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Posts Tagged ‘Taliesin’

It flowers with the breath,

Unfurls like a fern on the hill.

A cuckoo thing from somewhere else,

Desiring to belong, to be heard.

A voice rumbling with thunder,

A hiss of rain, a roar of wave,

A keening of curlew.

Nothing new, though,

nothing new can ever be said.

Before the flocks, before the engines,

Before the need to be somewhere else.

Kite and buzzard wheeled high above here.

On their upward soaring voice,

The voice of moving, warmed airs.

With vision open, fixed on hope,

Their hunger to remain.

Insistent is the voice of a silent land,

Holding those who care, to stand still a while to hear.

From the ground, and from beneath that,

It will rise up in its own time.

An uncurling, a reaching thread,

A line of a melody,

A translucent tusk of language.

In the waters, between field and wood;

In the moments, as cloud shades and passes;

Before certainty and after doubt;

A voice weighs and judges its own worth.

The verses shall all bow down, bright-browed.

Prophecy is the love-child of thought.

Lost souls, reborn, eager to take flight again.

The root of my tongue is locked to a syllable of light.

A spark electric, a leap between precipitous cliffs:

The long darkness of being, the long darkness of non-being.

A slim, swaying golden chain

Rising up to eternity,

Sinking to iron-cold oceans.

It shall not cease til it ceases,

Takes breath, and speaks again:

The whispering of rock and stream and soil.

A mother’s voice, never lost.

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TALIESIN IN EDINBURGH

7

And shall I now sing the same sing

In the voice of sweet, sad Sorley?

Mugged on the streets by the muddle-headed,

The roar of impatient buses even in the cobbled ways

Hidden from any sunny truth.

The roar of modernity beating the brains

From the fallen doves of loveliness.

And the peace in the glens (where we lay

And forget even our names for a while),

And the peace of the hills (where we wept

With the rainbow promises of unlikely futures).

I shall walk with the ghosts down to the Grassmarket.

I shall nose into the deep pockets of Death

And await a sign, like Greyfriar’s Bobby,

And love it all, and lose it all – all the loud wanting,

All the measureless cloth and cut of status –

In the dusty bookshops down New Town way.

The hidden waters, unsuspected, below the gardens,

Below the pavements. The rock of ages

Staring down as it ever was: an emperor,

Purple in the dawn, where the pigeons quiver and coo.

It was mine. It was all mine, without taking one step.

Lungs filled with with barley malt from the breweries

There by Usher Hall. Seeping into every hope

On frosty mornings, the warm rusk scent of it,

Crossing the Meadows beneath whalebone arch

And cherry aisle. Old straight tracks

Converging on soot-black steeples.

Our slender grasp on life reaching for thistles

(And the harsh wind, a plaid of discomfort

Walking us into winter along the long grey cliffs

Of tenement and aspiring views).

Across the hills to the hills beyond,

And beyond that to the long dead hills

Dreaming in the Kingdoms of Fife

And the shining Forths.

Diesel chokes the throat at dawn chorus.

The sun, too neon, misses us out

And rises nonchalant.

The myth is always there, dressed in rags,

And us, looking down, scanning the pavements

For the wrong kind of gold.

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“I was a speckled white cockerel

Covering the hens in Eidyn”.

1

The egg is the sun,

Laid from the dark feathers of night,

Nested in the dawn of the world.

I am the grain of truth

Radiant in the drunkard’s boasts,

Naked in the silent waiting.

I learnt all languages from the waves,

All harmony from the tides.

Neither bird nor beast,

A tree in the forest am I,

A thousand eloquent tongues of green fire.

At dawn the cockerel calls my name.

Clear Song. Hall of Light. Mound of Obedience.

2

A domestic mythology.

A farmyard mythology.

No wolves, no hungry obstructors

Racing across space devouring sun and moon.

A black hen pecking the dust for grain.

In the corner of the eye

Time nailed fast to a new course.

3

Ah! The seed of poets

Spilling into the dark crevices

Of a fertile earth.

More precious than gold,

The desire for it,

More precious than song,

The moans in the hour of midnight.

I would strut and sing,

Hold all in dizzy thrall.

The girls would love it:

The boldness of it, the sly word,

The sliding, echoing eloquence.

Drunk would they be – the men snoring

Dreaming of a good death;

The girls tap, tapping on my door,

Filled with wonder till dawn’s light.

The seed of poets is an endless forest,

A skilful net of shining catch.

4

In Eidin I had dominion of the hill,

Dominion of the Mound, dominion of the castle.

A steady fortress was my staff,

Planted and reaching to heaven.

The gulls of Leith, the ravens of the Crags:

None was more raucous than I,

None more forthright in the bright morning,

None more persuasive in torchlight flicker.

