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Posts Tagged ‘deep ecology’

CAILLEACH SAYS

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This is what the

Cailleach says:

I have outlived you,

Outlived the fighting men

With their angry religions,

Their need to keep memory to themselves.

I have forgotten the years, forgotten even my names,

Forgotten all the homes belonging to myself and my daughters.

I walk about, best you if you challenge me.

I do not care that you live or die

Because you shall live and die.

Myself, my daughters, somehow

Avoiding the slaughter, avoiding the bombs,

Avoiding the pious, unholy glory of it all.

Living here and there, bringing luck,

Bringing healing,

Bringing you down-to-earth.

Where are we now?

I am the smoky one, the drift of smoke

Through your desolate city,

The ragged one, the forgotten one

Who cares for the small things,

Who teaches my daughters

To bend and survive, to make bread,

To give milk, to circle around edges,

To pick up the pieces that remain.

The thieves will come,

The do-good priests with their tall tales,

And the old men with their aches and jibes,

And the farmers with their complaints,

And the wind with its news of another war

Made by men.

And we shall remain,

Ragged, unnamed, silent, alone.

Us and our daughters

Holding on to the world.

With our keening and our shroud-clothes.

Waiting to wash the bones clean.

Waiting for goodness to be noticed.

The storm washes clean the slaughter-stone.

Moonlight on the darkening path.

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UPLANDS (2)

Metres deep, feet, yards even,

Seasons deep, long years,

Scoured, strained, laid down,

A weight of water, a weight of

Tangled sedge-grasses, bones and stone,

Splayed, split on storm skies and roaming mist.

No one lives here long alone.

Bullied and pushed we must lay life on life,

Become entangled, near invisible,

Even to wheeling hawk, even to stoat and marten.

Tangle-rooted, stubborn as a song,

A narrow path wound between dry bluff and impossible wood.

The air here, though, pretends its own freedom.

Not trapped by contour nor disguised

As happy distance.

Pharoah’s prophet on Drigarn Ddu points an accusing finger.

The rules are here, laid out clear on rippled stone.

No wavering, no equivocation, no interpretation.

A bleak love and a hungry wind.

Garn Ddu on fire at sunset, the flashing shout of heather,

Open-mouthed, sinewed dust.

They still shall congregate on the circle of the horizon.

They shall come no nearer but yet beat your heart tender.

The Elders, entranced, caved-up, walled in rubble, unroofed.

Bitter beauty viewed from lascivious valleys: a yearning, there for here,

And here for there.

It is the paradox of the old religion heaped up to the silent sky.

The paradox of breath and flesh.

Leave it be. Become something else.

This impossible gradient burned into the land’s heart.

The desolation that gives us life.

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This land, boy, is called history.

And she sleeps naked to the sky

And dreams of heroes.

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This land wades through its weather,

Wrapped in stories, warmed by its belonging.

We are gnats here for an hour or two

Dancing above an eternal pool

Reflecting the sapphire deep skies.

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This land stretches from shore to shore,

From sea to seabed, one continuous cloak,

A net of heart fires.

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If I can only stand still

Then all the competition shall fade away,

The last shall become first,

The first decay, and I shall remain.

If I can only stand still

As all sorrow and joy revolves about me

And blurs to time, and the time to eternity,

To one moment, and then that

To one who remained standing through it all.

If I can only stand still

The words shall come,

The truth and the prophecy

Will seed tremulous,

Hatch worlds

And pass away in wonder.

If I can only stand still

The fools shall stay silent,

The warriors grow tired of their excuses,

The rich find piety, the poor find solace.

If I can only stand still,

Give shelter to the small birds

And to the invisible weathers made of memory.

If I can only stand still,

The small light from the Pole Star,

Threading down my spine,

And only that one axis,

Held and held and finding peace there.

If I can only stand still,

Poised, regardless, rooted,

The vines solar, and the vines lunar

Winding up from my ankles.

Becoming rock, becoming mountain,

Becoming bark, becoming canopy.

If I can only stand still,

Place will become irrelevant,

Past, present, future

Roll up into a breath

And then not even that.

If I can only stand still,

It shall all be bestowed as a virtue,

As a beatitude, as a blessing.

If I can only stand still,

And not be this itching dust,

This hungry fire that must consume,

Consummate and move on, hungry still.

Made of dust and flowers,

Washed upon waves, sand sighed,

Sound sifted, shore-cast and motionless

With the roar of waves,

Unmoved, unrocked.

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THE COMPETITION

( 2. The Prophecy of Flood)

Tell me, then, that there are no gods of weather

Now everything is measured, everything explained.

That we can go about our business safe and sane,

Not wondering what shall befall us if we anger or stray.

That knowing vanquishes fear.

That naming disarms the fact.

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I would not pit the gods of cities against the gods of the world.

Though the god of money enchains us to its tumbling promises,

Though we are comforted here by the law and order

Laid out in concrete streets.

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The breath of time we measure, but the god of Time is not of us.

The god of storm, the god of light, the god of life, the god of death,

The god of twilight, the god of decay.

They are all no smaller now than they were before.

Tame the weather, and there is a greater weather.

Cage Time, and there is a greater Time.

The gods are those against whom we dare not compete.

The sky towers we have built of swaying, rickety philosophies are no match.

The chiselled, honed words, all the equations, mean nothing

But a murmur dream.

