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Posts Tagged ‘bardic’

VOYAGE OF BRAN (1)

For what reason

Does she call the Raven King,

Arcing over the waters to a safe land?

She is wedded to the song, blossom and fruit,

Calling from afar.

No matter where we turn

The music is invisible.

It sinks so deep that we sleep

And see what we cannot see,

Wish what we cannot know,

Set sail in hope on small boats,

Our lives no longer holding us

On their certain courses.

Cast adrift to find joy,

To measure it and move on

As the visions shift

And prophecies grow stronger.

We, in turn, become more, and less,

Floating above, sinking below.

The Raven sung by love to rest.

And restless shall they be

With and without this world.

The taste of the tree,

Never quite enough.

Never seen again,

Melting into the music.

Oh! Silver Branch!

VOYAGE OF BRAN 2

I turn back to see the future,

To see what has been missed.

A silver rent sings across the sky,

Laughter that only a world can make.

I know we dream, but do not know how to awaken,

Or if it is wise.

Water birds are screaming lies,

Hearts sink deeper into permafrost.

The smudge of sneers on too many faces.

Truth that was struggling is dead.

Best not to speak at all.

Let the world in, though,

That impossible branch of song,

To new pathways, new biologies.

Look back.

Has it not all been written of before?

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It flowers with the breath,

Unfurls like a fern on the hill.

A cuckoo thing from somewhere else,

Desiring to belong, to be heard.

A voice rumbling with thunder,

A hiss of rain, a roar of wave,

A keening of curlew.

Nothing new, though,

nothing new can ever be said.

Before the flocks, before the engines,

Before the need to be somewhere else.

Kite and buzzard wheeled high above here.

On their upward soaring voice,

The voice of moving, warmed airs.

With vision open, fixed on hope,

Their hunger to remain.

Insistent is the voice of a silent land,

Holding those who care, to stand still a while to hear.

From the ground, and from beneath that,

It will rise up in its own time.

An uncurling, a reaching thread,

A line of a melody,

A translucent tusk of language.

In the waters, between field and wood;

In the moments, as cloud shades and passes;

Before certainty and after doubt;

A voice weighs and judges its own worth.

The verses shall all bow down, bright-browed.

Prophecy is the love-child of thought.

Lost souls, reborn, eager to take flight again.

The root of my tongue is locked to a syllable of light.

A spark electric, a leap between precipitous cliffs:

The long darkness of being, the long darkness of non-being.

A slim, swaying golden chain

Rising up to eternity,

Sinking to iron-cold oceans.

It shall not cease til it ceases,

Takes breath, and speaks again:

The whispering of rock and stream and soil.

A mother’s voice, never lost.

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TALIESIN IN EDINBURGH

7

And shall I now sing the same sing

In the voice of sweet, sad Sorley?

Mugged on the streets by the muddle-headed,

The roar of impatient buses even in the cobbled ways

Hidden from any sunny truth.

The roar of modernity beating the brains

From the fallen doves of loveliness.

And the peace in the glens (where we lay

And forget even our names for a while),

And the peace of the hills (where we wept

With the rainbow promises of unlikely futures).

I shall walk with the ghosts down to the Grassmarket.

I shall nose into the deep pockets of Death

And await a sign, like Greyfriar’s Bobby,

And love it all, and lose it all – all the loud wanting,

All the measureless cloth and cut of status –

In the dusty bookshops down New Town way.

The hidden waters, unsuspected, below the gardens,

Below the pavements. The rock of ages

Staring down as it ever was: an emperor,

Purple in the dawn, where the pigeons quiver and coo.

It was mine. It was all mine, without taking one step.

Lungs filled with with barley malt from the breweries

There by Usher Hall. Seeping into every hope

On frosty mornings, the warm rusk scent of it,

Crossing the Meadows beneath whalebone arch

And cherry aisle. Old straight tracks

Converging on soot-black steeples.