They would rise softly ( like the Lammermuirs).

They would dip and sigh and open (like the Pentland Hills

Under a summer sky).

And I, the open tomb, echoing,

Doorway to golden moments freed from earth,

Free from guilt and sin.

A golden morning in the scattered dust,

Seeds uncovered, beginnings shining, a new sun,

New worlds nested, round and warm,

A clutch of futures, a prophecy of birth.

5

In a line or two

The bonny hero

Shall have his come-uppance.

Try as he might, the slippery eel,

The voracious worm, the flying hawk,

Shall be brought to justice, consumed, dead,

Himself eaten whole, adversaries conjoined,

The dark mother victorious.

6

Above Marchmont, above Morningside,

Above The Meadows, my covering wings,

My tremulous touch, sunlight penetrating

The deep hidden waters.

On The Mound, on Castle rock, on the Crags,

I brighten and burst forth.

On Arthur’s Seat I am resplendent.

I take my pleasures on the pleasant fields of Portabello;

I dive in the secret quiet waters of St. Margaret’s Loch.

The fortress is mine.

A crimson tram the long length of Prince’s Street.

A swoop down to genteel Inverleith.

My thirst goes forth beyond the shining rivers,

The blue hills dreaming in Fife

And the leaping span of poetry

To cross over it all to mystery.

My name is Taliesin.

I am the cocaine of bards.

Nine breaths of my cauldron,

And you are mine.

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BY CHANCE

.

By chance I picked out Dylan.

Not his swinging easy, not his remembered known.

It was his mysterious, dipped in Taliesin,

Dipped in the sublime.

Next to nonsense with the druids.

Next to lullaby and curse,

Next to madness (as all true wisdom is).

Line on line, piled up volcanically,

Overstepping the mark,

Singeing the happy world,

Burning the lazy words and setting the others free –

The other words of fire and gold,

The words barely human that insinuate

Ungodly pictures of worlds here but covered.

True but shattered words, sharp as glass.

Words reflecting bone and salt and jet and thunder.

Mad Dylan, burning his fuses day and night.

Eating passion, smoking passion, drinking passion.

Fingertips brushing hot, soft passion and laughing

Like a babe, drunk on sound and made mad

By cobweb sobrieties, made mad by ancestors,

Mad by earlier gods who required always the best sacrifices:

The first sons, the first lamb, the first daughter, the first grain.

See him fall burning, head downwards, like Blake in the night.

See him wish petticoats to lift and seed to be cast.

See him turn to serpent, turn to tree, turn to the gate unlocked,

And run into the world, naked, naked, naked, clothed in dreaming.

Released from the ocean’s fist, a sunlight shout, dazzling

.

Dylan Thomas is one of my favorite poets. However, I do weary of the overexposure given to his (few) easier pieces, Fern Hill, Do not go gentle, Under Milk Wood and so on. The majority of his works are catastrophes of piled imagery singing so deep as to bamboozle everyone not simply happy to delight in ecstatic sound and image. His chaos, too, is usually so skilfully structured that he can hide rhyme structures seamlessly into them. On this occassion, I opened his collected works at random, and was as usual blown away by the heavy gold-threaded brocade of his lines.

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Sorrow and joy

Dark and light

And all the colours

Stretched as an arcing bow

Between them.

Tell me,

Which is the best?

Which is better?

I know the sorrow that is better than joy.

The darkness more comforting than light,

Water mixed with jet.

.

It is on the heights of Beulah now,

Hung between heaven and earth,

Between the sun and the shadow

As the light shifts, too, across the valley,

And the cloud-flocks drift slow

And easy at this turning of the seasons.

.

Gwion Bach, told to watch.

Bored and tired of staying still,

‘Til suddenly he knows it all

And is off trailing glory,

And laughing at the witch

He has stolen it all from.

.

Yet he, too, is swallowed whole at last

And set adrift on eternity,

Forgetting his name,

Remembering everything else.

All the rivers of the world flowing over him

Until he bursts up loud and shining,

Words cascading,

Putting all the rest to shame.

.

No matter, no matter,

That you are not the best, love.

As long as you do the best you can.

Put no one to shame with your brief flash of brightness,

But light up all so all may see they burn as bright.

.

For a moment,

For a moment,

We shall be as clear and light.

Before the twilight cauldron

Shall silence us all.

The arcing fall, the leap,

The endless golden moment

Between worlds

Filled with song.

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MOON DISC WORDS

Winter moon

Burns cold,

Burns deep.

.

Afagddu

Gwionbach.

Sun and moon.

This cauldron earth.

.

Winter moon

Looking down.

How many waters?

How many streams?

.

Winter moon.

