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ADVENT

Bran’s tousled head hangs eloquent
From every night-burned alder.

Rust red are the wounded bracken hillsides,
Sour the long sedge.

Steep is the road,
All distance vapour.

Every hedge, a calligraphy of secrets
Taught by italic rains, slanted weather.

The trees stripped to syllables,
Each a sharp tongue and a scourge for empty vastness.

All glory hidden,
Sunk into the small, warm hearts of huddled things.

In barn and byre,
A shuffled silence,

Summer days mulled over,
Scented green against the cold.

Anointed, we are, with slow light,
Awaiting an older cermony:

A star in the east.
A sure opening and a soft, certain closing.

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Llym awel 3, improvisations.

The third stanza contrasts the atmospheric tumult of winter with the motionless, perhaps frozen, lake and the lifeless stillness of the remains of vegetation around its shore and in the woods. The complex sounds and rhythms of the first line give way to the stark alliteration and simple rhymes of the second and third lines.
The overwhelming impression is of a stripped hollowness, everything destroyed by the storm. The key is “cold bed” conjuring a flat, unwelcoming expanse of coldness. All the emotion of the narrator is summed up in those two words.

Oer guely, lluch rac brythuch gaeaw;
Crin calew, caun truch;
Kedic awel, coed im bluch.

“Cold bed, the lake in winter’s tumult;
Withered stalk, broken reed;
Violent wind, the trees stripped bare.”

For now
It is, surely, a cold cauldron-
This seething winter sky
Within the mute
And broken vessels
Of the earth;
Hollow, rounded,
Iron still.
Held
The grey lake,
The naked wood
Stripped bare
( the suitors of the sky
Voracious for space),
Ripped and opened
To uncaring wild heavens.

Cold bed this lake, death-still,
Through winter’s rage;
Withered is the stalk,
Broken the reed;
Violent the wind
That has stripped bare
The trees.

Broken withered still the soil,
Still cold the unmoving expanse of lake,
Cold as death.
That which bends is broken,
That which yeilds is bare.
Nothing moves
But winter’s endless roar.

Winter’s roar.
All, broken.
Slapped down, the lake,
Cold, folded, comfortless.
Hollow the woods,
Ripped of leaves.
What was, is remains.
Severed, the warmth
Of summer

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Llym Awel, second stanza. Improvisations.

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Ton tra thon, toid tu tir;
Goruchel guaetev rac bron banev bre;
Breit allan or seuir
.

The alliteration of the first line rolls and rumbles like the waves that are described therein, then stutters and becomes harsh as the roaring sound is described, followed by a diminishing gentleness of the vanquished sloping land. The last line has a shocked gulping sadness, or an amazed sorrow. It frames and positions the narrator in an emotional as well as a natural landscape.

“Wave on wave, covering the side of the land;
Very loud the roar against the high hill;
A wonder anything remains.”

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Wave tops wave.
A coupling clamber
A mating roar,
cast seed
spray spume.
Before one, before all,
up sloping land.
Seige unopposed,
howled hunger thrown,
A wild encroachment,
a burst breach
Long and longer reach,
a tumble.
The high hill groans.
What can stand,
what can stay?
From this slide skywards,
From this steep,
utter submergence?

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Desert Songs(2)

Lulled by light, long and low.
Warm winds, fled with birdsong.
Distant rises the muezzins’ heart,
A hive of bees, nectar-fed.
The sands lift to colour the air,
A wave of snakes, a river in time.

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Blink

BLINK

Days of endless sun.
Thought and purpose
Slowly lift, shimmer, evaporate.
Staring at white horizons.
Blink.
Dog pack saunters
From shade to shade
Sniffing flowerbeds.
Blink.
Sand took form,
An antlike persistence
In the angled walls,
Windowless, shadowed.
Blink.
Ink-slow waves
In a gelatinous evening.
The winding path,
A hum of far generators.
Blink.
A camel yawns,
A cat scratches.
Blink.
Palm trees
Practice the mudras
Of elegance,
Lifting and falling
In a rippled breeze.
Blink.
The turquoise sea –
A clear calm eye.
This trembling smile
Of shoreline.
Blink.
The low land, reluctant,
Drinks sweat and blood,
Who would be content
With only water and love
And a settling of peace
To bloom with wild and lonely greens
( a song of shade and a same old longing-
Moon and moonlight).
Blink.
The small birds flit
The fast small hawk.
A flash of feather alley-fast
And soaring minaret,
A calligraphy of vowels,
A calligraphy of gesture.
A moment threaded through the blue
And sunlit sand.
Blink.
A sudden upright green,
A wash of convinced colour –
Reward for winter rains.
Blink.
Blink.

