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Posts Tagged ‘Wales’

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RED HILL

that open hill crowned with light.
this dark valley lost in winter.
patient oak and purple birch,
and the fast, grey river.

folded and hidden is the road to Troed Rhiw,
between the cliffs of day and the cliffs of night.

a cold wind and a cast of rain on the red hill.
at the rivers’ meeting are round silent pools,
the small sands, the worn, smoothed chambers, in the lee of the flood.

a roar, white as cloud, stretches the skin of green rock,
squeezed between the knees of Craig Clungwyn and Rhuddallt.
a mouth of water it is, a long name, a summons,
a history of welcomings and fare thee wells.

the withered sedge counts the hours and different ways,
dreams on the cliff’s edge of new green days.

and this I wanders between the thin weathers
watching the light stray as slow as sheep,
marking the orange and the gold on this fine day,
and a grace of blue sky hung for a moment
slung between Craig Du and the steeps of Pen Rhiwbie.

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THE WATCHES OF THE NIGHT

satin smooth,
the slip of minutes.
a thrum of rain, softly.

tumbled from skies,
dreams like the Towey,
slow, meander seawards.

a wide forest sleep
sighs, a symphony.
owl and fox, conductors.

wandering through.
a trail, footstep words:
small, moonlit puddles.

a dark plateau.
a dusted sequence,
trespasses unforgiven.

even bodiless,
adhering to habit,
cambered causeway.

a bridge suspended.
dark the waters
shimmering cold beneath.

sung by a shape of words.
mountains named,
a throned reciting.

an intimate decay.
a clock of heartbeats,
a lilting, familiar nod.

sideways and down.
subtle the shift,
the weight of dawn.

draped about,
falls discarded.
gathered in, forgotten.

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See how the sharp edge
of the moon
is a whetstone to the wind.
worn down, nail thin,
by heaven’s river.

keen, I suppose,
will be the waters at Pwll Bo.
focused, brown and roaring curses,
squeezed between rocks
in the ringing, whirled pools.

there is only this:
sudden mystery rippling
waves of grass;
a dog barking
as the hills come and go.
the waves of their edge
breaking deep
to the green valley’s bed.

last day of January-
flooded with passion
for things unmade.

and the yews of Aberglasney
will be bowed down
from the weight of stars,
their dark corridors
woven deeply with tingled silence,
a worm’s turn from Spring.

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SGRAFFITO

Eyelids turned translucent,
The walls of flesh dissolved.

In utter darkness a pool of mercury trembles.

He should place the day upon his forehead,
The moon’s taste upon his lips.
The music of crickets he should place
Upon his ears,
And the music of starlight
Upon his breast.

These veins: bright rivers that knit a certain landscape.
Blood red are the hills in sunlight,
Rust, the slopes, in rain.

Falling beyond breath and beyond sleep.

His two eyes should both behold
His best beloved.
In his left hand, his cares.
In his right, his passion.
Upon his feet
Strong wings of lust.

Small, dark, is the day.
Fevered and wan the sun.
The crow’s wing coughs.
Withered is the hill.

Swells the beginnings and endings, bright burning, dreaming names.

Let him be surrounded
By a great host of angels and demons.
Let him observe as they mutually engage,
Rise and lift, conjunct and consummate,
Until they fall apart slaked, becoming satisfied dust.

This scatter of farmsteads
Glistens white as quartz
Washed desolate,
The cold stream
Of winter’s winds.

In utter darkness an impossible music shapes words.

Light from a billion years
Pours from the sky,
Not casting one shadow.
It sinks to a core of iron and gold,
Filling silent caves to feed a petalled tongue.

In utter stillness everything waits and forgets to wait.

He should focus upon his own coming and going,
The last bright moment of his breath.
The sudden possession of valley roads,
The heralding wing-tips of hill hawks.

His wish is fervently to disappear
From the sight of all men,
So he shall contemplate
The paradox of rainbows.

He shall write his name forwards
And backwards
Until it become a single,
Unutterable line.

Diamond backed
The pines at dawn.
A burning roar,
A stormfront clamour.

Rests within these moments of choice, the fall of dust.

This heart a bowl, a harp, a bird.
Weightless, filled with hope,
An open sky is all it lacks
And courage to give it all away.


Sgraffito – a process of scratching through different layers (clay, paint etc.) to reveal what is beneath.

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ADVENT

1
A bitter edge.
Two ravens
Smudge motionless air.
A blessing it is
To have breath.

2
The slant of rain
Roars on rooftops again.
The fire, though, burns bright.
A blessing it is
To have breath.

3
A slow dawn.
The hills have yet to return
From their night journeys.

4
Oak’s iron hand.
Black veins
Holding what remains
Of sunlight.

5
A thousand galaxies
In the old man’s beard.
Sudden brightness
On a winter’s path.

6
A knot of dream,
Tangled,
Sinks down into darkness
Still wriggling.

7
Mercury and lead
Are the roads leading to emptiness.
Puddle-edged, empty,
They rise and fall
As if someone
Were watching.

