into twilight.

Neither here nor there,

Backwards or forwards.

It is why they flock to song,

Delight in the poet,

To what moves by its stillness,

What reverberates with passion,

Profound ephemera,

Guileless illusion,

Flash of gold,

Uncertain Reality.

Shot-silk seasons

Rich with the Opposite.

Reflection on reflection,

Echoed echoes.

Not dead, nor living

They are the rolling, rising blue distance,

The accumulation of dream,

Repository of yearning,

Perfume of nostalgia.

The processions, the slow

Dance:

Terrestrial constellations

Caught sight of peripherally,

Oblique,

Canny,

Ambivalent,

Unnerving.

Bane of priests,

Defiers of logic.

Snake language – fast

And sparkling.

A danger to mortal dreamers

Who might fade

Into the world,

Feather roots merging,

Knowing and edges blurred

Into the song of presence.

Perhaps returning,

(if at all)

With a fragment of lament,

An air,

A pavan,

A secret wrenched from time,

Lost within time again,

A wonder,

A treasure,

A mystery unholy,

Disengaging from certainty.

Duirnish sky1

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Blossoms of the Dakini.

“Aspiring to the levels of realisation and liberation
Means deviating from bodhi;
Aspiring to obtain happiness
Is the great suffering;
Aspiring to attain the state beyond thought
Is another thought.
If you understand this,
Seek no further.”

(Princess Gomadevi)

————–

20120528-182945.jpg

I neither believe
Nor disbelieve
The thoughts that arise in me.

They are a mellifluous river,
A breeze in a high place;
Sounds and sensations
That arise and disperse,
Flowers that open and fade,
Stars revealed and obscured by cloud.

I move, the road stays still.
I stay still, the road moves on.

Following the paths of my ancestors
I return to their dwelling place.

Following my own path
I become lost in dream.

Staying still,
I listen to the forest;
Sun and moon dance before me.
The road disappears,
The need disappears.

One feather, one petal
Comes to rest.
Movement dissolves.

Resonance.

————–

20120528-183107.jpg

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20120512-102911.jpg

Thoughts from the Earth: Reality is approximate.

I was thinking about some friends who were going through difficult times, and thinking also of the pressures of the modern, rational worldview on other more traditional ways of seeing things.
A great, possibly the best, way to stabilise emotions and strengthen personal energies is to make a conscious connection to the planet. Simply feel a flow of energy from the base of the spine, the whole of the pelvis, down towards the centre of the Earth. When I do this in a quiet, receptive state often concepts and ideas clarify ( or at least, emerge), in my mind.

The following words arose and contain some interesting ideas…

What we consider ‘reality’ is what we are focused upon – what we consider important to us.

It is a lens that brings into focus what we choose to make central to our experience.

Everything else becomes unfocused or invisible. It may still be there, but we can no longer see it, no longer experience it.

We do not “make” our “own reality”.
Reality has no substance.
Reality may be what ‘is’.
But we cannot know what it ‘is’ when we are focused in a particular way.
Seeing a bigger aspect of “reality” then, is not about our focus but about how we can relax our focus.
It is not about finding what is important to us, but relaxing into the experience of whatever we are experiencing.
What we chose to consider important or real, the view of reality we take, is significant for our emotional stance, but not necessarily any more useful than any other stance in terms of achieving freedom from limitations.

However, one focus is no more valid than another.
If one dominant world-view is heavy on our lives, choose another view that is less oppressive – but do not mistake that one is ‘right’ and the other ‘wrong’.
It’s just switching channels: you are still being mesmerized by something that has no intrinsic holistic experience..

Reality is approximate….

( ” Reality is approximate:
What you believe is true
Only holds from a limited viewpoint.
From every other place, it is untrue.”

” What you think
Is not what you are,
But what you think
Holds you in its patterns.” )

quotes from “A Guide to the Power Plant Spirit Cards”. Simon H Lilly 2006

“everything is possible” is not saying the same thing as ” everything is easy”.

Acting in accord with the energy of the world requires letting go, relaxation, acquiescence, flowing with the energies manifesting – but not fighting or giving up; giving up but not relinquishing; relinquishing but not dissolving; dissolving but not dissappearing; dissappearing but not falling asleep…

Becoming the world – becoming smaller and becoming greater….

Whatever language we use the words that represent an object can never make the object, never be the object.
The words can echo some qualities of the object, but not the tangible experience of the object. The same is with reality.
However we choose to describe reality, in whatever terminology, in whatever storytelling way, it is never the same as, or equivalent to, the reality itself.
Thought, logic, language can never experience or define what is real in any complete way.

Open sudden clarity is the only door to melt and unfold the Real….

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The Ten Mahavidyas

The mahavidyas, or “great wisdoms”, “wisdom goddesses”, or “Ten objects of Transcendent Wisdom” is a medieval Indian system of metaphysical thought that brings together aspects of goddess energy in a powerful and evocative manner. In certain aspects it falls outside the more familiar Hindu orthodoxy, whilst deepening and adding commentary to the esoteric traditions of the Himalayan region.

I first came across the Mahavidyas in my fourth year at the University of Edinburgh and was drawn to the powerful imagery- especially as presented in Alain Danielou’s “Hindu Polytheism”- so that I incorporated elements of symbolism in my sculpture projects. At the time I was using the image of the bowl a lot in my work and it seemed an ideal form to express the numinous within the familiar. A container of space, requiring emptiness to define itself, the bowl has often been employed as a metaphor for the polarity of existence.
Much more recently I was asked to make images representing each Mahavidya in the same way that I found symbolic forms for tree energies. It took a while to consider. It is one thing tuning into a tree energy and seeing how to visually freeze that unique energy dance, it is a different matter of scale to do the same to a powerful universal energy presence. Resolution came when I acknowledged that the Mahavidya energy patterns are transgender, transhuman, transspatial, transtemporal, transcultural entities. In other words, it was not necessary to get “permission” or authentication to begin this work. They do not belong to any one species or gender or time or theology, though their symbolic references will be culturally specific. I am possessed wholly by these energies as I am with the frequencies of the electro-magnetic spectrum. I do not need to achieve knowledge or understanding outside of myself. In fact they have a more permanent existence than what I consider to be my own personal reality.

MAHAKALI

Great Time
Time accumulating,
Licking
Laughing.
Disintegrates
your considerate sciences,
Your careful measured certainty.

Unfettered
Definitions cease.
Knowing Her
There is nothing else to know.

Beyond subatomic passion,
Endless rest, but awake.

Scurrilous,
Untramelled Reality,
Radiant darkness
Embedded, entangled,
Woven into solidity

Solid time
Still time
Waiting time.
Ungraspable, unavoidable

Warm red tongue
Licking your soul.
Warm lips clasping.

Atrocious vastness,
Contigious unity,
Invisible light
Revealed.

Exploding souls
Supernovae.

The image above is one of a series of prints I made of the Mahavidyas and related energies. This one is Kali, the Great Night of Time, Deathless Silence, Perfect Bright Darkness. Kali means ‘time’.
Though these energies are personified and worshipped as deities, they transcend all human categorisation and all cultural niceties. They are raw reality, which is why they are so scary! Any image is Mahakali, every concept is Mahakali. This image I have made is therefore perfectly MahaKali, though not exclusively so!!

If you are interested inseeing the other images or purchasing a few(!!) please go to click here

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