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Desert Voices.

Violet sky.

A woman

Is the air,

Dancing.

Wind,

The audience.

A silent world.

A silent world.
Waiting
For the footprints
Of saints.

Dust and sand
Dancing in lines.

In the heat,
Shadows melt away
To nothing.

Shadows melt away
To nothing.
Birds hop
From tree to tree.
Cat sits still,
Rolls and stretches.

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The final two sections of this work have waited a long time to emerge. The exploration of the angelic spheres simply needed arranging, but the final section on the Highest Sphere, I had no idea how to proceed with, until one recent morning, the words flew out of themselves.

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Causatum primum esse creatum primum pricipium omnium creaturarum continens in se creaturas. ( First effect, first created being, pricipal of all creatures, containing all creatures within itself)

It has been months now,
Perhaps years, perhaps lifetimes,
Wandering, flying north, reaching upwards.
Lost and dreaming in the folds of space.
Without affirmation, without calibration,
Lost in uncertain geometries,
Torn by laws of motion
And too certain theologies.
Beyond the rational, beyond the poetic,
A mind running regardless,
Generating language, souls and wings.

Materia in potentia (passive receptacle)
Forma in potentia (Pure Act)

Here in the thin silences
Every river has become
Clear white and single streams,
The seven rivers ceased.
Now, a simple irrigation of sound.
A First Cause, before it takes sides,
Turns demons cloaked in thunder
And dark collateral engines of despair,
Innocent and mirroring the forceful
Wells within us, deeper than bone.

Creator omnium Deus -Causa Prima – Voluntas divina – voluntas divina. ( The Creator of All, God, the First Cause, The Divine Will, The Divine Will)

There is nothing grand about the First.
Nothing magnificent, nothing golden.
The smallest shudder, an imperceptible stretch
Before any decision to inflate,
Any smudge of granulation,
Any furrow of rotation.

An indeterminate number of souls –
All the ghosts of past and future –
Holding back, though longing
To explode within:
The only fuel, the only food, the only song.
The geometers approach, but tangle their measures.
The geomancers learn the dance, weigh the odds.
The elders nod and drool.
The angels consume themselves eternally
In flaming passion, revolving.

Only the weeds in the meadow give utterance to it,
And that so sublime, it makes less sense
Than the grasshopper’s click
And geiger song of cicadas.
Doppler shift.
It forms on disappearance,
It shapes and sings with distance.

A flaming torch falling,
A roar through shaped voids.
Cast out, returned, circumferential, pointless.

All the words have emptied out,
And yet more form and flow –
An endless road,
A glistening heaven
Made of rock,
A mistaken sky.

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at last, the final two parts of this piece exploring the medieval vision of the soul travelling through the spheres of existence. As regards angelic hierarchies, they vary considerably in name and number. Biblical references are few. The system seems to have been sturdily spliced with esoteric Judaic traditions, and like the ( much more interesting) demonic hierarchies, show an almost dendochronological accretion of earlier and proscribed spirits and deities. But that’s medieval cosmography for you….

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The Ten spheres of Intelligences. The supra-formal spirit.

Here, then,
The taxonomies of dreaming light,
Of three Orders, lowest first:

Angeli
Archangeli

These bright effulgent hawks,
Down swooping, sharp-eyed angels
Hungry hosts, folded talons.
All have their prey.
A choir of glory at dawn and dusk,
Slipping barefoot over thresholds
A dust of dreadfulness dipped and stuttered,
Swathed, embedded in sultry command,
Ineluctible tides, currents ripping sideways.