Keeper of souls.

Cool breath of words.

.

Winter moon.

Cauldron warmed

By breath of nine

Maidens.

.

Winter moon.

Cauldron bubbling.

Road of souls.

.

Winter moon.

The gatekeeper asks:

What is your name?

.

Winter moon.

Born with no mother,

No father.

Bright browed.

.

Winter moon.

Taliesin.

Eloquent silence.

.

Winter moon.

No stunned poet.

Radiance of starlight.

.

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A lot of my writing this year has been towards an art/word project inspired by The Black Book of Carmarthen, a small, handwritten manuscript containing poems collected over a lifetime by one person. It is the oldest known manuscript written in the Welsh language. A mixture of ancient bardic poems and prayers, it is at once mundane and transcendent, simple and utterly baffling. The words that come to me are either reflecting some of the imagery or subjects of the fifty odd pieces, or dwell on the nature of the author and the continuity of language and writing. The art works I am making mainly combine parts of the manuscript pages overlain with my own woodblock prints from decades ago. There will, probably, be a book that combines text with image. It is in no way a translation of the original text. It is one artist’s reflections of the magical mirror and timelessness of ancient books.

MER KERTEV KEIN (Black Book)

(The marrow of fine songs)

It is a river

Uncurling in caves,

A white torrent on dark slick rocks.

It is a shoreline cave where mystery is born by echoes,

Far from comfort, where opposites couple in the roaring of it.

Spanning centuries each word tumbles combining elements.

Shadow worlds are dressed in time to shatter and rebuild the fragments.

Oh, speckle-breasted thrush,

Thrice the song to sing.

Morning rain.

Rain of morning.

Dawn storm.

Eternal song.

A river where meaning slips like fishes,

A flash, a flank, and gone.

The next ripple, the next wave, the scintillating light.

Umbral echoes.

It dances from sound to sound.

A juggler slipping from stone to stone

In the midstream rush. Where next? Where next?

And the foaming roar of it:

The world dancing elements and prophecy

And the arc of words cast up and caught, too fast for the eye.

A stream, a stream, of passion itself.

Sound clothed in the names of things,

The naked, naked sound.

A river of God’s being,

A bowstring caught and released,

The mouth’s harp

And its breath drum rhythm song.

There are spirits here

There are ghosts

Where I see these landscapes,

Familiar, sunlit, wild

I have never been.

I am haunted by the names

And by the meanings

Within the meanings I know.

Other pages in other hands:

Mirrored, pushing through.

I am become a palimpsest of prayer-

The angels with clawed feet

Offering golden torcs.

A language of waves,

Of echoing empty hills.

My eyes water the seeds of words,

Grow vast forests.

The dance of sounds:

Lost timeless for a while,

We dance and dance.

The memories are not ours

That lodge in our hearts.

My soul fragments to the four quarters

As though I am already buried.

There is a cold wind from the north.

A woman who is not a woman

Moves at the edges of my sight

Whispering rhymes with berry-stained fingertips.

One of Three and Three in One.

Before Eden we quake.

The Tower was too high,

The Tree was too bright.

The Flaming Sword

That drove us outwards

We stole for shovels and mattocks.

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THE OLD TALIESIN

He does not have to raise his voice –

Silence comes with it like the tide on the shore.

Bent-backed, i see his strong staff, serpent-wrapped.

It is still a tree of fruits, sweet and bitter:

A crab apple scented with autumns, hard with frost

And the seeing of too much sorrow.

I see his bright brow, bald as the moon.

He is being chased again through the halls of the world

By another who shall not relent.

And he will change form again,

On wide, sunlit oceans again,

But not until the three drops congeal in truth,

Not until the chariot wheel is cracked,

Not until a new axle pin is shaped and smoothed.

A year and a day,

And we shall all change places.

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Because of their words:

A quantum entanglement.

Whether equation or story,

The ripples vibrate.

All metaphor is truth.

All truth, metaphor.

So said Euron.

So said Eurwys.

They wrap the bones

Of space in pictures.

Weave timelessness

With heroes.

By means of language

And of matter

They fashion magnificent trees,

The span of universes,

A melodious ocean.

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TALIESIN FRACTALS

1

Nyt o vam a that pan y’m digonat

Not from a mother or a father was I made

The druids know all things are born

From desire and a fear of extinction.

Here I am, beginningless, not born but made,

Unless before the world and before the beginning of the world.

A’m creu a’m creat o naw rith llafanat

And my creation was made for me from nine forms of consistency

I was waiting to be clothed, sound to word,

Word to meaning, meaning to understanding,

Understanding to knowledge, knowledge to wisdom,

Wisdom to poetry, poetry to creation of worlds,

Creation of worlds to fear and desire.