Our slender grasp on life reaching for thistles

(And the harsh wind, a plaid of discomfort

Walking us into winter along the long grey cliffs

Of tenement and aspiring views).

Across the hills to the hills beyond,

And beyond that to the long dead hills

Dreaming in the Kingdoms of Fife

And the shining Forths.

Diesel chokes the throat at dawn chorus.

The sun, too neon, misses us out

And rises nonchalant.

The myth is always there, dressed in rags,

And us, looking down, scanning the pavements

For the wrong kind of gold.

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“I was a speckled white cockerel

Covering the hens in Eidyn”.

1

The egg is the sun,

Laid from the dark feathers of night,

Nested in the dawn of the world.

I am the grain of truth

Radiant in the drunkard’s boasts,

Naked in the silent waiting.

I learnt all languages from the waves,

All harmony from the tides.

Neither bird nor beast,

A tree in the forest am I,

A thousand eloquent tongues of green fire.

At dawn the cockerel calls my name.

Clear Song. Hall of Light. Mound of Obedience.

2

A domestic mythology.

A farmyard mythology.

No wolves, no hungry obstructors

Racing across space devouring sun and moon.

A black hen pecking the dust for grain.

In the corner of the eye

Time nailed fast to a new course.

3

Ah! The seed of poets

Spilling into the dark crevices

Of a fertile earth.

More precious than gold,

The desire for it,

More precious than song,

The moans in the hour of midnight.

I would strut and sing,

Hold all in dizzy thrall.

The girls would love it:

The boldness of it, the sly word,

The sliding, echoing eloquence.

Drunk would they be – the men snoring

Dreaming of a good death;

The girls tap, tapping on my door,

Filled with wonder till dawn’s light.

The seed of poets is an endless forest,

A skilful net of shining catch.

4

In Eidin I had dominion of the hill,

Dominion of the Mound, dominion of the castle.

A steady fortress was my staff,

Planted and reaching to heaven.

The gulls of Leith, the ravens of the Crags:

None was more raucous than I,

None more forthright in the bright morning,

None more persuasive in torchlight flicker.

They would rise softly ( like the Lammermuirs).

They would dip and sigh and open (like the Pentland Hills

Under a summer sky).

And I, the open tomb, echoing,

Doorway to golden moments freed from earth,

Free from guilt and sin.

A golden morning in the scattered dust,

Seeds uncovered, beginnings shining, a new sun,

New worlds nested, round and warm,

A clutch of futures, a prophecy of birth.

5

In a line or two

The bonny hero

Shall have his come-uppance.

Try as he might, the slippery eel,

The voracious worm, the flying hawk,

Shall be brought to justice, consumed, dead,

Himself eaten whole, adversaries conjoined,

The dark mother victorious.

6

Above Marchmont, above Morningside,

Above The Meadows, my covering wings,

My tremulous touch, sunlight penetrating

The deep hidden waters.

On The Mound, on Castle rock, on the Crags,

I brighten and burst forth.

On Arthur’s Seat I am resplendent.

I take my pleasures on the pleasant fields of Portabello;

I dive in the secret quiet waters of St. Margaret’s Loch.

The fortress is mine.

A crimson tram the long length of Prince’s Street.

A swoop down to genteel Inverleith.

My thirst goes forth beyond the shining rivers,

The blue hills dreaming in Fife

And the leaping span of poetry

To cross over it all to mystery.

My name is Taliesin.

I am the cocaine of bards.

Nine breaths of my cauldron,

And you are mine.

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IN THE TEETH OF WINTER.

.

The sun, it is hanging in the holly.

It is tangled in the oak tree.

It feeds what creatures it might.

.

The year, made of fruits, made of blossoms,

Is yet a cauldron of melting snow,

Barely born, barely breathing.

.

Kindled and crackling, the day spits shadows.

We are all storytellers when we can do little else.

Telling of deceit and guile,

And how the great sun could be brought so low,

Our saviour bound, hostaged.

.

A song to return our hopes.