Troni
Dominationes
Virtutes
Principatus
Potestates

The second: they are the rulers,
The judges, the shepherds of nations.
Genii locii redressed, renamed, enthroned,
Virtues, Powers, Principalities, Dominions:
The light lords of city states,
Osiris and Apollo whispering
In the ears of artists and manipulators,
God’s work on Earth, His paint-loaded brushes.

Seraphim
Cherubim
Ophanim
Ordo senorum (Elders)

Now the highest and closest
To the Source:
Heavenly counselers,
O Seraphim, caretakers of the throne,
Wing-covered, evaporating praise.
Two wings before your face,
Two before your feet,
With two you fly and fly.

O Cherubim, the watchful.
Four wings conjoined, all eyes,
Shaggy muscled lion bodies, upon cloven oxen feet,
Four faced, an elemental hub,
Man, ox, lion, eagle.
They guard the Tree,
They guard the Paradise
They guard the Throne.

Now the Elders on their thrones,
A terrible government, a majority.
Who were they before? To reach so
Stern and high, a multiplicity of divine view?
Strange they mimic men, when all around
Vast eerie visions wheel and burn.

Inconceivable are the Ophanim, mighty wheels.
Green crystal wheels inside greener wheels,
Their spinning rims are all eyes
Where their spirit revolves, gyroscopic.

No place, (you might notice)
For the demons and the lost.
Left off the map, redacted, erased,
A progression of graded lights
Devoid of shade and shadow.
No dissention in this vast ascension,
Corners swept of all obscene doubts,
The unclean and unholy extinguished,
Written out, ignored, irrelevant, unnecessary.
A superior hierarchy chambered in chained gold,
Gently tinkling.

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INVITATION

Come, come whilst the woods are green and golden.
Days crumble and fall, a burnished bracken,
A tremble of cobwebs.
They tumble and cascade, ripened and rotten,
A glorious ferment, a willed and wanted collapse.

The roof-tops in the forest,
Moss covered, dripping:
A kind of amicable silence,
A shared solitude
Threaded with birdsong.

Our scars, our pains, show
How we have become ourselves.
They are the maps that have brought us here.
In these pools of silence
Put them aside, fall, forget.

Come into cloud silences, the tumbling breezes.
In early morning, a slow drifting time,
The calligraphy of bats above the feeding sheep.
Where distance comes and goes,
The river’s voice everywhere and nowhere.
The long, pink dawn stretching low,
Rolled out on bird wings,
The green gold of valley oaks.

Come, before the days grow too short,
Before the fords deepen and run so fast.
The still soft light of woodland,
Bramble, bracken, willowherb that browns and thins.
And the dead risen up in their Sunday hats:
They sit in circles and talk endlessly
Of the past that we are become.

Come if you are homesick for woodsmoke,
For a slow, unwinding road,
A symphony of edges,
A breathed rhythm,
An enfoldment, a rapture,
An end and a beginning of stories.
A little time away.
A time given back to the world.
To be unnoticed, camoflaged, melted,
Drowned sweetly, the waves of autumn.

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Cefn Gorwydd ( pronounced something like ‘kev’n guroo eth’ ) is the hamlet where we now live. It is strung along a high ridge between two ranges of upland : old mountains- some of the oldest in the world- the Cambrians and the Eppynt, once home to druid saints and radical preachers…

CEFN GORWYDD

Here we all are, eight in a row
Sight pinned to one view.
Welcomed by distance
Absorbed, belonged, threaded in.
Suspended in swift airs,
Slowly turned, become diaphanous in thought.

Vague only to the roaring loggers
Mumbling down to valley woods,
Vague to the laboured city breath.
Worn thin and cherished
On the sight of light and land,
On the crisp edge and whispered mists.

Folded in and waiting.
The mountains’ round names
Seeping into stilled minds,
Burned purple, stained grey, rubbed in gold.
The layered edge a lilting song
A yearn for valleys curling north.

We are named, but little, a scattered thing
Tumbled together by this or that.
Laid out in a neat line
Patted down, a pattern of years.
We become monastic, an inward road.
Going and returning slow step by step
Between a fuller season
And a perfect prayer.

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