How many souls does the one created consist of?

What animates the articulations of a creature?

O ffrwydd, o ffrwytheu, o ffrwyth Duw dechreu

From a fruit, from fruits, from the fruit of God in the beginning.

Not the seed, not the tree, not the beginning,

Begun from the ripened, time-ripened exudate of the creator.

Not from one, but from many,

Not after but at the start of the beginning.

From the tree of God, from God’s fruit,

From the Garden of Eden was I made.

From the vegetal elements of the world, before the world.

Made by God and by enchanters –

Enchanters chanting sounds, chanting word,

Giving fruit its form, giving God a voice.

2

What he says:

I am not a human.

I was given form with plants,

From fruit, from fruits, from God’s first fruit

(And what was that?).

Made from the elements of the natural world,

From plants, from soil, from water.

I was, yet I continued to be shaped

Or given form, or recreated:

From God’s fruit, from the soil,

Water and plants.

From Math, from Gwydion,

Reared by Eurwys, by Euron,

By Modron, by Math, by Gwydion,

These five enchanters.

Made from within a desert, a fire, a conflagration,

Made before the world was finished.

Brewed, even. The plants collected, the elements combined

With water, the fire of the pot, the fermentation,

Becoming the same but changed.

I fall from the first tree, a fruit of God, ripe and ready.

I melt into earth, become plants, become blossoms, become trees.

All mulched, all matter there is, rotted, fermented, made from that.

And is this ‘I’ one or many?

Singular or compound?

Changed before completion

By enchantments of the five.

Before the world in what should have been,

When there was nothing but fire.

Sacred from the cauldron heated,

Stirred in, changed by fire,

Reared by enchanters,

Made new and new and new again.

Rising from the sullen earth golden-topped,

Golden-browed, filled with voices,

Filled with light.

From the houses of earth, I, We,

Arise. We, Taliesin, a fun guy.

Some. Soma. Filled with exhilaration,

Full, frothing, leaping, loud.

The words come from the deep.

From the dripping dark the waters speak.

As clear as thunder, they will echo

Until they find meaning in minds ablaze.

It is a million voices fractured and combined,

Playing in the light, dreaming in purple night.

The wonders are named and renamed,

Calibrated in wandering souls to measure their worth,

Their awakeness, their clarity.

Dressed in monstrous words

Are the names of being and non-being.

The mediocre can never live forever

Except as soil and falling petals.

3

I, the poet

Who is and is not

And also outside the world

Inhabiting all worlds.

Word warring, slicing meanings.

My spear and shield awen,

My crow awen, my cauldron awen.

From God and also

From the enchanters before creation was.

These words are all lies and all perfect.

They are here to shepherd you

Towards a delightful oblivion,

Towards fire and water and the one tree.

The most holy fruit, the fermented fall

Of exultation beyond meaning.

4

Clarity from confusion.

Not jumping to conclusions.

Floating on the thermals of meaning.

The paths that lead nowhere

Lead everywhere.

And the unexpected provides answers.

Turn away from the problem to find the solution.

The deep world beneath the world:

Everything the same, but shining.

The power of seeing patterns

And of remembering the stories that are used

To make excuses to do the same as before.

5

These bright words:

A skitter rhythmic ricochet

Scattering meanings across centuries.

No weir, no tickle or hook,

No line or net will keep them held for long.

Proud words, free words, unimprisoned,

Validated in memories

Springing out of rushing waters, upstream, upstream,

To seed in still minds,

To become vast again

In distant worlds.

6

Yesterday I was sure of its meaning.

Today I am not certain.

Tomorrow I shall start again

following other threads, other roots

down into the dark soil.

The seeds unfurl though they still

see no light. They taste

many futures and that is enough.

Allowing the breeze to bring its news,

breathing softly, trying

not to possess an outcome.

The wind lifts the smoke upwards,

the edges of the day retreat.

It is in silence the song can be heard.

It builds and dissipates

as clouds do at sunset.

Whole kingdoms dissolve.

Endless blue, then one,

then another star.

7

This world is clothed in words.

Shaped by enchanter’s song.

Brought to being and non-being by utterance.

Silence does not dispel it.

There are always echoes,

Always fading recollections

Into the next world.

8

Whose voice is this, whose words,

Yours or mine, and who is this I?

That is, and was, and will be?

The wind bends down the trees:

They kneel, they sigh, they dance,

They moan seeking shelter in song.

They can do little else when moved.

Where do the winds arise?

From beyond what horizons?

A word was spoken- the first word –

A little breath, and it has been uttered ever since.

The wind growing stormy – no birds are in the sky.

This powerful song has driven away all other thought.

You kneel and bend and sigh,

What else can you do?

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