A song to fend off darkness.

A song to teach the children

That all is not lost.

Though we fear it is.

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If I can only stand still

Then all the competition shall fade away,

The last shall become first,

The first decay, and I shall remain.

If I can only stand still

As all sorrow and joy revolves about me

And blurs to time, and the time to eternity,

To one moment, and then that

To one who remained standing through it all.

If I can only stand still

The words shall come,

The truth and the prophecy

Will seed tremulous,

Hatch worlds

And pass away in wonder.

If I can only stand still

The fools shall stay silent,

The warriors grow tired of their excuses,

The rich find piety, the poor find solace.

If I can only stand still,

Give shelter to the small birds

And to the invisible weathers made of memory.

If I can only stand still,

The small light from the Pole Star,

Threading down my spine,

And only that one axis,

Held and held and finding peace there.

If I can only stand still,

Poised, regardless, rooted,

The vines solar, and the vines lunar

Winding up from my ankles.

Becoming rock, becoming mountain,

Becoming bark, becoming canopy.

If I can only stand still,

Place will become irrelevant,

Past, present, future

Roll up into a breath

And then not even that.

If I can only stand still,

It shall all be bestowed as a virtue,

As a beatitude, as a blessing.

If I can only stand still,

And not be this itching dust,

This hungry fire that must consume,

Consummate and move on, hungry still.

Made of dust and flowers,

Washed upon waves, sand sighed,

Sound sifted, shore-cast and motionless

With the roar of waves,

Unmoved, unrocked.

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THE COMPETITION

( 2. The Prophecy of Flood)

Tell me, then, that there are no gods of weather

Now everything is measured, everything explained.

That we can go about our business safe and sane,

Not wondering what shall befall us if we anger or stray.

That knowing vanquishes fear.

That naming disarms the fact.

.

I would not pit the gods of cities against the gods of the world.

Though the god of money enchains us to its tumbling promises,

Though we are comforted here by the law and order

Laid out in concrete streets.

.

The breath of time we measure, but the god of Time is not of us.

The god of storm, the god of light, the god of life, the god of death,

The god of twilight, the god of decay.

They are all no smaller now than they were before.

Tame the weather, and there is a greater weather.

Cage Time, and there is a greater Time.

The gods are those against whom we dare not compete.

The sky towers we have built of swaying, rickety philosophies are no match.

The chiselled, honed words, all the equations, mean nothing

But a murmur dream.

.

Is there anything more poisonous to the soul than competition?

The battle for worth, the war for best?

Listen! I am the best at sorrow, the best at melancholy.

I am forty days of rain. My bitterness, a pointing finger

That wipes the slate clean. Above all. Below all. Separate. Distinct.

In the flood I am the spark that burns down the one remaining boat.

Sneering at lesser things is my entitlement.

First among the angels. Too great to fall.

The Elders lined up there on their thrones, counting points, counting scores.

Chosen by the chosen to join the ranks of the chosen.

Offer up your pious praise to God and deftly gather up the gold.

We honour the first, the second, the third (with a shrug)

Wave through the beautiful, wave through the best.

Wave off the rest. Judge and separate.

Gwion was a pauper, grabbed by the ear and told to watch.

Afagddu, the soot black sullen shadow, was the chosen one,

Born for greatness, a certain destiny.

Taliesin: best at bragging –

I was. I am. No one better than I.

The stunned poets casting up their eyes to

The heaven he says he comes from,

Packing their bags, looking to find less glamour-filled halls.

He knew a thing or two:

Please the crowds and praise the kings.

A bawdy innuendo, a prayer, a vision of glorious death,

And for the quietly watching intellectuals, ambiguity in spades.

A foundling of dubious parentage, brought up by rivers and seas.

A certain affinity to water, like Moses: cool fountains and dowsing

The springs in burning deserts, slaking thirst with words and glory.

How many streams are there? How many rivers?

Following the frightful pillars of smoke, the pillars of flame,

The burning bushes, the falling star.