8
Time slows,
Withers and stops.
Solstice.
Only the rain.

A blessing it is
To have breath.

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SCRIBBLE RIVER

1
The trees bend low,
The hills, open, roar.
The world spins fast
On its way to war.
2
Drenched in
Their own silence.
The hills.
Made cool and
Winged to the sky.
3
Tongue numbed:
The eloquence
Of tumbled waters.
4
Wind harp in melancholy minor
Sweeps, weeps and fades
Across the roofs,
Through the forest.
5
A flint
Struck from verse.
Bright words
Fly splutter
In endless rain.
A breathing on the roof,
Laughter soft in the gutters.
To measure out a little time
Upon this place.
6
By here we wander
Sullied by reason
And the oldest of stories.
Chained and unchained,
Livers pecked-
Our own hungry ambition.
7
We, unbecoming all,
Scatter aimless,
True to undiscovered dream
And the whispers of the greedy dead.
8
Here they speak
One long river of words.
A thrush by the waterside
Cracks a snail on green grey rock.

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So fragile
Is beauty.
That
Is what
Every song
Says.
Fragile as a single breath
On a winter morning:
A mist flowering out
On settled air.
The slightest murmur,
Whisper without word,
A readjustment of time
And space,
A coordination atomic.
A new chord
Tasting the intervals between.

A settlement of sound:
Snow on the ridge edges.
Colour flees through the sky at dawn.
So, then, it grows colder.

There is sound.
There is silence.
There is
The dance of light
Between them.
Some time,
In the small hours,
The fire will die down
And we will dream.

Beauty is our food.
We hunt it out
For sweet sustenance.
Gathered, it is
The honey
Of our memories.
Clear and golden,
A long summer evening,
Just before the stars appear.

The moths,
The small things
That delight in edge
And shadow,
Where softness
Calmly billows,
Inviolable.

The way
That words fail
Upon sudden,
Harsh beauty.

Hardly moving
This slow, congealing
Blood of dawn.
Congregated, coagulated,
The most slight timbral vibrating,
This metallic air will disengage,
Withdraw to its smirked edge.

Unsupported,
Things fall motionless
To frozen earth,
A whitened mist,
A cloud of ice,
A stutter.

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THERE, THE CHAPEL YEW

Three nights now the clatter whisper
Ricochet words follow fade of breath.

A landscape sloped and skittered:
One old tree, small in its alloted bounds
Hunkered, curled tight about its heart.

Webbed taught, knotting stone to iron
Grown from bones, grown from bones.

Where all reach skywards and open
Wind, rain, cloud, jackdaw, hawk,
Where the wild, freed leaf flies,
Where it forgets itself
Where it can taste new names.

It will bend down, bend down low,
Not caring, delving to the smallest
A jewel of dust, the truest glimmer,
Wish to be nothing other than this:

A long vowel hummed, light in darkness,
Tongue spilled, an ejaculation this stringed
Taut, eloquent ivy, fearlessly veined
A clothing for the other, braced and measured.

It ripples blindly about its subject
Blinked and blinded, the brightest termination
An alluded something spaced hauntingly.

Resolutely peripheral, as all living things are wont.
Unbeknownst, uncontained, avoiding rigour
Vaguely rivered, an unassuming continence,
A this and a that and a wealth in shadows.

In sleep, only, can come communicated equivalence,
The monitors drowsed and edges blunt.
Something akin to a sleepy reaching love
A convolution wordless felt and melted
Inhabiting the same dream, a sometimes,
An always and forever, harboured together:
Ocean Mind waved and curled.

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The long rain, grey,
Has dissolved a fragile distance.
With the wind, it comes and goes.
A silent room, a flutter of words.
A curl of incense, a bitter tea, warms and dries.
Perched above joy and sorrow
A ribbon road turns endless,
With only two steps,
Left and right.

A monk dips his quill.
He has become half-uncial.
A steady curve delights,
One syllable at a time.
A river of knowing
And forgetting.

Though the skin he writes upon
Is his own,
A compassed scratch,
A foliate curl,
Heroditas, Avicenna, Merlin.
A history of mirrors,
A rotated wheel.
A willowed sigh,
This river ink.

—-

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Llangammarch lies golden,
Autumn tumbled.

Moss grown green
On slated roof.
Slate skies
Silent with holding light.

Patted butter,
The maple leaves.
Bronzed, the curled oak,
Birch, a spattered copper.
The lank drip, the bloodied cherry.

Through its towers,
The river runs,
Light and cold.

A long distance opens up
Through wood and hedgerow.
We are laid, once more,
Naked and glorious
To the hills.

An easy folding land,
Smoke-blue
And tinged with
Sweet and bitter.

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