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Is there anything more poisonous to the soul than competition?

The battle for worth, the war for best?

Listen! I am the best at sorrow, the best at melancholy.

I am forty days of rain. My bitterness, a pointing finger

That wipes the slate clean. Above all. Below all. Separate. Distinct.

In the flood I am the spark that burns down the one remaining boat.

Sneering at lesser things is my entitlement.

First among the angels. Too great to fall.

The Elders lined up there on their thrones, counting points, counting scores.

Chosen by the chosen to join the ranks of the chosen.

Offer up your pious praise to God and deftly gather up the gold.

We honour the first, the second, the third (with a shrug)

Wave through the beautiful, wave through the best.

Wave off the rest. Judge and separate.

Gwion was a pauper, grabbed by the ear and told to watch.

Afagddu, the soot black sullen shadow, was the chosen one,

Born for greatness, a certain destiny.

Taliesin: best at bragging –

I was. I am. No one better than I.

The stunned poets casting up their eyes to

The heaven he says he comes from,

Packing their bags, looking to find less glamour-filled halls.

He knew a thing or two:

Please the crowds and praise the kings.

A bawdy innuendo, a prayer, a vision of glorious death,

And for the quietly watching intellectuals, ambiguity in spades.

A foundling of dubious parentage, brought up by rivers and seas.

A certain affinity to water, like Moses: cool fountains and dowsing

The springs in burning deserts, slaking thirst with words and glory.

How many streams are there? How many rivers?

Following the frightful pillars of smoke, the pillars of flame,

The burning bushes, the falling star.

There is a green land, and a green hill far away,

And the best of the best shall find peace there.

Across the river to the green lands for your sorrows.

A green hill of suffering for all your good works.

You shall become forever now, a constellation

Of the revolving fortress of glorious night.

I, not I, the river that is your awen,

The best, displayed in shining light,

A rainbow promise.

A slight and glorious

compensation

for past and future horror.

This is the second poem that was written with Llanwrtyd Eisteddfod in mind. Not one of the finals I chose to submit: too long a rant and not so obviously following the theme, though it continues and develops some of the threads found in the other seven parts.

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Penygarngoch rises from the past,

A whale of rock, green draped,

Through the hayfields and meadow mists.

Rising above the lowing cattle,

Rising above the blackcap’s song.

Higher than the raven’s tumble,

Higher than the roads and pathways.

The present does not wash it clean of memory.

It does not replace the layers accumulated,

The dust of starlight, the tombs of kings.

In its deep roots, in its trickling waters,

In its sedge and scrub and bracken,

In its clear-eyed dreaming head,

In its separate, aloof completeness,

In its drawing out of silence,

In its dome of watchfulness,

It rises higher into the sun.

Both consonant and vowel,

Both noun and verb.

A rounded arc that restfulness adheres to.

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GOLDEN MERIDIAN

“Here at the centre of things.”

(There at the centre of things),

“We see everything and hear everything.

How the chorus of dawn is continuous,

How the shadow, like a wave,

Retreats from the light around the world’s edge.

How the light, like a wave, retreats

From the shadow and silence of night

With owls and thunder.”

There is one here,

( there is one there),

Dressed in liquid gold

Like a summer river,

Like a wood filled with birdsong.

He says:

“If you wish to be more

Than you are now,

You must learn to suspend your knowing.”

He says:

“Your in breath is the outbreath of another.

Your outbreath is the inbreath of another.

She says:

“Look. Listen.

The birds of dawn

Forever singing.”

She says:

“Look. Listen.

The eternal stars

Forever resting

In cool midnight silence.”

He says:

“Beginnings and endings are words.

Life and death are words.

To travel beyond words

Is a road few follow.

All those here are dancers.

Movement comes before sound.”

She says:

“There are no questions

That cannot be answered

With more questions.”

He says:

“Eternal sunrise.

Eternal twilight.

We admit those

Who have forgotten their names,

Only.

What is your name?”

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BONES

Do you hear your bones speaking?

Of the groaning glaciers and the ice waters

Released from the dark caves.

Of the small things you do not weigh up.

Of the large things, so large you are oblivious.

Of the earth swaying on tip-toe

To see the glorious horizons

That the gods dream of.

Of the rumble of sunlight

Piercing the hillside cairns.

Of the feathered footsteps

Of the reborn.

Under the still shade of the yew trees

Your bones speak,

But all you feel is fear.

The tipping point, the cliff edge.

Fingertips turn to pinions,

A hunger for corpses.

You can never steal the gold

That is the due of the gods,

Nor the silver that is the blood of the moon.

It shall all be returned.

That is what your bones say.

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STONE AGE

Snow clouds drift below moon and stars.

The river roars its long distance.

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What can can we do

But breathe in the warm smoke of fires

And huddle down into the skins of animals?

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In this way

We become the world’s eyes

In long winter.

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Hunters of stories

In the mists.

Recounters of the long herds

And the cunning wings.

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Sustained by the strong life of others.

So we may sing their praises

And with our hands

Shape amber and jet

And flint and bone.

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Beneath the one tree of starlight

And dancing, rising sparks.

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TO RETURN

We live where we can breathe the light of stars.

Where we watch them dowsed at dawn in the rivers of the world.

This is our power: to dismiss your ravings.

To grow food and share friends,

To chop wood and to watch the flocks.

To vanish, when the time comes,

Into the same song our mothers sang.

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