There is a green land, and a green hill far away,

And the best of the best shall find peace there.

Across the river to the green lands for your sorrows.

A green hill of suffering for all your good works.

You shall become forever now, a constellation

Of the revolving fortress of glorious night.

I, not I, the river that is your awen,

The best, displayed in shining light,

A rainbow promise.

A slight and glorious

compensation

for past and future horror.

This is the second poem that was written with Llanwrtyd Eisteddfod in mind. Not one of the finals I chose to submit: too long a rant and not so obviously following the theme, though it continues and develops some of the threads found in the other seven parts.

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THE COMPETITION

(1. Prophecy of Fire)

I, not I, cannot lean against this luscious, deadly heat.

We are not roses, to drop our heads, to scatter petals,

To grow again as rain again splashes the dusty leaves.

Our grief all adds up, all weighs down.

These winds, these fires, these bitter, clever bombs, we cannot fight.

There are no winners, just braggers who will fall as well, soon enough,

Choked on the unguent of their profit, the poisons they excused.

Our shades shall not even cool us,

not as the forest shade does at Crychan, at Cwm Henog.

There shall be no violets in that twilight we surrender to at last.

There shall be no streams of delight, no wells of peace.

No tumbling nant at Nant yr Onnen nor crouching Ceirios.

The mists at Cwm Dyfnant:

they will be a smouldering of bracken and barbed wire.

Shadows, shadows.

A weather of shadows. A cloud of shame,

Claws of rock clambering from sunless cleft to cheer the last demise,

The victory of heat and blood,

The will to win, whatever.

The old, the ever, the same.

The truth of prophecy, the dregs, the well-worn path.

There shall be no competition then.

No mastery. No tenderness.

No tongue to sing the rhythms of praise, (the eloquent lies),

not to man, not to God, not to the primroses, not to the speckled thrush.

There shall be no golden chair on the hillside, then.

No crown. No applause.

No reply when the question is asked.

No one left to call for peace.

The sword unsheathed, the petals falling, the kites spiralling,

The fields bare and thistle-browed.

In the end, we shall see that there was nothing,

After all, to chase after, nothing to win.

The great blue skies,

piercing blue once more, over all,

And the cuckoos returned to Garn Wen,

the curlews to Cefn Gast.

This was one of my entries for this year’s Llanwrtyd Eisteddfod. In the end I submitted two poems from a series of seven on the same title. I shall be posting them all here soon enough.

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SCENT OF SALT DECAY (war song)

Wave on wave.

How can anything

Stand against

This world of change?

The cliffs shake,

The moments judder.

It will all be overthrown.

It will all find surcease.

The movement will not stop.

The movement in the heavens.

The whispering rush of undertow,

The pouring sands into the depths.

What is set in motion

Will roll ever on.

We shall move from despair

Into empty lands

Yet not escape the roar of it.

They clamour and tumble

Towards the heights

And fall back broken.

Hollow caves are their hearts

Beating cold wrack and ruin.

The scent of salt decay.

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WILD HUNT

I am lost

So I am yours, Gwyn.

Driven mad, worn thin,

By the fickle certainties of man,

The lies of the blood

In the lees of trust.

To slip and wriggle

Into cracks and crevices,

To numb as many seconds

As we may.

Kneel down in the soil

And weep.

You are clay that knows death

And have learnt a mechanical time

So as to watch its coming.

The whispered “This is how it is”.

That is a lie weighed down

By the phantasms of others’ dreams,

Souls worn wan draped in dust.

If we are not reborn

Then where does this yearning come from?

If we are not reborn

Why does music bring so many tears?

If we are not reborn

Whence the joy, whence the sorrow?

If we are not reborn

How do our desires arise?

Whence our dissatisfactions?

If we are not reborn

What purpose does hiraeth serve?

What purpose the stirring of the blood?

The bones of trees

I turn to small hopes.

Collect your souls, Gwyn.

Scatter them into a new Spring.

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